Director: Antoine Fuqua
Cast: Denzel Washington, Marton Csokas, Chloe Grace Moretz, David Harbour, Bill Pullman, Melissa Leo
Screenplay: Richard Wenk
132 mins. Rated R for strong bloody violence and language throughout, including some sexual references.
I recently got into The Equalizer, a classic television series, after seeing it referenced in The Wolf of Wall Street. Good show, interesting structure and grit.
When I heard that the series was getting the big-screen treatment in the form of a Denzel Washington (American Gangster, 2 Guns) vehicle from director Antoine Fuqua (Training Day, Olympus Has Fallen), I was intrigued, but I felt like it wouldn’t get the attention it deserved because of the many revenge vigilante franchises abound today. As it turns out, I was right.
Robert McCall (Washington) works at Home Mart, and has a pretty simple life. Work followed by a nice calm read at a local diner where he usually sees Teri (Chloe Grace Moretz, Kick-Ass, If I Stay), a young prostitute. After Teri is brutally beaten by her pimp, McCall goes on the offensive, searching for vengeance against those responsible. Once he is involved, a Russian Mafia enforcer named Teddy (Marton Csokas, The Lord of The Rings: The Fellowship of the Ring, Sin City, A Dame to Kill For) hunts McCall, beginning a battle neither wants to lose.
I felt like the basic problem of The Equalizer is a simple one: oversaturation of the market. Too many other similar and better films exist and have been ingrained in popular culture. The Equalizer just isn’t as unique as it thinks it is.
Denzel does fine work, but the script feels lazy and Antione Fuqua’s style comes off as a ripped-off amalgam of Sherlock Holmes and The Bourne Identity. The film loses all traction the moment that Teri is removed from the story as she is tragically forgotten about thirty minutes in.
If you want to see a movie like The Equalizer, you can definitely save money by picking up a better film with a similar story elsewhere. One can only hope that Washington can pick himself up from this recent tread of lackluster films. Hope.
-Kyle A. Goethe