[31 Days of Horror Part VI: Jason Lives] Day 13 – Ghost Stories (2017)

Director: Jeremy Dyson, Andy Nyman

Cast: Andy Nyman, Paul Whitehouse, Alex Lawther, Martin Freeman

Screenplay: Jeremy Dyson, Andy Nyman

98 mins. Not Rated.

 

On the recent subject of anthology horror films, today we’ll be looking at Ghost Stories, a unique and interesting twist on the idea of anthologies. It’s not really an anthology, and it also has a level of anthology-style to it with a very interesting framing device. Let’s talk about it.

Phillip Goodman (Andy Nyman) a professor known for his skeptical viewpoint of ghosts and the afterlife. He runs a documentary-style show that debunks paranormal events and stories, and when he is given a file with three cases of unexplained paranormal circumstances, he discovers that each of these ghost stories blurs the lines between what is real and what is not.

I had been told many great things about Ghost Stories and as I was watching Professor Goodman going through each of the cases, I kept wondering why. Each of these cases felt like something that I’d seen before, something I expected, something unsurprising. So why is it a good movie? About halfway through the film, I stopped wondering about that. There’s a reason why these stories feel familiar and why they seem unsurprising and expected. There’s a hidden connection among the stories and the effect they have on Professor Goodman.

Andy Nyman does some very solid acting as Professor Goodman, and, in fact, each of the three characters leading the three stories are both relatable and well-performed. I particularly liked Paul Whitehouse (The Death of Stalin, Alice Through the Looking Glass) as Tony Matthews, the central character of the first story. He’s an actor I don’t have a lot of experience watching, and his character arc in the first story mirrors a lot of how I would go through the experience of a haunting. That’s not to fault either Alex Lawther (The Imitation Game, TV’s The End of the F***ing World) in the second story or Martin Freeman (Black Panther, Cargo) in the third. Each story works much better in hindsight after understand the complete path of the film.

Ghost Stories is a wildly psychotic and enjoyable film. Its faults lie in a muddled first half meant to set up the big reveal at the end of the film. I’m also not entirely sure if the film is very re-watchable, but I’d like to see it at least once more to put all the pieces together. I’d highly recommend it for a fun puzzle of a movie, one that stuck with me after watching it. These Ghost Stories are well worth hearing.

 

4/5

-Kyle A. Goethe

 

 

For more 31 Days of Horror, click here.

Black Panther (2018)

Director: Ryan Coogler

Cast: Chadwick Boseman, Michael B. Jordan, Lupita Nyong’o, Danai Gurira, Martin Freeman, Angela Bassett, Forest Whitaker, Andy Serkis, Daniel Kaluuya, Letitia Wright, Winston Duke

Screenplay: Ryan Coogler, Joe Robert Cole

134 mins. Rated PG-13 for prolonged sequences of action violence and a brief rude gesture.

 

Well, Black Panther’s finally here. Compared to every other MCU film to date, Black Panther is one of the titles I hadn’t read until the film was revealed. Like Iron Man before it, I just didn’t know much about the character or the comic, but as soon as I heard about the adaptation and the inclusion of director Ryan Coogler (Creed, Fruitvale Station), I wanted to read as much as I could. Black Panther is under a lot of pressure to be good. Expectations have been abnormally high on this one. How did it turn out?

Picking up about a week after the events of Captain America: Civil War, T’Challa (Chadwick Boseman, 42, Marshall) arrives home in Wakanda to claim his birthright as King. He is reunited with Nakia (Lupita Nyong’o, 12 Years a Slave, Star Wars: The Last Jedi), an old flame who sees Wakanda’s secretive advances in technology as a tool to help the world, but T’Challa believes that revealing Wakanda for what it is puts the country in jeopardy and creates enemies. One such enemy is Ulysses Klaue (Andy Serkis, War for the Plane of the Apes, The Adventures of Tintin), a smuggler and arms dealer, has allied himself with the mysterious Erik Killmonger (Michael B. Jordan, Fantastic Four, That Awkward Moment), who has his own reasons for wanting to reach Wakanda.

Black Panther is one of the most-layered films in the MCU, and it excels in two areas that MCU films regularly fail: the villain and the music. First, the villain is an interesting and flawed character who has understandable motives in his ultimate quest. Just like Civil War before it, Black Panther presents a very interesting dilemma that has merits on both sides of the argument, and T’Challa is just as flawed with his decision as Killmonger.

The music is also a major step up from previous MCU films in that Black Panther has a theme, courtesy of Ludwig Goransson, and its complimented by Kendrick Lamar’s music supervision of the soundtrack. This film has a unique feeling that stands on its own while embracing the tightrope act of the larger MCU framework.

Coogler presents powerful themes in the film like Responsibility and Legacy. While T’Challa doesn’t want to lead from a throne, he is challenged by what has come before. He would rather be out hunting for Klaue himself. He looks up to his father but he is challenged by the difficult decisions T’Chaka had to make as king. T’Challa is forced to confront these difficult decisions and their aftermath, further conflicting his views on the legacy that his father left. The way he interacts with Killmonger, too, brings forth conflicts in identity and the question of nature vs. nurture in their lives.

I think Black Panther is a hell of a showcase of its principal cast. It’s proof of the incredible amount of top-notch performers of all races. Each role was cast with purpose, from Danai Gurira (The Visitor, TV’s The Walking Dead) as Okoye, leader of the Dora Milaje, an all-female team of protectors, to Forest Whitaker (The Last King of Scotland, Arrival) as Zuri, a spiritual figure in Wakanda who protects a special and powerful herb. Every performer in the film is so precisely cast that you couldn’t see anyone else playing that character. I was especially impressed with Daniel Kaluuya (Get Out, Sicario) as W’Kabi, friend to T’Challa. Up until his role in Get Out, I did not know Kaluuya, but with such a small amount of screen time, he creates a lasting impression in the film.

For all the amazing things Ryan Coogler did with Black Panther, one cannot forget that this is a superhero movie in a crowded genre at the beginning of the year. He should be recognized too for the absolutely incredible experience of watching the film. Black Panther was downright fun to watch and be a part of. If you haven’t seen the film yet, I’d advise you to head to your theater immediately to see it in the largest crowd you can. This is probably my favorite film so far this year.

 

5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

 

For more Almighty Goatman,

Kyle’s Top Ten Worst Films of 2016

 

Yes, we survived 2016. We made it! And as painful as 2016 was, there was a lot of great films released.

There were also a lot of stinkers. Here, today, I’ve compiled my list for the Top Ten Worst Films released in 2016. Keep in mind:

  • This list could and should be longer. There was a lot of crap to wade through in 2016, and…
  • I didn’t see every bad movie in 2016. This is a list of the worst films I saw. I didn’t see Gods of Egypt, so you won’t see it here.

Alright, let’s not wait any longer. Here we go:

 

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  1. Race

Race is a movie that shouldn’t be on this list. But it is. Why? It’s boring, it’s cliché, it’s predictable, and worst of all, it shows signs that it could’ve been terrific. What do I mean? The scenes depicting the actual sport of track and field were great, and they pulled me in. Then, the rest of it pulled me right back out. The performances were disappointing because the script was all over the place, and it just didn’t work.

 

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  1. Zoolander No. 2

Zoolander isn’t a great movie as it is, but it was still leagues ahead of this bloated sluggish sequel which pits Derek Zoolander and Hansel against a strange and sinister conspiracy to kill the most beautiful people. There was one scene that made me chuckle involving Neil DeGrasse Tyson, and the stuff with Kiefer Sutherland and Sting was great, but there are all these moving parts that just stunk, worst of all is a stupid side-plot involving Derek’s son played by Cyrus Arnold. Zoolander No. 2 is a sequel that proves that maybe we should just let things lie and stop requesting sequels to comedies that are past their prime.

 

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  1. Batman: The Killing Joke

How do you mess this one up? To this point? The Killing Joke is a great graphic novel, and the adaptation for it is not so much. First of all, I found the prologue featuring Batgirl to be filler. I agree that in adapting the novel to the screen, you can do extra scenes that pump up the story, but nothing in that first twenty minutes or so really mattered. It was awful. Once the film started, things improved, but not by much as it squandered its production of a poorly paced film that kind of just falls apart. I wanted more from this, and I thought we’d get it. Sadly, The Killing Joke is not what it should be.

 

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  1. Whiskey Tango Foxtrot

Martin Freeman is great in Whiskey Tango Foxtrot. The rest of the movie is sloggish and unwaveringly disappointing. I didn’t really connect to any of the characters, I didn’t care about their journeys. I didn’t really find investment anywhere, and that just ruined any chance of enjoying the film which runs on far too long without finding a purpose for its existence. Extremely disappointing.

 

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  1. The Huntsman: Winter’s War

I didn’t love Snow White and the Huntsman, but I saw potential in it. When I heard a pre/sequel of sorts was being crafted with Frank Darabont of The Shawshank Redemption fame, I was overjoyed and curious. Then, he left the project, and the screenplay was “retouched” and some random director was found to fill the shoes, and the movie…sucked! It was so terrible. I tried several times to force myself into it, but there is nothing of value in this film. It adds nothing to the mythos and instead comes off as terribly assembled. Heck, it wastes Chris Hemsworth, Jessica Chastain, Emily Blunt, and Charlize Theron. There is nothing of merit here.

 

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  1. Criminal

I should’ve known Criminal was going to be bad. It’s poster and trailers did nothing to excite me. Kevin Costner isn’t really trying anymore.  But there is such an interesting cast put to this film that I gave it a try anyway. That was a poor decision. Criminal is convoluted and contrived, but none of that matters as much as how absolutely boring it is. I couldn’t wait for the runtime to end so I could get up and run from my seat.

 

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  1. Marauders

Marauders, like Criminal, is just flat-out boring. Even Bruce Willis looks bored (granted, he usually does). Marauders plays itself for its twist, and the twist isn’t even good. Beyond Christopher Meloni, who I usually enjoy, the best performance comes from Dave Bautista (no rudeness to Bautista, but he seems the only performer committed to trying here). Marauders had a limited release and for a good reason. It is truly…awful.

 

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  1. The Boss

After Tammy, someone should tell Melissa McCarthy that we’re kind of done now. The Boss, directed by McCarthy’s husband, is boring, bland, stupid, and unlikable. McCarthy again plays the same character we’ve come to know and disdain, but somehow finds a way to make us truly hate her. The Boss is by and far the worst comedy of 2016.

 

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  1. Miracles from Heaven

Don’t tell me that I don’t like religious movies. I don’t like garbage movies. Miracles from Heaven is a garbage movie, pandering to the worst of film. Films can inspire and give hope, but not from excessively depressing plots and horrible writing. Miracles from Heaven is just lucky that it will fade into obscurity and end up the last feature on a 10-movie set you’ll find in the bargain bins of your local Wal-Mart.

 

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  1. I Am the Pretty Thing That Lives in the House

Osgood Perkins, son of Psycho star Anthony Perkins, delivers some dread in I Am the Pretty Thing That Lives in the House, but it becomes very apparent within minutes, the film doesn’t have a story or a compelling character to walk us through it. There is nothing truly frightening about this film, and the worst part of it all…it is so unrelentingly boring. I shudder only at the thought of this film being suggested to me on Netflix for the rest of my life. That’s the real horror here.

 

So there you have it. The worst of the worst of 2016. Thank God that’s over with.

Is there something missing? Let me know. What did you think was the worst film of 2016?

 

-Kyle A. Goethe

[Happy 10th Birthday!] The Hitchhiker’s Guide to the Galaxy (2005)

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Director: Garth Jennings

Cast: Sam Rockwell, Mos Def, Zooey Deschanel, Martin Freeman, Bill Nighy, Anna Chancellor, John Malkovitch

Screenplay: Douglas Adams, Karey Kirkpatrick

109 mins. Rated PG for thematic elements, action and mild language.

 

The Hitchhiker’s Guide to the Galaxy was perhaps doomed from the start. A big-budget adaptation of the wackiest space adventure ever conceived could only accidentally succeed or admirably tank.

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Arthur Dent (Martin Freeman, TV’s Sherlock, The Hobbit: An Unexpected Journey) is fed up. His home is about to be demolished to form a hyperspace motorway, and he barely escapes thanks to a friend named Ford (Mos Def, The Italian Job, Begin Again) who might not even be human. As the two hitchhike across the galaxy alongside fellow Earthling Trillian (Zooey Deschanel, TV’s New Girl, Elf) and Galactic President-turned-fugitive Zaphod Beeblebrox (Sam Rockwell, Moon, Better Living Through Chemistry) in an attempt to find the Ultimate Question to Life, the Universe, and Everything.

From a script by original author Douglas Adams aided by Karey Kirkpatrick, the film has everything that made the novel great. The performances are quirky enough to serve the source material while real enough to fit the film. I love that director Garth Jennings (Son of Rambow) seamlessly blends the main story with interjecting narration from the talking Guide (voiced by Stephen Fry).

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I think the major problem that people had with this film is that if you hadn’t read the book, you didn’t know what you were getting into. The novel was considered somewhat unfilmable because of its innate sense of insanity. Many thought they would get an interesting sci-fi comedy but they hadn’t expected to see anything like the finished product, because there really is nothing like this finished product. Another example of a film being misrepresented by its marketing. Another example of a great franchise squashed far too early.

 

4.5/5

-Kyle A. Goethe

The Hobbit: The Battle of the Five Armies (2014)

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Director: Peter Jackson

Cast: Ian McKellan, Martin Freeman, Richard Armitage, Evangeline Lilly, Lee Pace, Luke Evans, Benedict Cumberbatch, Ken Stott, James Nesbitt, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Orlando Bloom

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro

144 mins. Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images.

 

Let’s just take a moment to appreciate the work that Peter Jackson (The Lovely Bones, King Kong) and his creative team has accomplished. Six films, two trilogies, and hours upon hours of extended editions have comprised the Middle-Earth Saga.

Bilbo Baggins (Martin Freeman, TV’s Sherlock, Hot Fuzz) and the company of dwarves have just let the diabolical Smaug (Benedict Cumberbatch, The Imitation Game, Penguins of Madagascar) loose on Lake Town. It’s up to Bard (Luke Evans, Dracula Untold, Fast & Furious 6) to stop the evil dragon and reclaim their lives. Tempers soon flair up as the treasures of Erebor are up for grabs and Thorin (Richard Armitage, Captain America: The First Avenger, Into the Storm), consumed by greed, has decided not to honor the agreement made with Bard and his people. Meanwhile, Gandalf (Ian McKellan, X-Men, The Prisoner) continues his battle against the dreaded Necromancer.

The finale to The Hobbit trilogy is a far different film from its predecessors, and with a very simple plot, revolves entirely around the Battle of the Five Armies, one of the biggest battles in Middle-Earth history. It is very similar to Harry Potter and the Deathly Hallows Part 2, where the entire film revolves around the climactic ending as opposed to standing on its own. It is definitely my sixth favorite Middle-Earth film.

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Ian McKellan is a torn Gandalf here, caught between his allegiance to the Company of Dwarves and his commitment to reason and peace. McKellan continues to impress.

Evangeline Lilly (TV’s Lost, Real Steel) is great as Tauriel here, the elf who has developed feelings for the poisoned dwarf Kili. Her relationship with Legolas (Orlando Bloom, Pirates of the Caribbean: The Curse of the Black Pearl, The Three Musketeers) and his father Thranuil (Lee Pace, TV’s Halt and Catch Fire, Guardians of the Galaxy) are further delved into in this film and helps to increase her internal and external conflicts as the story progresses.

As far as the Company of Dwarves, we get more great but wholly underutilized work from Ken Stott (Shallow Grave, One Day) as Balin, the dwarf who will one day claim Moria, and James Nesbitt (Coriolanus, Match Point) as Bofur, the dwarf who, above all else, just wants his home back.

I also loved the continual references to future events and foreshadowing from The Lord of the Rings, like the cameo appearances from Cate Blanchett (The Curious Case of Benjamin Button, How to Train Your Dragon 2), Ian Holm (Ratatouille, Lord of War), Christopher Lee (Star Wars: Episode II – Attack of the Clones, Dark Shadows), and Hugo Weaving (The Matrix, Cloud Atlas). My only major issue was that I wanted more. Tolkien fans will know that Balin ends up in Moria with Oin, we know that Gloin has a son named Gimli, we know Saruman’s fate, but I wanted to see more in this film.

Director Jackson continues to prove he can handle action and large-scale battle sequences, the action here is incredible. His cinematography mixed with the amazingly well-put-together sequences, and Howard Shore’s deep and thunderous score.

It took me a while to really enjoy Billy Boyd’s final song, “The Last Goodbye,” but once I did, I really felt it tied together not just this film, but the trilogy and in fact the entire saga.

If you get the chance to watch Benedict Cumberbatch’s performance capture for Smaug and the Necromancer, do it. He is incredible to watch even without the CGI placed over it.

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The Hobbit: The Battle of the Five Armies isn’t Jackson’s best work, but it certainly is a perfectly fine finale to an epic series. I feel like the theatrical cut of the film is missing some key details, and I hope that the extended cut has the ability to expand this on the film and show us some more connective tissues.

 

3.5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

The Hobbit: An Unexpected Journey (2012)

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Director: Peter Jackson

Cast: Ian McKellan, Martin Freeman, Richard Armitage, James Nesbitt, Ken Stott, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood, Andy Serkis

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro

169 mins. Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images.

  • Academy Award Nominee: Best Achievement in Makeup and Hairstyling
  • Academy Award Nominee: Best Achievement in Visual Effects
  • Academy Award Nominee: Best Achievement in Production Design

 

It took eleven years for The Hobbit to be made. I’m talking from the release of The Lord of the Rings: The Fellowship of the Ring to the release of An Unexpected Journey. Difficulties with securing rights and two bankruptcies as well as shifts in director and a few actors, it seemed very unlikely that The Hobbit would ever see the light of day. Well, it took some time, but now we have not one but three Hobbit films to witness, but they certainly have a lot to live up to, so do they?

As Bilbo Baggins (Ian Holm, Ratatouille, Lord of War) gets prepared to disappear from his 111th birthday, he begins writing a book of his most important physical and emotional journey, which took place sixty years previously. His story involves the wizard Gandalf (Ian McKellan, X-Men, The Prisoner) and a company of dwarves led by Thorin Oakenshield (Richard Armitage, Captain America: The First Avenger, Into the Storm) on a quest to free Erebor, the dwarves’ home in the Lonely Mountain from the treacherous dragon Smaug. Along his journey, Bilbo will come across many perils, including trolls, rock giants, and a creature named Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas).

You can bet your ass I was first in line for the initial Hobbit film, and I walked out supremely satisfied. There was a lot of nervousness standing in line. I mean, The Lord of the Rings was a massive tome squeezed into three films, and yet The Hobbit, shorter than any of the individual volumes was crafted into three movies. I worried about pacing, and also the nine years from The Lord of the Rings: The Return of the King to then. So much of the film was up in the air.

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Ian McKellan worried me, as his performance, along with Christopher Lee (Star Wars: Episode II – Attack of the Clones, Dark Shadows), who portrayed Saruman, completed their performances over green screen. My worry was met with joy as I found McKellan provided another powerhouse nuanced performance yet again.

Then there was Martin Freeman (TV’s Sherlock, Hot Fuzz), newcomer to the franchise in the roll of young Bilbo, who had a lot of weight to carry. This wasn’t The Lord of the Rings, where large sections were split amongst several major characters. This was The Hobbit, and he was The Hobbit. Thankfully, given the comedy that features a lot more in the livelier of the two tales gave Freeman plenty of room to play and ultimately, he proved his dramatic chops nicely as well.

Richard Armitage’s role as Thorin was another importantly placed action, and another well-placed one. Armitage is virtually unrecognizable in the extensive dwarf makeup (for which the film was nominated for an Oscar) but still proves himself worthy of the dwarf prince.

Filling out the dwarven party are some terrific little performances for Bofur (James Nesbitt, Millions, Coriolanus) and Balin (Ken Stott, One Day, The Chronicles of Narnia: Prince Caspian) as well as, really, the entire party. The whole cast just fires on all cylinders here, including returning players Cate Blanchett (The Curious Case of Benjamin Button, How to Train Your Dragon 2) as Galadriel, Hugo Weaving (The Matrix, Cloud Atlas) as Elrond, Elijah Wood (TV’s Wilfred, Eternal Sunshine of the Spotless Mind) as Frodo and Andy Serkis as Gollum.

Director Peter Jackson (The Lovely Bones, King Kong) wields the camera differently in this film, taking full advantage of his cinematography grasp with RED cameras, 3D sequences exploding off the screen, and 48 frames per second (which takes a moment to get used to, but really looks gorgeous when utilized).

I also really enjoyed the musicality of the characters here. We get some great musical moments here especially in the opening with “Misty Mountains” performed by the dwarven party. It is a beautifully realized moment to open the franchise on and becomes a truly hummable song through the entirety of the viewing.

As far as the visual effects go, I would have enjoyed a little more practical work, but with the grandeur of the franchise at this point and the physical limitations of the aging cast, I can understand, and it looks just fine.

Now for fans of The Lord of the Rings, there are certainly plenty of callbacks for characters including Gloin (Peter Hambleton) who is Gimli’s father and a member of the dwarven party. Fans will also recognize Balin’s name. It is interesting to note that many of the returning characters like Frodo, Galadriel and Saruman are not actually in The Hobbit, but they certainly help with the suturing of both massive stories into one large saga.

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I loved the first installment of The Hobbit franchise and I am so happy to see Peter Jackson behind the camera again. The film deserved to be nominated for Best Picture and it pisses me off that it was the first film in the Middle-Earth Saga to be snubbed, but such is life. We move on. Home is behind…the world ahead.

 

5/5

-Kyle A. Goethe

 

 

For my review of The Hobbit: The Desolation of Smaug, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

31 Days of Horror: Day 8 – The World’s End (2013)

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Director: Edgar Wright

Cast: Simon Pegg, Nick Frost, Paddy Considine, Martin Freeman, Eddie Marsan, Rosamund Pike

Screenplay: Simon Pegg, Edgar Wright

109 mins. Rated R for pervasive language including sexual references.

 

I would say that a lot of people had high hopes for the concluding film of The Blood & Ice Cream Trilogy (beginning with Shaun of the Dead and Hot Fuzz, sometimes called The Three Flavours Cornetto Trilogy) and in that way, I think people walked out of The World’s End feeling as though it didn’t stand up with its brothers in the world of hilarity. They would be wrong. The World’s End, much like its predecessors, takes warming up and multiple viewings to truly appreciate. As of today, I have enjoyed it more and more through the several times I have viewed it, and I will show you why later.

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The World’s End is the name of a pub. The final pub of a legendary pub crawl that, years ago, Gary King (Simon Pegg, Shaun of the Dead, Mission: Impossible 5) and his friends attempted to complete. The night did not go as planned, and ever since, King has been stuck in a version of his teen years, but now, Gary is ready to give it another go, and to do that, he needs the help of his friends. All but Andy Knightley (Nick Frost, Cuban Fury, Hot Fuzz) are convinced fairly quickly that this could be a fun bit of nostalgia for the boys, but Andy has other memories of that night and the following years. As the friends begin to attempt “The Golden Mile” a second time, strange occurrences lead them to a realization. The small town of Newton Haven is being overrun by aliens.

The World’s End features Pegg’s best performance to date. When originally reading the synopsis, I was shocked to read the role reversal for Pegg and Frost, as usually Pegg would have been the hard-ass of the group and Frost would have played King. Not only does this reversal feel fresh, but Simon Pegg dials in a performance that is equal parts extremely comedic and painfully sad. Nick Frost also controls his controlling character Andy. Also in this film, we get a lot more comradery in the friendships they share with Steven Prince (Paddy Considine, The Bourne Ultimatum, The Double), Oliver Chamberlain (Martin Freeman, TV’s Sherlock, The Hobbit: An Unexpected Journey) and Peter Page (Eddie Marsan, Sherlock Holmes, God’s Pocket). There is also solid work from Rosamund Pike (Pride & Prejudice, Gone Girl) as Oliver’s sister and Steven’s love interest Sam. The entire cast masters their respective roles and the relationships between them are both complex and relatable. It is a story of bygone friendships, the past coming back to you, and trust, and the film becomes much more personal in that way.

Director Edgar Wright (Scott Pilgrim vs. the World) handles the piece very well, offering us sweeping visuals and dazzling fight scenes (I just love the bathroom brawl). He treats this film, like his previous work in The Blood & Ice Cream Trilogy, as though they were of the genre he is parodying. The music of the film has a very 1980’s feel to it, from the songs to the score, it is an older electric mood, very befitting of the science fiction tale.

The costumes here as well are gorgeously put together, especially Gary’s, who has been wearing the same getup for over 20 years.

Now, I said I would mention some of the interesting background humor. First of all, pay close attention to the titles of the bars, as each one offers some laugh-out-loud hilarity. Notice as well, the background parking lots which contain an awfully staggering amount of the exact same vehicle (I looked it up, apparently it is a Vauxhall Ampera, an electric car, also funny). Now it is true that there isn’t as much callback in the dialogue as is fare in these films, but the callbacks are different. Wright and Pegg’s screenplay has emotional callbacks.

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The World’s End is a hard-hitting comedic gem that will gain appreciation with age, and it contains some of the finest performances of its very funny cast, including the best work from Simon Pegg yet. This film stays with you and gets better with each viewing. Start your callback with this one. Highly recommended.

 

4/5

-Kyle A. Goethe

 

For more 31 Days of Horror, click here.

The Hobbit: The Desolation of Smaug (2013)

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Director: Peter Jackson

Cast: Ian McKellan, Martin Freeman, Richard Armitage, Benedict Cumberbatch, Evangeline Lilly, Lee Pace, Luke Evans, Ken Stott, James Nesbitt, Orlando Bloom.

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro.

161 mins. Rated PG-13 for extended sequences of intense fantasy action violence, and frightening images.

  • Academy Award Nominee: Best Achievement in Sound Mixing
  • Academy Award Nominee: Best Achievement in Visual Effects
  • Academy Award Nominee: Best Achievement in Sound Editing

Peter Jackson continues his return trip to Middle-Earth with The Hobbit: The Desolation of Smaug, a more fun follow-up to An Unexpected Journey, which showed up in late 2012 to polarized reactions. The Desolation of Smaug falls for some of the same pitfalls that troubled its predecessor, but all in all, it is a worthy addition to the epic world created by J.R.R. Tolkien many years ago.

We meet up with Bilbo Baggins (Martin Freeman, Hot Fuzz, TV’s Sherlock) and his Dwarf company (consisting of Thorin Oakenshield, Dwalin, Balin, Kili, Fili, Dori, Nori, Ori, Oin, Gloin, Bifur, Bofur and Bombur) as well as Gandalf the Grey, played once again by Ian McKellan (X-Men, Stardust) to rescue the dwarven city of Erebor from the beastly dragon Smaug (voiced by Benedict Cumberbatch, also of Sherlock fame). This is the part of the story where we really get to the meat of Tolkien’s epic journey.

The performances here are at the top of their game. McKellan makes me fear for the beloved wizard for the first time since The Fellowship of the Ring. I can honestly say that I was unsure that we would be seeing Gandalf again after he breaks away from the group to hunt down the location of the foreboding Necromancer we keep hearing about. You can tell Freeman is getting more comfortable with the weight he now carries in this franchise, as Bilbo is now more comfortable with his stake in things as well. Bilbo definitely takes a step back though, for a sizable amount of this film so that we can focus on other characters. Richard Armitage (Captain America: the First Avenger) has more to do in this film than just brood, which is a welcome addition.

Let’s get to Benedict Cumberbatch, who has received a lot of talk since this film was release barely over a month ago. Other critics of this film claim that he is nothing more than a name tacked on to this film and that his voice-work for both Smaug and the Necromancer could have been done by anyone. I will disagree with this claim, let us not forget that Cumberbatch also did performance capture for the characters and I feel like he adds a layer of tone and inflection to what could’ve been stock bad guys in a fantastical backdrop.

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Lee Pace is finally given the chance to boast some acting chops in this film, after completing what could be thought of as a mere cameo in An Unexpected Journey as the Elvenking Thranduil, father to Legolas, who also returns to the series played again by Orlando Bloom.

Desolation also brings some new faces to the world of Middle-Earth, one in particular, Tauriel, portrayed by Evangeline Lilly, is a completely original character, who gets some nice screen time with Aidan Turner’s Kili. We also meet Bard the Bowman, who is introduced much earlier and given more to do than in Tolkien’s original work. For those of you who are fans of the book, we will be seeing Bard again.

The Hobbit’s gorgeous cinematography and high-frame rate compliment this more-actionier installment, especially when Bilbo and company take a rather exciting barrel ride down a river. The music is definitely owed dues once we encounter Lake Town. Howard Shore really creates some new auditory wonders for us as we edge closer to Erebor. As per usual, the visual effects are stunning and magical without taking us away from the real reason that Thorin and Bilbo have come all this way.

Really, the only thing I can see film-goers not loving about this film is the length. Jackson and fellow writers Fran Walsh, Philippa Boyens, and Guillermo del Toro (who worked on the script when he was originally attached to direct) have bulked up this story a lot more than the 300-page novel had, we will call it Epic-sizing it up to turn a novel shorter than that of any of the individual Lord of the Rings books into a 9-hour love letter to Middle-Earth. I am a big fan of Tolkien’s original work and Jackson’s storytelling, so the length really doesn’t bother me, but I can see how casual viewers may not be as swept up as I was.

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The film ends on somewhat of a cliffhanger, and I have to say that I’m not sure I can wait a year to revisit this world, but fans fear not, I’m sure we’ll get an extended edition of Smaug soon enough.

4/5

-Kyle A. Goethe

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Two Towers, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Return of the King, click here.

For my review of Peter Jackson’s The Lovely Bones, click here.

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