Avengers: Endgame (2019)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Paul Rudd, Brie Larson, Karen Gillan, Danai Gurira, Bradley Cooper, Josh Brolin, Benedict Wong, Jon Favreau, Gwyneth Paltrow

Screenplay: Christopher Markus, Stephen McFeely

181 mins. Rated PG-13 for sequences of sci-fi violence and action, and some language.

 

Well, here it is. I’m going to try not to use the word culmination like everyone else has, but I cannot make any promises. This is the end of The Infinity Saga, the twenty-second film in the Marvel Cinematic Universe. The culmination-dammit…

Tony Stark (Robert Downey Jr., Sherlock Holmes, Chef) is drifting through space with Nebula (Karen Gillan, Jumanji: Welcome to the Jungle, TV’s Selfie). On Earth, what’s left of the Avengers have collected at the compound, unsure of what to do next. Thanos (Josh Brolin, No Country for Old Men, Deadpool 2) succeeded in his plan, obliterating half of the universe in a single snap of his fingers. As they each come to terms with the enormous loss that they and the universe have incurred, an old ally appears with an idea, a crazy crackpot idea that has no chance of working. Well, almost no chance. The Avengers, or what’s left of them, assemble on one final attempt to fix everything, and if they fail, they’ll do that together.

I’M TRYING TO AVOID AS MANY SPOILERS AS I CAN, BUT BE WARNED THAT  A REVIEW LIKE THIS WILL ALWAYS HAVE SOME SPOILERS. SEE THE FILM FIRST IF IT CONCERNS YOU.

THIS IS YOUR SPOILER WARNING.

Avengers: Infinity War set up an almost impossible task. Let’s give the villain his own movie and test out characters like they’ve never been tested before. I think that’s the importance of the Avengers franchise of the MCU. Much like any team-up movie, I think it’s important to have the team tested in a unique way, and they should almost always come out of the film with more people on the team or less, because that’s one of the only ways to change the story trajectory. Well, Infinity War had tested the Avengers, and they certainly came out of the film with less characters, but it was also an even bigger test for Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) as well as the writing team of Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain), who now had to bring in the fourth Avengers film on a solid landing and end the story. We knew that they had to do something to save some of the dusted Avengers. Hell, there was a Spider-Man trailer out weeks before the film’s release, and even though we joked about it possibly set before Endgame, everyone knew that Sony would not let Marvel kill their most popular character. Certainly, Black Panther’s story would not end after one solo film, but how was this all going to happen, and what’s the cost?

So let’s start with that impossible task. Knowing all the things that had to happen in the follow-up, it’s incredible how the Russos and the writing team actually pulled it off and made it captivating, exciting, and heartbreaking. From the shocking opening of the film to the final act, a dauntingly epic ending that takes up a large chunk of the film’s three-hour runtime, Avengers: Endgame just cruises on by. In a lot of ways, it’s the flipside of Infinity War’s coin, and it’s a good thing that they changed the titles from Infinity War Part 1 and 2 because as much as they rely on each other, Endgame is a completely different film, and that’s why it works so well. Infinity War was a film that gave each of its characters at least one moment to shine, and Endgame does that too, but Endgame even gives each film before it time to shine. There’s references to Iron Man 3 in this film and Thor: The Dark World, two films that don’t even end up in the upper 80% of most MCU fan rankings of the franchise (full disclosure, though, I love Iron Man 3). It’s a love letter to the 11 years of this franchise and the fans that stuck with it for so long.

The performances from the entire cast are solid, but I want to discuss the ones that I think deserve to be discussed, good or bad. Let’s start with Robert Downey Jr. His performance here is a series best (quite a feat for the actor that has not beaten Hugh Jackman for most appearances as a superhero in a franchise), even better than Tony Stark struggling with PTSD in Iron Man 3 (see, I love that one). There, he’s dealing with the knowledge he obtained in The Avengers that Earth is not alone in the universe, and now, he’s dealing with the failure in saving billions or trillions of lives. He becomes weak, and he cannot hold blame. He keeps going back to wanting to put a suit of armor around the world with Ultron. He’s beaten and broken and still hasn’t forgiven Steve Rogers (Chris Evans, Gifted, Before We Go) for abandoning him even though he is just as responsible. He’s also dealing with the loss of Peter Parker on Titan. Tony needs some hard truth at this point on his journey, and he gets it in Endgame.

Steve Rogers watched many of his friends die right in front of him. He’s a man who fell out of time into a confusing one and did the best he could, but he comes to realize that his failure to stop Thanos has hit him just as hard as Tony, but in a different way. He’s running a group that helps people to cope with the loss, and he’s going just as much for himself as anyone else. Chris Evans consistently does the impossible with Steve Rogers/Captain America; he makes this superhero a human. He makes the goody-goody Rogers an actual human being, with plenty of flaws and pain. This is the story that tests him and his need for hope, and there’s no one I’ve seen outside of Christopher Reeves playing Superman that embodies that struggle for hope so well.

Natasha Romanoff (Scarlett Johansson, Her, Sing) has taken control of the remaining Avengers, and she’s stopped taking care of herself. She’s dealing with the loss by diving into work, hunting down a rogue Avenger who needs her help, but she’s sputtering on exhausted wheels. She’s just looking to make right on a career filled with wrongs. All the bad things she has done before finding her home with the Avengers have led her here, and she couldn’t do anything about it.

This is a film that gives Mark Ruffalo (The Kids Are All Right, Now You See Me 2) so much to do with the Hulk character, probably the most unique shift for the character in the MCU, and he does a spectacular job with it. It isn’t what I would have done, but I admire the character arc he takes.

One character that doesn’t get much to do is Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong). This is a man who lost his father still very recently, his brother died in front of him, and half of his people are slaughtered after losing their home. He’s another hero dealing with failure. He should have aimed for the head. He came so close to saving everyone and then he didn’t. He should be dealing with the most pain of anyone in the story. Instead, he is used more so for comic relief than anything else. I get it, Chris Hemsworth is really funny, but I know he can play to drama as well. He just doesn’t get the emotional beats that I wanted him to have. It’s similar to what is done with him in Infinity War, where he just doesn’t get the time to develop his trauma. His alcoholism in Endgame could have some serious consequences and bearing on him, but it just doesn’t.

Lastly, I want to talk about Karen Gillan’s performance as Nebula. I’ve never been a big fan of the character, either the way she’s written or the performance. Nebula always reminded me of a fly that comes in the window in the middle of the night when you’re trying to sleep. You swat and swat and just can’t get rid of her. In Endgame, though, her character is expanded upon so much more because of how we see her and the presentation of how far she has come as a character since we saw her in Guardians of the Galaxy vol. 2. People forget that vol. 2 takes place just a few months after the first one, so it’s been a long time since we’ve really seen Nebula in the MCU, and Gillan’s subtle broken performance is terrific.

From behind the lens, the Russos directed the hell out of this thing, and there’s a lot to be said about the strength of their storytelling as it has evolved over the years. Their cinematography is so clean, especially when it needs to be, in some of the heavier action set pieces. It’s safe to say that there’s a lot going on in this film; there has to be, but the way the Russos keep the focus on where it needs to be to progress the story is great, and the way they handle the set pieces are very focused and strongly laid out. There’s a heavy possibility, especially in the third act, to lose sight of what’s going on and where we’re at from a narrative perspective, but they never let the film lose sight of its goal, a tremendous feat.

With that visual storytelling comes the editing, which is very strong. The film never feels long. It’s the enjoyment factor, no doubt, but clocking in at just over three hours, the film almost should feel long, but it doesn’t. Not once. After seeing it twice, I can say with certainty that there’s only one scene I would cut earlier in the film to tighten it more, and it probably would only save 30 seconds or so.

No offense to Danny Elfman, but I’m really happy to hear Alan Silvestri’s score here after being absent from Age of Ultron. Silvestri’s score takes notes from The Avengers and especially from the ending of Infinity War, but it dives deeper into the depression, loss, and hope that permeates the film, and his score has a note of finality to it. If this is indeed the last time we’ll see some of our favorite heroes, Silvestri sends them out on a high note.

Avengers: Endgame accomplishes the most difficult task assigned to it. It has an ending. This is the end of a big part of this franchise without feeling the need to really set anything else up. For the most part, there isn’t an MCU film that hasn’t had the need to at least set up something in the end credits, but not Endgame, and that’s a strong and restrained decision because the film should speak for itself and everything that comes before it, and boy does it have a lot to speak on. This is an absolute cinematic achievement, and barring a few small hiccups, it comes off without a hitch. The ending raises some questions that we won’t really have answered until Spider-Man: Far From Home (the true last film in Phase 3), but beyond all that, I loved watching this movie and cannot wait to see it again, if only to catch some more of the blink-and-you’ll-miss-it moments. If you haven’t yet, then seriously, why not?

#ThanosDemandsYourSilence #Don’tSpoilTheEndgame

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Joe Johnston’s Captain America: The First Avenger, click here.

For my review of Anna Boden and Ryan Fleck’s Captain Marvel, click here.

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Leythum’s A Funny Thing Happened on the Way to Thor’s Hammer, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

For my review of Anthony and Joe Russo’s Avengers: Infinity War, click here.

Avengers: Infinity War (2018)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwich Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Screenplay: Christopher Markus, Stephen McFeely

149 mins. Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

IMDb Top 250: #37 (as of 9/1/2018)

 

Well, it happened. I almost cannot believe it, but it happened. After 10 years and numerous storylines, everything in the Marvel Cinematic Universe has culminated in this.

Let me say that word again: culminated. I like that word.

So a lot has happened. I’ll try to sum it up as quick as I can.

Thanos (Josh Brolin, No Country for Old Men, Sicario: Day of the Soldado) has one goal driving his very being: to collect all six Infinity Stones. He already has one, but to get the others, he will have to go through the Avengers, Earth’s Mightiest Heroes. The Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) and Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong) are quickly dispatched, Thanos sends his minions, The Black Order, to Earth to search for the remaining Earthbound stones while he finds himself facing off with his daughter Gamora (Zoe Saldana, Avatar, My Little Pony: The Movie). Now, it’s a fight to protect the stones from the increasingly more dangerous Thanos as the Avengers team up with the Guardians of the Galaxy, Doctor Strange (Benedict Cumberbatch, The Imitation Game, The Child in Time), Spider-Man (Tom Holland, The Impossible, Pilgrimage), Black Panther (Chadwick Boseman, 42, Marshall), and others, but do they even stand a chance?

Avengers: Infinity War almost needs to be looked at differently than other films. My goal here and in all my reviews is to look at each within the context that it exists. When I watch a horror film, I look to be scared, thrilled, or shocked. When I watch a comedy, I look to laugh or smile. When I watch a Uwe Boll film, I look to hate myself at the end. Context.

So Avengers: Infinity War needs to be looked at on its own terms as well as how the film changes and shapes the characters in this universe. It’s a season finale of sorts, and it does an incredible job of juggling so many character arcs and stories that have existed within the confines of ten years of storytelling.

Let’s start with the most important arc in the film: Thanos’s. Josh Brolin does the performance capture justice in his work as the Mad Titan. We spend more time with Brolin’s character than anyone else in the film, and for that reason, this is very much Thanos’s film. He’s the protagonist. He is the one with the goal who initiates the action, and our heroes are only trying to stop that mission. He is a believably insane tyrant who moves from planet to planet wiping half of the population out in order to restore order. It’s a crazy idea but he believes it wholeheartedly which makes him all the more frightening. He’s well-written, thoughtful and menacing. There are of course a few similarities to Kurtz from Apocalypse Now or its source novel Heart of Darkness. It’s mostly surface level but it also works pretty well and helped me to understand how his mental faculties would lead him to such a sinister mission.

The rest of the cast get mixed amounts of time, most of them only about 10 minutes onscreen with the biggest characters getting closer to 30 minutes. Thor has one of the better arcs, especially following the opening of the film. He has vengeance in his heart and a plan to stop Thanos. He joins up with Rocket Racoon and Groot to accomplish his mission and it’s an enjoyable and important set of sequences. I would have liked to see a bit more emotion from Hemsworth as the film goes on but he kind of falls back to comedy as a backup.

Mark Ruffalo also gets a lot of time with his journey, especially considering that he spends a lot of the film not being the Hulk. We see a side of both of them that I’m not sure we’ve seen before, and it’s the first time in a while that we see Banner having to deal with not turning into the Hulk.

It’s also nice to give some more time to Gamora, who has gotten some development in the Guardians of the Galaxy films but always as a companion to the others. Now, she has a really interesting relationship with father Thanos. I just wish more time would have been given to further develop the two.

Directors Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) and screenwriters Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain) developed what was later termed as strange alchemy, the forcing together of characters that don’t usually spend any time together. This idea works really well and is a large portion of what makes The Avengers films so fun and so anticipated. It’s what I’m looking forward to more than anything else for next year’s Avengers: Endgame.

The Russos did a tremendous job of weaving all of these story threads together while never once sacrificing the flavor that comes with each film. I love that they devoted time to ensure their film would not be ruined for viewers who were not there on opening night. Each of the separated groups further the problem that this team works best together but now they are caught up in different parts just trying to plug a leak, essentially, and these directors and screenwriters never let the story dry up or get stale.

Avengers: Infinity War is not a perfect movie. The ending, upon a second viewing, doesn’t really feel like it has stakes (though that may change next year), and some more character development would be much appreciated, but overall it accomplishes its goals and in context of what the film is trying to be, it succeeds in almost every way. This is an event film if there ever was one, and it is endlessly re-watchable. If you haven’t seen the film yet (and don’t kid yourself, yes you have), then what are you doing? Go. Now. Watch it.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russos’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

 

For more Almighty Goatman,

[31 Days of Horror Part V – A New Beginning] Day 1 – The Dentist (1996)

Director: Brian Yuzna

Cast: Corbin Bernsen, Linda Hoffman, Michael Stadvec

Screenplay: Dennis Paoli, Stuart Gordon, Charles Finch

92 mins. Rated R for graphic violence including scenes of dental torture, sexuality and some language.

 

Hey there everyone! Happy October, and we are back with another 31 Days of Horror. I know last year I called it The Final Chapter, but c’mon, is it ever? Let’s start things off with a cringer.

Dr. Allan Feinstone (Corbin Bernsen, Kiss Kiss Bang Bang, Psych: The Movie) seeming has it all. Or at least, until his wedding anniversary when he discovers his wife Brooke (Linda Hoffman, Face/Off, Clifford) is cheating on him with the poolman, Matt (Michael Stadvec, Public Enemies, Chairman of the Board). The knowledge of such treachery sets Dr. Feinstone off, causing him to kill the neighbor’s dog and then turn his sights on work for the day. Dr. Feinstone is a dentist, and cavities don’t take the day off, and he tries to convince himself that he is okay, but Allan’s patients soon realize that he is not alright. In fact, he’s gone insane.

The Dentist, on the surface, seems like it could be an appealing concept. By that, I mean the very surface. I remember being a kid and being terrified of the dentist. Many people are scared by dentists. It only seems natural to make a horror film about one.

That being said, The Dentist is terrible. It has the slimmest possible plot it can, it revolves seemingly around an entirely unlikable and uninteresting cast, and there is no tension in the film. There is some revulsion, but no tension. There’s a feeling like The Dentist can exist in a world of Grindhousian films, but I would pass it up for another flick even based on the gore. There’s nothing particularly over-the-top about the horror, and in that way, it doesn’t even shock the way Grindhouse films should.

Sadly, there isn’t really a redeeming quality, unless you like seeing celebs before they were famous (Hey look, it’s Mark Ruffalo!). Other than that, I found the film, from director Brian Yuzna (Faust, Amphibious Creature of the Deep) to be dreadfully boring and flat-out without merit.

 

1/5

-Kyle A. Goethe

 

For my review of Brian Yuzna’s Bride of Re-Animator, click here.

 

For more Almighty Goatman,

Thor: Ragnarok (2017)

Director: Taika Waititi

Cast: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins

Screenplay: Eric Pearson, Craig Kyle, Christopher Yost

130 mins. Rated PG-13 for intense sequences of sci-fi violence and action, and brief suggestive material.

IMDb Top 250: #207 (as of 12/22/2017)

 

I think I was one of the few people in the world who wasn’t worried a bit about Thor: Ragnarok. I just had a good feeling about the whole production, and considering that the original Thor is my favorite MCU film to date, I overall didn’t worry in the slightest. So I guess it comes down to it. Was I right not to worry?

Things haven’t been going well for Thor (Chris Hemsworth, Snow White and the Huntsman, Star Trek) lately. His brother Loki (Tom Hiddleston, Kong: Skull Island, TV’s The Night Manager) is believed dead. His father Odin (Anthony Hopkins, The Silence of the Lambs, Transformers: The Last Knight) has seemingly gone off the deep end. But when Thor discovers that he has a sister, Hela (Cate Blanchett, Blue Jasmine, How to Train Your Dragon 2), who has broken free of her captivity, he finds himself zipped across the galaxy to a strange planet where he must fight for his life against intergalactic gladiators to appease the Grandmaster (Jeff Goldblum, The Grand Budapest Hotel, The Lost World: Jurassic Park). Thor must band together with a ragtag group of friends and old foes to get back to Asgard and prevent Hela from unleashing Ragnarok, the Norse Armageddon.

I wanted to try and avoid some spoilers with Thor: Ragnarok, but they are inherently in the film’s plot. That being said, Ragnarok is by far the most unique MCU film to date and most definitely the best one of 2017. Bringing on Director Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople) was an absolutely inspired choice, one that set up this installment for success from the very beginning. It is the kind of space film that deserves the term “rollicking.”

As always, Hemsworth and Hiddleston have excellent chemistry, but it is the addition of all the new characters like Goldblum’s Grandmaster, Tessa Thompson (Creed, Dear White People) as the Valkyrie, Karl Urban (The Lord of the Rings: The Two Towers, Pete’s Dragon) as Skurge, Hela’s commander, and Waititi himself as the alien Korg that make the experience as tremendous as it is.

Thinking about faults in the film, I didn’t feel an overwhelming sense of concern about Ragnarok at all through the film. Sure, it’s the Flash Gordon of the MCU but I wasn’t really concerned for any of the players. Also, classic characters like the Warriors Three are tossed aside and mishandled. As for Lady Sif, she is nowhere to be found, and I think the film suffers by not addressing it.

Treating Thor: Ragnarok as a space road trip movie and teaming up Thor with the Incredible Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) is the crowning achievement of the film, and being the third in a tremendous group of 2017 MCU films only steepens excitement for where this franchise is going as a whole. Ragnarok falters a bit when addressing the overall momentum of the franchise but it stands by itself as a singularly enjoyable experience that rivals that of the first Thor film for entirely different reasons. It’s my favorite superhero film of the year.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Jon Watts’ Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s What We Do in the Shadows, click here.

 

For more Almighty Goatman,

Kyle’s Top Ten Most Anticipated Films of 2017

 

Okay, folks, I’m a little late on this one, as I’ve already seen a few of 2017’s early films. But don’t worry, I made this list almost a month ago and am just now getting the chance to write it up for you. So, let’s start off with a point.

  • This list is most anticipated, not what I think will be the best by any stretch. These are the films I’m most looking forward to at the beginning of the year, so there will be a lot of bigger blockbustery films because that’s Sundance is just now happening and the other big Oscary films haven’t premiered yet. So with that being said…

 

NOTE: THIS IS NOT A COUNTDOWN BUT A LIST.

 

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Star Wars Episode VIII

  • Whatever the title may be, I’m so excited to pick up with the further adventures of Rey, Finn, Poe, BB-8, Luke, and Leia in Star Wars Episode VIII. It’s also a bittersweet film for me personally as it is the last time fans will see Carrie Fisher as their general. It means so much for fans to have that connection, one that many have felt since 1977. But there are many things to be excited for in Episode VIII. More revelations about Snoke, seeing Luke back in action, and new characters played by Benicio del Toro and Laura Dern. What’s not to love? Have I even mentioned director Rian Johnson? So excited!

 

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Alien: Covenant

  • I may find myself in the minority here, but I really enjoyed Prometheus. I had issues with some of the plot points, but the film made me yearn for more from this universe, and this year, we get it in full force with Alien: Covenant. I reported years ago about the then-titled Prometheus 2 having no Xenomorphs. I’m glad that director Ridley Scott changed his mind on that are we are getting Alien proper. Add in Katherine Waterston, Danny McBride, Billy Crudup, James Franco, and a return from Michael Fassbender as android David and you have a recipe for one hell of a film. At least…I hope.

 

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War for the Planet of the Apes

  • I really enjoyed Rise of the Planet of the Apes, but I absolutely loved Dawn of the Planet of the Apes. Talk about a film that services fans both big and small. Dawn of the Planet of the Apes was one of the best films of 2014 and remains a powerful work of art. Director Matt Reeves returns to helm War for the Planet of the Apes, and after Dawn, Cloverfield, and his remake Let Me In, I’m overjoyed to see what he does with this franchise next. Add in the extremely underrated Woody Harrelson to match the mo-cap performance of Andy Serkis as Caesar. This is an opening night kind of movie.

 

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Kong: Skull Island

  • The fact that Skull Island is actually happening is pretty impressive. The fact that the trailers look amazing is even more so. Director Jordan Vogt-Roberts adds some lovely flair to this story of 1970s-set Kong tale with John Goodman, Samuel L. Jackson, Brie Larson, and Tom Hiddleston. I only hope that the focus is on Kong and not set-up for the eventual match between the King of Skull Island and the King of Monsters, Godzilla in a few years. I’m thankful this one is coming out around my birthday so I have an excuse to drag everyone I know to this movie with me.

 

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It

  • As sad as I am to be missing Will Poulter as the titular creature and Cary Fukunaga behind the camera, I’m still very excited to see this new R-rated take on Stephen King’s classic story. It is a fascinating look at fear itself as a beast targeting children. Splitting it into two films scares me only for the concern that we may not get the conclusion we want if the first isn’t successful. Thanks to Stranger Things from last year, I do not believe that to be the case, but hopefully a trailer drops soon to help convince film-goers to spend their money.

 

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The Dark Tower

  • While we are on the subject of Stephen King, the long-gestating adaptation of his behemoth series The Dark Tower is almost upon us. Starring Idris Elba as the gunslinger Roland and Matthew McConaughey as the Man in Black, there has been a lot of confusing information being thrown around about what the film is actually going to concern itself with. With producer Ron Howard helping shepherd the film, I trust that it will be a hell of an experience, but I hope it will also bring in casual moviegoers with its marketing campaign. I’ll be there opening night, and I hope you join me.

 

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The Mummy

  • Cinematic universes are such a big thing right now that many fail to realize the first universe created was the Universal Monsters universe with films like Frankenstein Meets the Wolf Man and House of Dracula. Universal hopes to ignite a new fire in their monsters with The Mummy, the first in a series of monster movies aimed at bringing these creatures out from the darkness. After the first attempted failure of Dracula Untold, write Alex Kurtzman took directing duties with powerhouse producer and star Tom Cruise set to introduce the female mummy played by Sofia Boutella to the world. Aided by Russell Crowe’s Dr. Henry Jekyll, Cruise’s Nick Morton must save the world from an ancient and malevolent princess recently awakened. Count me in.

 

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Thor: Ragnarok

  • I’m only picking one Marvel film this year and that’s because I really love Thor. I love Chris Hemsworth. I love the Hulk. I love Mark Ruffalo. I love director Taika Waititi. I just love everything I’ve heard coming out of this film. I cannot wait until November to see how this all plays out. Yes, I get it. Guardians of the Galaxy vol. 2 will be pretty great. Spider-Man: Homecoming has a lot riding on it. But Thor…Thor is my favorite film of the Marvel Cinematic Universe and I’m just dying to see him suited up, especially after that [SPOILER ALERT] post-credits scene in Doctor Strange.

 

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Blade Runner 2049

  • I’m pretty late to the Blade Runner game, having only recently falling in love with the original film from Ridley Scott (Final Cut for the win!), but with Denis Villeneuve (Sicario, Prisoners, Arrival, need I say more?) behind the camera and original scribe Hampton Fancher’s screenplay, Blade Runner 2049 looks to be serving up some excitement heading towards its October release. It’ll be exciting to see original star Harrison Ford back in the fold with Ryan Gosling joining him. Another situation here of what’s not to love about this movie? Much in the way of The Force Awakens, there’s just so much to be excited about after being absent from these characters for over 30 years.

 

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God Particle

  • Lastly, we get to the strangest entry in this list. God Particle is apparently the third installment of the Cloverfield series, and after only last year discovering that there is a Cloverfield series, its safe to say that something interesting is happening here. Now, the film was pushed back to October for reasons, and the IMDb page has updated with the title Untitled Cloverfield Anthology Movie (2017), I can only wonder when news will come of this tale featuring Gugu Mbatha-Raw, Daniel Bruhl, Chris O’Dowd, John Ortiz, and David Oyelowo. One thing I can say: J.J. Abrams is insane.

 

SO there you have it. What film are you most excited for in 2017? Let me know/Drop a comment below.

 

-Kyle A. Goethe

Avengers: Age of Ultron (2015)

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Director: Joss Whedon

Cast: Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner, Don Cheadle, Aaron Taylor-Johnson, Elizabeth Olsen, Paul Bettany, Cobie Smulders, Anthony Mackie, Hayley Atwell, Idris Elba, Stellan Skarsgard, James Spader, Samuel L. Jackson

Screenplay: Joss Whedon

141 mins. Rated PG-13 for intense sequences of sci-fi action, violence and destruction, and for some suggestive content.  

2012’s The Avengers was something of an anomaly. A film which combined several superhero franchises into one mega-franchise shared universe successfully…that doesn’t happen. But with writer/director Joss Whedon (TV’s Buffy the Vampire Slayer, Much Ado About Nothing) at the helm, it did. And it was good. Billion-dollars good. It jumpstarted Phase 2 of the Marvel Cinematic Universe and continued a winning franchise for years to come. Now, we see if the official sequel, Avengers: Age of Ultron, can continue that tradition.

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The Avengers have been looking for an end to the villains before they start. When billionaire genius Tony Stark (Robert Downey Jr., The Judge, Chef) and Bruce Banner (Mark Ruffalo, Shutter Island, The Normal Heart) create Ultron (James Spader, TV’s Boston Legal, Lincoln), an artificially intelligent being created to be Earth’s mightiest defense system, but Ultron quickly realizes that the biggest threats to the world are humans and decides to do away with them. Now, the Avengers must assemble to defeat Ultron, who has allied himself with two very special twins: Pietro (Aaron Taylor-Johnson, Kick-Ass, Godzilla) and Wanda Maximoff (Elizabeth Olsen, Martha May Marcy Marlene, Oldboy).

Avengers: Age of Ultron had a bunch of set-ups. The biggest flaw comes from realizing that it has very little payoff. The entire film felt like its function was to tie up the loose ends of Phase 2 and start unpacking the storylines to Phase 3. Was it entertaining? Mostly, yes. But was it good? I really don’t know. I liked a lot of this film but I was scratching my head at times wondering why certain events were kept in the film while so many other moments were kept out. The film has Whedon’s classic dialogue, and its characters are further fleshed out, but the film felt like too many puzzles pieces from too many different puzzles that just won’t fit together.

As far as performances go, the films newcomers are pretty great additions to the shared universe, specifically James Spader’s menacing Ultron and the Vision, played by Paul Bettany (A Beautiful Mind, Mortdecai) in a new role. The film also features a plethora of previously introduced characters back in the fray, like James Rhodes (Don Cheadle, TV’s House of Lies, Crash) and Sam Wilson (Anthony Mackie, Million Dollar Baby, Black or White). The returning Avengers cast have all grown closer and you can feel the comradery when needed. The Hulk and Black Widow (Scarlett Johansson, Lost in Translation, Lucy) in particular have grown much closer since we last saw them together.

There are some particularly great sequences here, such as the moment when we are introduced to mind control due to Wanda’s abilities. We get a chance to dive into these characters’ psyches a bit further Joss Whedon even plays with our expectations that this film is going to be exactly like the previous film, opting to give more important screen time to Clint Barton (Jeremy Renner, The Hurt Locker, Kill the Messenger). We also get our first look at Hulkbuster (named Project Veronica, as a play on Betty & Veronica, the Betty being Bruce’s previous love interest from The Incredible Hulk).

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Avengers: Age of Utron is the first Marvel film that absolutely cries out for an extended cut. There is just too much missing here, and its noticeable. There are numerous plot threads that don’t get the resolution they need. The film is explosively entertaining, but perhaps the most noticeably flawed Marvel film yet.  

3.5/5

-Kyle A. Goethe  

So what did you think of Avengers: Age of Ultron? Did it assemble a perfect viewing experience or leave you wanting a different Vision of the superhero team? Let me know!  

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

The Incredible Hulk (2008)

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Director: Louis Letterrier

Cast: Edward Norton, Liv Tyler, Tim Roth, Tim Blake Nelson, Ty Burrell, William Hurt

Screenplay: Zak Penn

112 mins. Rated PG-13 for sequences of intense action violence, some frightening sci-fi images, and brief suggestive content.

 

In 2008, the Marvel Cinematic Universe began in a silent but deadly fashion with two superhero releases: Iron Man and The Incredible Hulk. The former was a major box office winner and critical darling. The latter was largely dismissed, like every previous incarnation, and hasn’t been referenced much since, due in large part to the difficulties in crafting the film and the replacement of the title actor in The Avengers. The difference between this version of The Incredible Hulk and the previous 2003 film Hulk is that the 2008 film is actually pretty damn good.

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The film is presented in a “Requel” of sorts, chronicling Bruce Banner (Edward Norton, Fight Club, Birdman) and his journey off-the-grid. He has estranged himself from his love Betty Ross (Liv Tyler, TV’s The Leftovers, Armageddon). Betty’s father, General “Thunderbolt” Ross (William Hurt, Into the Wild, The Disappearance of Eleanor Rigby: Them), continues his obsession with finding Banner and tearing him apart. Ross enlists Emil Blonsky (Tim Roth, Pulp Fiction, Selma), a military mercenary, to help hunt down Bruce. In the process, Blonsky is given some of the same gamma radiation that turned Bruce into the raging creature known as The Hulk.

First off, I’m not going to try and convince you that this is a Best Picture quality superhero film. It isn’t. 2008’s The Incredible Hulk is still, to me, a far superior film to Iron Man, but most won’t agree. I find Bruce Banner to be a more likable character. The relationship between him and Betty Ross is powerful and layered. I also find Tim Roth’s portrayal of Emil Blonsky to be a strong and villainous performance and it helped start the trend of strong villains in Marvel films. Director Louis Leterrier (Now You See Me, Clash of the Titans) even helped set up future villains in the process (though so far none of these have come to pass).

Norton’s portrayal of Banner is great, but the problem with him came from constant rewrites and the fact that Edward Norton is a terrible person to work with on a film set (see Birdman for more info). I can completely understand his replacement with Mark Ruffalo, though it still was a bad way to create this character.

As far as this film’s relationship to the MCU, there are references in there, but they are very quick and underplayed. A lot of references are found to Stark Industries in the opening credits. Then there is the major callback to Tony Stark in the final scene. There are also some moments of setup to the future Captain America: The First Avenger, even a cut scene revealing his fate. Captain America and The Incredible Hulk have a lot in common, so it helps to introduce both at the same time. We will get to finally see some more connective tissues in next year’s Captain America: Civil War when William Hurt returns as General Ross.

The majority of callbacks and references in the film actually highlight the long-storied past of the Hulk on film. There are many moments that call back The Incredible Hulk television series by way of the score and the cameos.

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The Incredible Hulk works as a Requel, meaning it could be a sequel if you enjoyed 2003’s Hulk. If you didn’t, it’s a great opening act. Director Leterrier isn’t anything special, but the film employs some great performances and a terrific screenplay from superhero screenwriter Zak Penn (TV’s Alphas, X2: X-Men United). If you skipped The Incredible Hulk when it came out, take some time to visit it. If it has been a while, take some time to revisit it.

 

4/5

-Kyle A. Goethe

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

 

You can find Kyle A. Goethe on Twitter @AlmightyGoatman

Foxcatcher (2014)

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Director: Bennett Miller

Cast: Steve Carell, Channing Tatum, Mark Ruffalo, Vanessa Redgrave, Sienna Miller

Screenplay: E. Max Frye, Dan Futterman

134 mins. Rated R for some drug use and a scene of violence.

  • Academy Award Nominee: Best Performance by an Actor in a Leading Role (Steve Carell)
  • Academy Award Nominee: Best Performance by an Actor in a Supporting Role (Mark Ruffalo)
  • Academy Award Nominee: Best Achievement in Directing
  • Academy Award Nominee: Best Writing, Original Screenplay
  • Academy Award Nominee: Best Achievement in Makeup and Hairstyling

 

I knew nothing about the actual events of Foxcatcher until Foxcatcher.

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Foxcatcher tells the story of Olympic wrestler Mark Schultz (Channing Tatum, 21 Jump Street, Jupiter Ascending) and his relationship with millionaire John du Pont (Steve Carell, TV’s The Office, Alexander and the Terrible, Horrible, No Good, Very Bad Day). The true story of these two men, as well as Mark’s brother David (Mark Ruffalo, The Avengers, The Normal Heart), is a powerhouse tale of manipulation, love, and neglect at the infamous Foxcatcher Farms as du Pont plays the brothers for what they can give him as he furthers himself in the world of professional wrestling in the latest film from director Bennett Miller (Moneyball, Capote).

I’m going to bring up my big beef with this movie right now, because there are so few. I don’t like that we spend so little time in du Pont’s head. Carell’s performance is unbelievably incredible, but we don’t get to delve into the man’s psychosis. I also have some trouble with the runtime, which has some definite places to cut.

That being said, these performances are at a level so incredibly powerful that you forget you are watching a film. I already mentioned Carell, but Channing Tatum and Mark Ruffalo turn in near-perfect work as well, not to mention their amazing chemistry as brothers. Don’t let me forget Sienna Miller (Stardust, Unfinished Business) as Nancy Schultz, David’s wife.

Bennett creates a world in this film, and he has the ability to really get the best work out of his actors. His vision always gives something completely fresh.

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The editing and screenplay could have used a little more development, but Foxcatcher is an intense film that shows a shocking set of events that I didn’t know all that much about. The impact will not wear off soon, that much I can promise.

 

4/5

-Kyle A. Goethe

[#2015oscardeathrace] Begin Again (2013)

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Director: John Carney

Cast: Keira Knightley, Mark Ruffalo, Hailee Steinfeld, Adam Levine, James Corden, CeeLo Green, Catherine Keener

Screenplay: John Carney

104 mins. Rated R for language.

  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures, Original Song (“Lost Stars” by Gregg Alexander, Danielle Brisebois) [Awards Not Yet Announced]

In Begin Again, Dan (Mark Ruffalo, The Avengers, Foxcatcher) is an recently unemployed music producer who has just discovered Gretta (Keira Knightley, Pirates of the Caribbean: The Curse of the Black Pearl, Jack Ryan: Shadow Recruit), a young woman with a rare voice who isn’t interested in pursuing a character. Dan has a strained relationship with daughter Violet (Hailee Steinfeld, True Grit, Pitch Perfect 2) and her mother Miriam (Catherine Keener, Captain Phillips, Enough Said), but not Gretta provides a much-needed inspirational boost to Dan who wants to use her to get back in the game.

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Begin Again is little more than a cheese-filled sandwich trying to disguise itself as a movie of substance. These characters are flat and uninspired and there are better versions of them sprinkled throughout better films. I found myself checking my watch out of boredom several times here.

The film is almost completely improvised and it proves one thing very well: these actors should not improvise lines. There are entire sequences of uninspired and uninteresting exchanges between the characters.

As for the Oscar nominated son “Lost Stars” from Gregg Alexander and Danielle Brisebois, it isn’t that bad. A nice song sung in several different ways throughout the film. Not deserving of the award, but perhaps worth the nomination.

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Begin Again is a carbon-copy of so many other films just like it, with one exception: somebody smudged this copy somewhere along the line. Just keep in mind: there are better films about the music industry. Many.

1.5/5

-Kyle A. Goethe

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