[Early Review] Boy Erased (2018)

Director: Joel Edgerton

Cast: Lucas Hedges, Nicole Kidman, Russell Crowe, Joel Edgerton, Joe Alwin, Xavier Dolan, Troye Sivan, Cherry Jones, Flea

Screenplay: Joel Edgerton

114 mins. Rated R for sexual content including an assault, some language and brief drug use.

 

Joel Edgerton (The Gift) just kind of came out of nowhere. Sure, he had been acting for several years, but I never would have placed him as a more-than-competent director and writer, but he did just that with his first film. Now, he seeks to follow-up The Gift with the true-life family drama, Boy Erased.

Boy Erased is the story of Jared Eamons (Lucas Hedges, Manchester by the Sea, Mid90s), a college student who is having a crisis of faith. He has impure thoughts about men. His mother, Nancy (Nicole Kidman, Moulin Rouge!, TV’s Big Little Lies), and father, Marshall (Russell Crowe, Les Miserables, The Mummy), sign him up for a gay conversion therapy. His father is a Baptist preacher who will not allow Jared to live in his house or visit if he remains the way he is. Jared attends classes everyday with head therapist Victor Sykes (Edgerton), a firm believer in the process who pushes Jared and others to the extreme in his quest to make them “normal” heterosexual boys again. As time goes on, Lucas comes to the realization that he is who he is and “changing” is not an option.

Boy Erased takes a while before it really kicks into high gear. The first half of the film to me was a little lost in trying to find its footing. I’m not sure what the big problem is because I like the film’s structure of beginning in media res. The writing is fine but the slow build nature mixed with some pacing issues in editing likely created this problem.

That being said, when it does get going, the last half of this film is an absolute powerhouse. Hedges and Crowe are, in particular, revelatory. There is one scene in particular toward the end of the film that these two share that brought me to tears. The raw emotion of a father and son on two completely different wavelengths is something so heartbreaking.

Writer/Director/Supporting Actor Edgerton holds a capable lens to the proceedings and he tends to just let the performances do the heavy lifting. His work as Sykes in a little disturbing and very saddening. As I said before, I think his writing stumbles a bit at the beginning, but all in all, he is a talent worthy of watching.

Edgerton has a moral focus with the film and its presentation of this conversion therapy. There are a lot of horrific things happening here and it’s made all the more shocking with his choice to end the film with some follow-up on the characters but also some facts about conversion therapy that really hit home with me. These types of endings don’t always work, but Boy Erased is a film that definitely sticks the landing. It’s just sad that a film like this even had to be made, but conversion therapy is a very real and frightening thing for LGBTQ people, especially the young ones who are already going through so much in their adolescence.

Boy Erased struggles a bit out of the gate, but when it finds its footing, Joel Edgerton proves to be a force both behind and in front of the camera. He fills his films with impactful performances that elevate his own craft in the process. It’s not an easy film to view, even with a few peppered moments of levity, particularly from Jared’s mother, but it’s an incredible moving tale about the human spirit and one man’s journey to accept himself. See this movie as soon as you can.

 

4/5

-Kyle A. Goethe

[#2018oscardeathrace] The Greatest Showman (2017)

Director: Michael Gracey

Cast: Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zendaya

Screenplay: Jenny Bicks, Bill Condon

105 mins. Rated PG for thematic elements including a brawl.

  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures (Original Song) “This is Me” [Pending]

 

Musicals are getting a comeback recently thanks to La La Land. In 2017, the same lyricists contributed to The Greatest Showman, a musical biopic based on the life of P.T. Barnum. So can the film stand up to meet the music?

Phineas T. Barnum (Hugh Jackman, Les Miserables, Logan) came from nothing. When his father died, he was forced into a life of stealing bread and selling old newspapers just to survive, but his hard work and determination to give his beloved Charity (Michelle Williams, Manchester by the Sea, All the Money in the World) the life she deserves brings him to the creation of P.T. Barnum’s Museum, a building of curiosities and unique people. When Barnum’s successes lead him further away from his family, he is forced to confront what is most important in his life.

Okay, so the music is incredible here. I could not stop tapping my foot all throughout the film, and I did actually enjoy myself. The best songs in the film are the opening number and, of course, “This is Me.”

The biggest problem with the movie is that the story hits familiar beats all too often. There is a lot in P.T. Barnum’s life to cover, but the screenplay focuses on some paint-by-numbers plot points like the way Jenny Lind (Rebecca Ferguson, Mission: Impossible – Rogue Nation, The Snowman) influences the plot and the love story between Philip Carlyle (Zac Efron, High School Musical 3: Senior Year, The Disaster Artist) and Anne Wheeler (Zendaya, Spider-Man: Homecoming, Zapped).

Hugh Jackman is, thankfully, a tremendous force in the film. In prepping for his role as Barnum, he read over 30 books on the famous showman. His role is joyful, emotional, and full of life. The Greatest Showman has been a passion project for Jackman since 2009, and his passion shows through here.

I left the theater with a big damn grin after The Greatest Showman ended. Much like The Disaster Artist, the film is about the need to perform and create, and in that way, Jackman’s performance shines through. He and the rest of the cast give their all in their acting and singing, but the screenplay hits a few too many beats. That being said, this is still a lovely time, especially in the theater.

 

3.5/5

-Kyle A. Goethe

 

 

For more Almighty Goatman,

[#2018oscardeathrace] Lady Bird (2017)

Director: Greta Gerwig

Cast: Saoirse Ronan, Laurie Metcalf, Tracy Letts, Lucas Hedges, Timothee Chalamet, Beanie Feldstein, Stephen Henderson, Lois Smith

Screenplay: Greta Gerwig

94 mins. Rated R for language, sexual content, brief graphic nudity and teen partying.

  • Academy Award Nominee: Best Picture [Pending]
  • Academy Award Nominee: Best Director [Pending]
  • Academy Award Nominee: Best Actress [Saoirse Ronan] [Pending]
  • Academy Award Nominee: Best Supporting Actress [Laurie Metcalf] [Pending]
  • Academy Award Nominee: Best Original Screenplay [Pending]

 

I’ll be real here. I had no idea what Lady Bird was about. In fact, a small part of me thought it was a biopic about a certain famous First Lady. I had seen none of the promotional material, had heard nothing but the fact that it was a great movie. I’ve seen it twice now, and my opinion hasn’t changed.

Lady Bird McPherson (Saoirse Ronan, Brooklyn, Loving Vincent) is a rebellious youth experiencing her senior year in Catholic high school in 2002 Sacramento, California. The loose narrative follows Lady Bird’s senior year while exploring her strained relationship with mother Marion (Laurie Metcalf, Scream 2, Toy Story 3), father Larry (Tracy Letts, The Big Short, The Post), and best friend Julie (Beanie Feldstein, Neighbors 2: Sorority Rising). Lady Bird is a little lost in her life. Her attempts at romantic relationships aren’t turning out how she plans, she is receiving a lot of rejection letters from colleges, and the lies she is spinning to make new friends are about to unravel at the seams in this coming-of-age tale.

Lady Bird is an absolute delight. It’s not too often that I sit in the theater with a big damn joyful grin spread across my face for 90 minutes, but that’s what Lady Bird did to me. I found it to be one of the sweetest and emotionally-strong experiences I’ve had at the movies in a long time, and it’s filled with terrific performances. I loved Lucas Hedges (Manchester by the Sea, Three Billboards Outside Ebbing, Missouri) and Timothee Chalamet (Call Me By Your Name, Hostiles) as Danny and Kyle, two of the potential love interests in Lady Bird’s life.

Greta Gerwig (Nights and Weekends) wrote and directed this deeply personal tale of youth so well that I found pieces of my own experience all over the film. I saw pieces of my fiancé’s life in the film. I saw pieces of my friends’ life in the film. Gerwig doesn’t judge Lady Bird or condemn her for her bad experiences. In fact, she celebrates them. It’s a celebration of bad choices and learning, one that mothers and daughters should experience together.

Lady Bird is a perfect film. There isn’t a single thing I would change about it. I wanted to watch it immediately after finishing the film, and even now, I could sit through it again. This coming from writer/director Gerwig on her first solo outing behind the camera is excellent, and it makes her a force to be reckoned with as her career continues.

 

5/5

-Kyle A. Goethe

 

 

For more Almighty Goatman,

[#2017oscardeathrace] The Nominees for the 89th Academy Awards

 

Best part about the Oscars every year: the Oscar Death Race. I’m ready for it, are you?

Here are the nominations for this year’s Academy Awards, hosted by Jimmy Kimmel.

 

arrival2016a

Best Picture

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

 

Best Director

  • Denis Villeneuve, Arrival
  • Mel Gibson, Hacksaw Ridge
  • Damien Chazelle, La La Land
  • Kenneth Lonergan, Manchester by the Sea
  • Barry Jenkins, Moonlight

 

Best Actor

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

elle2016a

Best Actress

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Natalie Portman, Jackie
  • Emma Stone, La La Land
  • Meryl Streep, Florence Foster Jenkins

 

Best Supporting Actor

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

 

Best Supporting Actress

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

 

hellorhighwater2016a

Best Original Screenplay

  • Hell or High Water
  • La La Land
  • The Lobster
  • Manchester by the Sea
  • 20th Century Women

 

Best Adapted Screenplay

  • Arrival
  • Fences
  • Hidden Figures
  • Lion
  • Moonlight

 

Best Animated Feature Film

 

landofmine2016a

Best Foreign Language Film

  • Land of Mine
  • A Man Called Ove
  • The Salesman
  • Tanna
  • Toni Erdmann

 

Best Documentary Feature

  • 13th
  • Fire at Sea
  • I Am Not Your Negro
  • Life, Animated
  • O.J.: Made in America

 

Best Documentary Short Film

  • 1 Miles
  • Extremis
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

 

Best Live Action Short Film

  • Ennemis Interieurs
  • La Femme et le TGV
  • Silent Nights
  • Sing
  • Timecode

 

Best Animated Short Film

  • Blind Vayasha
  • Borrowed Time
  • Pear Cider and Cigarettes
  • Pearl
  • Piper

 

jackie2016a

Best Original Score

  • Jackie
  • La La Land
  • Lion
  • Moonlight
  • Passengers

 

Best Original Song

  • “Audition (The Fools Who Dream)” from La La Land
  • “Can’t Stop the Feeling!” from Trolls
  • “City of Stars” from La La Land
  • “The Empty Chair” from Jim: The James Foley Story
  • “How Far I’ll Go” from Moana

 

Best Sound Editing

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

 

13hoursthesecretsoldiersofbenghazi2016a

Best Sound Mixing

  • 13 Hours: The Secret Soldiers of Benghazi
  • Arrival
  • Hacksaw Ridge
  • La La Land
  • Rogue One: A Star Wars Story

 

Best Production Design

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail, Caesar!
  • La La Land
  • Passengers

 

lalaland2016a

Best Cinematography

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

 

Best Makeup and Hairstyling

 

Best Costume Design

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

 

hacksawridge2016a

Best Film Editing

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

 

Best Visual Effects

 

 

So there you have it. Now, if you’ll excuse me, I have some movies to watch…

 

-Kyle A. Goethe

National Society of Film Critics Selects “Moonlight” as Best Picture of the Year

moonlight2016a

Moonlight, the coming-of-age drama about race and sexuality, beat out favorites La La Land and Manchester by the Sea to be named Best Picture by the National Society of Film Critics. Director Barry Jenkins also took Best Director, as did Mahershala Ali in the Best Supporting Actor category and the cinematography from James Luxton. Moonlight did not get Best Supporting Actress from Naomie Harris nor Best Screenplay, being bested by Manchester by the Sea in both categories.

What does this all mean? Well, it proves that the Oscar Race this year is going to be very interesting as Moonlight again proves to be a top contender against La La Land and Manchester by the Sea. Predictions have swayed almost daily throughout this award season as the three films duked it out with possible underdog Fences also thrown in the mix.

I have yet to see Moonlight but I’m very excited to see a film that tackles so many big ideas, especially after last year’s  #Oscarsstillsowhite controversy.  Now, naysayers will probably say that Moonlight may be receiving all of this recognition purely because of the controversy, but I don’t believe that to be true. The National Society of Film Critics picks what they want to pick. It’s a small voting group that hasn’t changed much in past years, and I don’t think they feel obligated to respond to controversy either way.

Now, it remains to be seen if Moonlight actually gets nominated this year (if it didn’t, this awards season could get very messy), but I’m sure it will be. Birth of a Nation, on the other hand…

So what do you think? Have you seen Moonlight? What did you think? Is it the Best Picture of the Year? Let me know.

 

-Kyle A. Goethe

Blog at WordPress.com.

Up ↑