[Happy 15th Birthday!] Sleepy Hollow (1999)

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Director: Tim Burton

Cast: Johnny Depp, Christina Ricci

Screenplay: Andrew Kevin Walker

105 mins. Rated R for graphic horror violence and gore, and for a scene of sexuality.

  • Academy Award Winner: Best Art Direction – Set Decoration
  • Academy Award Nominee: Best Cinematography
  • Academy Award Nominee: Best Costume Design

 

I remember reading The Legend of Sleepy Hollow as a kid. I remember the way it made me feel. It was a very unhappy and dreary story, as was expected to be. I remember my excitement at hearing that there was a new film version coming along in 1999. It was a new film from director Tim Burton (Edward Scissorhands, Dark Shadows), with whom I was already familiar with at a young age. I remember finding the film to be very different than the original story, much more convoluted than it needed to be. I wasn’t a great big fan of the film, though I remembered that it had several some really great moments. I thought I would look back on the film for its 15th anniversary and see if I felt any different about it.

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As it turns out, I still find numerous flaws with the film, but I feel as though it has aged very nicely over the past fifteen years.

It’s the story of Ichabod Crane (Johnny Depp, Sweeney Todd: The Demon Barber of Fleet Street, Transcendence) as he hunts down a murderer in Sleepy Hollow who lops his victim’s heads off. Along the way, he meets Katrina Van Tassel (Christina Ricci, Monster, Lizzie Borden Took an Ax), a woman he develops an emotional connection to even though she may have more to her past than he knows. The townspeople believe that the murders are being committed by The Headless Horseman, a mythical being who has been birthed from Hell to avenge his death.

This film looks pretty damn good for its age. I still find the lighting to be too little during some of the more menacing action sequences. I think it could use a bit more light in its scenes. I like Johnny Depp, pre-overused by Tim Burton here. Christina Ricci returns to the genre that made her famous in The Addams Family. I find her inert sensuality and innocence brings chilling ambience to her performance here. Then there’s Christopher Walken, who gets a lot less screentime as The Headless Horseman, but all the seem, he gives one of the most iconic and terrifying performances I have ever seen here. He is almost monstrous and beastly even as a humanoid spirit.

I also enjoyed the cinematography from Emmanuel Lubezki here. He definitely deserved the nomination from making this film feel like a Hammer film and gives homage to even older films of the horror genre.

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Of all the films in the Burton canon, this one feels more like the Burton we know and doesn’t tread very much new territory, but overall, I enjoy the film much more now, and part of that has to do with the awesome soundtrack and the screenplay from Andrew Kevin Walker (even with an uncredited rewrite that messed with the pacing a bit). Tim Burton has done better, but he has also done worse, and Sleepy Hollow exists somewhere in the middle.

 

2.5/5

-Kyle A. Goethe

 

For my review of Tim Burton’s Dark Shadows, click here.

Lizzie Borden Took an Ax (2014)

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Director: Nick Gomez

Cast: Christina Ricci, Clea Duvall, Billy Campbell

Screenplay: Stephen Kay

91 mins. Not Rated by the MPAA.

 

Do you want to know the story of Lizzie Borden? Good, because this is practically a documentary. Lizzie Borden Took an Ax is the story of, well, Lizzie Borden (Christina Ricci, Sleepy Hollow, The Smurfs 2) and when she, well, takes an ax…to her parents.  Clea Duvall (Argo, Conviction) is Emma, the sister. Billy Campbell (The Rocketeer, Killing Lincoln) is the family’s law representative. The plot is nothing of great merit. Lizzie Borden finds her parents murdered in the upstairs of her home, she goes for help, and then people start believing that she may have been the culprit. Everything about this movie is predictable, down to the title being a major giveaway (granted, I understand that the film is based on true events and most people already know the story enough to put the pieces together. This film is very simplistic, the plotline runs very television movie-ish, which makes sense because it is a Lifetime television movie. The performances are so-so, really nothing special.

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All of this film is meh. There is no cinematography. The camera is more nailed down than the sets. The film’s editing allows for commercial breaks, which I have always found to be very meh as well. Really, the reason this film gets a extra point is for detail to the actual events. I looked up actual information after seeing the film, and it was pretty spot on. So, for that, I give Lizzie Borden Took an Ax 2/5.

 

2/5

-Kyle A. Goethe

 

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