The Incredible Hulk (2008)

theincrediblehulk2008a

Director: Louis Letterrier

Cast: Edward Norton, Liv Tyler, Tim Roth, Tim Blake Nelson, Ty Burrell, William Hurt

Screenplay: Zak Penn

112 mins. Rated PG-13 for sequences of intense action violence, some frightening sci-fi images, and brief suggestive content.

 

In 2008, the Marvel Cinematic Universe began in a silent but deadly fashion with two superhero releases: Iron Man and The Incredible Hulk. The former was a major box office winner and critical darling. The latter was largely dismissed, like every previous incarnation, and hasn’t been referenced much since, due in large part to the difficulties in crafting the film and the replacement of the title actor in The Avengers. The difference between this version of The Incredible Hulk and the previous 2003 film Hulk is that the 2008 film is actually pretty damn good.

theincrediblehulk2008b

The film is presented in a “Requel” of sorts, chronicling Bruce Banner (Edward Norton, Fight Club, Birdman) and his journey off-the-grid. He has estranged himself from his love Betty Ross (Liv Tyler, TV’s The Leftovers, Armageddon). Betty’s father, General “Thunderbolt” Ross (William Hurt, Into the Wild, The Disappearance of Eleanor Rigby: Them), continues his obsession with finding Banner and tearing him apart. Ross enlists Emil Blonsky (Tim Roth, Pulp Fiction, Selma), a military mercenary, to help hunt down Bruce. In the process, Blonsky is given some of the same gamma radiation that turned Bruce into the raging creature known as The Hulk.

First off, I’m not going to try and convince you that this is a Best Picture quality superhero film. It isn’t. 2008’s The Incredible Hulk is still, to me, a far superior film to Iron Man, but most won’t agree. I find Bruce Banner to be a more likable character. The relationship between him and Betty Ross is powerful and layered. I also find Tim Roth’s portrayal of Emil Blonsky to be a strong and villainous performance and it helped start the trend of strong villains in Marvel films. Director Louis Leterrier (Now You See Me, Clash of the Titans) even helped set up future villains in the process (though so far none of these have come to pass).

Norton’s portrayal of Banner is great, but the problem with him came from constant rewrites and the fact that Edward Norton is a terrible person to work with on a film set (see Birdman for more info). I can completely understand his replacement with Mark Ruffalo, though it still was a bad way to create this character.

As far as this film’s relationship to the MCU, there are references in there, but they are very quick and underplayed. A lot of references are found to Stark Industries in the opening credits. Then there is the major callback to Tony Stark in the final scene. There are also some moments of setup to the future Captain America: The First Avenger, even a cut scene revealing his fate. Captain America and The Incredible Hulk have a lot in common, so it helps to introduce both at the same time. We will get to finally see some more connective tissues in next year’s Captain America: Civil War when William Hurt returns as General Ross.

The majority of callbacks and references in the film actually highlight the long-storied past of the Hulk on film. There are many moments that call back The Incredible Hulk television series by way of the score and the cameos.

theincrediblehulk2008c

The Incredible Hulk works as a Requel, meaning it could be a sequel if you enjoyed 2003’s Hulk. If you didn’t, it’s a great opening act. Director Leterrier isn’t anything special, but the film employs some great performances and a terrific screenplay from superhero screenwriter Zak Penn (TV’s Alphas, X2: X-Men United). If you skipped The Incredible Hulk when it came out, take some time to visit it. If it has been a while, take some time to revisit it.

 

4/5

-Kyle A. Goethe

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

 

You can find Kyle A. Goethe on Twitter @AlmightyGoatman

The Lord of the Rings: The Return of the King (2003)

thelordoftheringsthereturnoftheking2003a

Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Viggo Mortensen, Liv Tyler, Seas Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Karl Urban, John Noble, Andy Serkis, Ian Holm

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson

201 mins. Rated PG-13 for epic intense battle sequences and frightening images.

  • Academy Award Winner: Best Picture
  • Academy Award Winner: Best Director
  • Academy Award Winner: Best Writing, Adapted Screenplay
  • Academy Award Winner: Best Film Editing
  • Academy Award Winner: Best Art Direction – Set Decoration
  • Academy Award Winner: Best Costume Design
  • Academy Award Winner: Best Makeup
  • Academy Award Winner: Best Music, Original Score
  • Academy Award Winner: Best Music, Original Song (“Into the West” by Fran Walsh, Howard Shore, Annie Lennox)
  • Academy Award Winner: Best Sound Mixing
  • Academy Award Winner: Best Visual Effects

 

After pouring years of his life into an ambitious project, director Peter Jackson (The Lovely Bones, King Kong) finally saw his vision receive the recognition it deserved after winning 11 Academy Awards (making it the most nominated franchise in history), tying the record. The Lord of the Rings: The Return of the King was the final chapter in the trilogy based on Tolkien’s novels, and indeed one of the greatest films ever crafted. Equal parts grandeur and tragic masterpiece, our third trip to Middle-Earth.

thelordoftheringsthereturnoftheking2003c

Frodo (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties) and Sam (Sean Astin, TV’s Teenage Mutant Ninja Turtles, The Goonies) have gotten back on the path to Mount Doom, with Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas) in tow, though Gollum’s path is becoming increasingly more treacherous. Is he leading them down a trap?

Meanwhile, Gandalf (Ian McKellan, X-Men: Days of Future Past, The Prisoner) and Pippin (Billy Boyd, Master and Commander: The Far Side of the World, Dorothy and the Witches of Oz) are heading to Minas Tirith to warn the Steward of Gondor, Denethor (John Noble, TV’s Fringe, Superman: Unbound), of the war that is on his doorstep. The only problem, Denethor, who also happens to be father to Boromir and Faramir (David Wenham, 300, Legend of the Guardians: The Owls of Ga’Hoole), has grown insane and weary in grief over the loss of his favorite son.

This is a spectacular film achievement, visually perfect in every way. The performances are stellar. The plot interweaves and closes off all loose ends. The cinematography is sweeping, epic in scope, and perfectly crafted.  The film’s 200-minute runtime goes by smoothly, not a moment to stop and catch one’s breath. Even the visual effects have not aged in the dozen years since its release. The film even contains the largest prop ever built for a motion picture in a battle sequence containing giant creatures called oliphaunts.

The film features another wonderful battle sequence overcut with Pippin singing a song to the eating Denthor. It is beautiful and chilling and everything that this series is all at once.

As a note to casual fans at the completion of this review for The Lord of the Rings trilogy, check out the extended editions. As terrific as the theatrical cuts are, the extended films are the supreme version of the story. They feature cameos and performances not seen in the previous incarnations, such as The Mouth of Sauron, a wholly chilling character unfortunately cut from the film.

thelordoftheringsthereturnoftheking2003b

The Lord of the Rings: The Return of the King is perhaps the greatest fantasy achievement in filmmaking that we will ever see. It excels on every level and continues the tradition of high-fantasy movies in a glorious fashion. I doubt we will see an equal for a very long time.

 

5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

The Lord of the Rings: The Two Towers (2002)

thelordoftheringsthetwotowers2002a

Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Viggo Mortensen, Liv Tyler, Sean Astin, Cate Blanchett, John Rhys-Davies, Bernard Hill, Christopher Lee, Billy Boyd, Dominic Monaghan, Orlando Bloom, Hugo Weaving, Miranda Otto, David Wenham, Brad Dourif, Sean Bean, Andy Serkis

Screenplay: Fran Walsh, Philipps Boyens, Stephen Sinclair, Peter Jackson

179 mins. Rated PG-13 for epic battle sequences and scary images.

  • Academy Award Winner: Best Sound Editing
  • Academy Award Winner: Best Visual Effects
  • Academy Award Nominee: Best Picture
  • Academy Award Nominee: Best Art Direction – Set Decoration
  • Academy Award Nominee: Best Film Editing
  • Academy Award Nominee: Best Sound

iMDB Top 250: #16 (as of 12/7/2015)

We had to wait a whole year to find out what happened to Frodo (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties) and Sam (Sean Astin, TV’s Teenage Mutant Ninja Turtles, The Goonies). That, or just read the book.

thelordoftheringsthetwotowers2002b

Let’s just focus on the film. The Lord of the Rings: The Two Towers furthers Frodo and Sam’s journey to Mordor to destroy the One Ring. The fellowship has broken, and friends Pippin (Billy Boyd, Master and Commander: The Far Side of the World, Dorothy and the Witches of Oz) and Merry (Dominic Monaghan, TV’s Lost, I Sell the Dead) have been taken by the orcs to Isengard. Aragorn (Viggo Mortensen, A History of Violence, On the Road), Gimli (John Rhys-Davies, Indiana Jones and the Raiders of the Lost Ark, Anacondas: Trail of Blood), and Legolas (Orlando Bloom, Pirates of the Caribbean: The Curse of the Black Pearl, The Three Musketeers) follow the orc pack in an attempt to free them. As Frodo gets closer to his goal, he comes across help in the form of the creature Gollum (Andy Serkis, Rise of the Planet of the Apes, Arthur Christmas), who held the ring before Bilbo found it sixty years previously, but is Gollum truly a friend or a foe?

The Lord of the Rings: The Two Towers is based on the second book in The Lord of the Rings trilogy and proved to be the most difficult in adapting. First of all, the book is split in two. The first half covers Aragorn and company on their journey. The second half focuses on Frodo, so careful planning and rearranging was taken to make the film chronological in nature. As I’ve said before, Tolkien was a great storyteller but his structure left something to be desired. Then came the difficulty of too much climax with two stories running concurrently. So some events from the second book had to be relocated to the first and third film.

The acting here is tremendous again. Newcomer Bernard Hill (Titanic, ParaNorman) joins as King Theoden of Rohan, who has a warped mind due to the hold Saruman (Christopher Lee, Star Wars – Episode II: Attack of the Clones, Dark Shadows) has over his mind. Theoden is confined to his throne and being further distorted by the slimy Grima Wormtongue (Brad Dourif, Dune, Curse of Chucky). Frodo gets to interact with Faramir (David Wenham, 300, Legend of the Guardians: The Owls of Ga’Hoole), brother of the recently slain Boromir (Sean Bean, TV’s Legends, GoldenEye).

Peter Jackson’s vision is further explored in sweeping visuals during the battle of Helm’s Deep, the film’s main set piece. The score continues to impress, giving each character its own nuance. Again, the costumes are gorgeous.

thelordoftheringsthetwotowers2002c

The faults with this film are few. The pacing is difficult from the screenwriting difficulties. It is clear that the middle act of the film muddles a bit in trying to realign itself to the story. Really, that’s about it. This film has, since its release, been considered to be much better than initial reviews gave it, even though initial reviews were still damn good, and while I enjoyed it, it certainly wasn’t as good as the first and third. Still, take this journey to Middle-Earth. You won’t be disappointed.

4.5/5

-Kyle A. Goethe

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

For my review of Peter Jackson’s The Hobbit: The Battle of the Five Armies, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Fellowship of the Ring, click here.

For my review of Peter Jackson’s The Lord of the Rings: The Return of the King, click here.

For my review of Peter Jackson’s Bad Taste, click here.

For my review of Peter Jackson’s The Lovely Bones, click here.

[Oscar Madness] The Lord of the Rings: The Fellowship of the Ring (2001)

thelordoftheringsthefellowshipofthering2001a

Director: Peter Jackson

Cast: Elijah Wood, Ian McKellan, Liv Tyler, Viggo Mortensen, Sean Astin, Cate Blanchett, John Rhys-Davies, Billy Boyd, Dominic Monaghan, Orlando Bloom, Christopher Lee, Hugo Weaving, Sean Bean, Ian Holm, Andy Serkis

Screenplay: Fran Walsh, Philippa Boyens, Peter Jackson

178 mins. Rated PG-13 for epic battle sequences and some scary images.

  • Academy Award Winner: Best Cinematography
  • Academy Award Winner: Best Makeup
  • Academy Award Winner: Best Music, Original Score
  • Academy Award Winner: Best Effects, Visual Effects
  • Academy Award Nominee: Best Picture
  • Academy Award Nominee: Best Actor in a Supporting Role (Ian McKellan)
  • Academy Award Nominee: Best Director
  • Academy Award Nominee: Best Writing, Screenplay Based on Material Previously Produced or Published
  • Academy Award Nominee: Best Art Direction – Set Direction
  • Academy Award Nominee: Best Costume Design
  • Academy Award Nominee: Best Film Editing
  • Academy Award Nominee: Best Music, Original Song (“May It Be” by Enya, Nicky Ryan, Roma Ryan)
  • Academy Award Nominee: Best Sound

 

Some projects are doomed from the very start. Imagine filming three movies at the same time, on one budget, and having creating a trilogy between them of at least 11 hours in length. Yeah, Peter Jackson did that.

Sir Ian McKellan in a scene from THE LORD OF THE RINGS: THE FELLOWSHIP OF THE RING, 2001.

The Lord of the Rings: The Fellowship of the Ring follows Frodo Baggins (Elijah Wood, Eternal Sunshine of the Spotless Mind, Cooties), a hobbit from Hobbiton. He lives with his uncle Bilbo (Ian Holm, Ratatouille, Renaissance) who is celebrating his eleventy-first birthday (that’s 111 to you non-hobbit folks) and has just left Frodo with his magical ring of power which he found sixty years earlier. What Frodo and wizard Gandalf (Ian McKellan, X-Men: Days of Future Past, The Prisoner) are about to discover is that this ring is the powerful One Ring of Sauron, a dark lord who used the ring to take over the land long ago. Sauron had been destroyed, but the ring of power had passed along looking for its master to reunite and bring back an age of darkness and despair. Now it is up to Frodo, his gardener Samwise (Sean Astin, TV’s Teenage Mutant Ninja Turtles, Justice League: Throne of Atlantis), and their fellowship of seven others, including elf Legolas (Orlando Bloom, Pirates of the Caribbean: The Curse of the Black Pearl, The Three Musketeers), dwarf Gimli (John Rhys-Davies, Indiana Jones and the Raiders of the Lost Ark, Anacondas: Trail of Blood), and the mysterious ranger known as Strider (Viggo Mortensen, A History of Violence, On the Road) to get the ring of power to the one place where it can be destroyed: the fiery Mount Doom in the land of Mordor. There’s just one problem: Mordor is where the Eye of Sauron is still looking for his ring with armies of orcs at his disposal.

This film is staggering in scale. It is almost too realistic for a fantasy film, it just sucks you in. The plot here is immensely entertaining due to director Jackson’s attention to detail and knowledge of J.R.R. Tolkien’s source material. The screenplay, by Jackson and fellow writing team members Fran Walsh and Philippa Boyens (with whom he also penned The Lovely Bones and King Kong), is incredibly engaging and equal parts exhilarating and fun.

This is Elijah Wood at his career best. His portrayal of Frodo, a hobbit who is only used to the good parts of life and used to only happiness, solitude, and relaxation, now thrust unto this great quest, is deeply personal. I saw in Wood’s performance a hobbit who looks up to his uncle for all the adventures he has been on, but also doesn’t really want to live them.

Viggo Mortensen here is another strength (of which the entire cast is). Strider is a character with deep levels of history and emotion, a true well of sadness. Mortensen plays it to perfection.

I also truly loved Sean Bean (GoldenEye, Mirror Mirror) as Boromir, a man entrusted to Frodo’s fellowship who has a weakness for power and believes that the ring holds the key to saving his homeland.

Peter Jackson isn’t afraid here to get down and dirty and display epic-sized battles for his audience. This movie chooses to show, not tell, and it is totally worth it.

thelordoftheringsthefellowshipofthering2001b

In fact, just about every aspect of this film could be classified as stellar. It happens to be my favorite of the six Middle-Earth films Peter Jackson has poured his soul into. The Lord of the Rings: The Fellowship of the Ring is incredible on just about every level. Take a trip to Middle-Earth with me, and enjoy yourself along the way.

 

5/5

-Kyle A. Goethe

 

For my review of Peter Jackson’s The Hobbit: An Unexpected Journey, click here.

For my review of Peter Jackson’s The Hobbit: The Desolation of Smaug, click here.

 

For my review of Peter Jackson’s The Lovely Bones, click here.

Blog at WordPress.com.

Up ↑