[Batman Day] Batman Begins (2005)

Director: Christopher Nolan

Cast: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Morgan Freeman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ket Watanabe

Screenplay: David S. Goyer, Christopher Nolan

140 mins. Rated PG-13 for intense action violence, disturbing images and some thematic elements.

  • Academy Award Nominee: Best Achievement in Cinematography

IMDb Top 250: #116 (as of 9/14/18)

 

Happy Batman Day, everyone! Celebrate with some comic books, cartoons, and Batman movies, like Batman Begins.

The Batman franchise was in a bad place in the early 2000s. After the trainwreck that was Batman & Robin, the franchise was limping and needed to be fixed. Even myself, a hardcore non-retconner, can say that there was no other way. In stepped Christopher Nolan (Interstellar, Dunkirk).

Batman Begins takes the story of Bruce Wayne (Christian Bale, American Hustle, Hostiles) all the way back to its not-so-humble start. By now, we all know the big piece, the death of Bruce’s parents, but Batman Begins delves into his complex relationship with butler Alfred (Michael Caine, The Quiet American, Sherlock Gnomes), his combat training with The League of Shadows, led by Ra’s Al Ghul (Ken Watanabe, The Last Samurai, Isle of Dogs), and the mistakes he makes along the way to the hero we all know and love. As Bruce is honing his skills, crime boss Carmine Falcone (Tom Wilkinson, Michael Clayton, Denial) and corrupt psychologist Dr. Jonathan Crane (Cillian Murphy, 28 Days Later, TV’s Peaky Blinders), working for an unseen nefarious foe, are setting Gotham City down the path to destruction from within, and Batman, with the help of Sergeant Jim Gordon (Gary Oldman, Darkest Hour, The Hitman’s Bodyguard) may be the only one who can stop them.

This was the kick in the ass that the Batman franchise needed to stay fresh. Something I’ve learned in the years since Batman Begins is that there will always be a new Batman. He’s like Robin Hood and Peter Pan. They just keep coming back. This comeback, however, is just that damn good.

Christian Bale kicks ass as both Bruce Wayne and Batman. He chose to portray each half of his persona as a completely separate character, as it he had multiple personality syndrome and Batman is just another person living within him. Then there’s The Voice. I’m a firm defender of The Voice within Nolan’s realistic take on the Caped Crusader. Otherwise someone would eventually be able to figure it out. It is notable that he packed on the muscle for the role, the insane method actor that he is, having just come off The Machinist.

Speaking of the realism, Nolan took special care to craft a Gotham as realistic as possible. The gothic tone of the World’s Greatest Detective is still there, but Batman’s tech is as grounded in reality as possible. Even its villains stick to somewhat tangible backgrounds, with Crane’s Scarecrow become a truly horrific legend. Murphy’s portrayal is near and dear to my heart with the Scarecrow being my favorite Batman villain, and while originally I took issue with the way Nolan elected to recreate this character, I soon found myself heavily engaged in his frightening take. Ra’s Al Ghul is another character that usually takes on an otherworldly visage in that, if I am correct, he is often shown as having survived for over 600 years, dying and reviving due to The Lazarus Pits. Now, it could be true of the character we see in the finished film, but Nolan never once brings it up. In fact, the way he portrays Ra’s Al Ghul is haunting in its simplicity.

What’s great about Bruce Wayne is how compelling he is without the Batsuit, and how driven he is, just like his counterpart. Being the World’s Greatest Detective is something that applies to both Wayne and Batman, and Nolan, alongside co-screenwriter David S. Goyer, gave us time to connect with Bruce before introducing his superheroic other half.

I think if there was one thing I didn’t like about the film, it falls to some marketing mistakes and the fact that the film doesn’t firmly enough plant itself as being a reboot. Much like the ill-fated Ghostbusters: Answer the Call, Batman Begins almost plays itself up as a prequel to the 1989 Tim Burton Batman. There are clues as the film goes on, most notably in the death of Bruce’s parents, but as the convoluted mythology of the previous Batman series never really had itself nailed down, one wondered if the film was connected, and it wasn’t until its follow-up, The Dark Knight, released in 2008 that we finally got our answers. I just think fans struggled throughout the film’s runtime trying to figure out what it was.

Nitpicks aside, Batman Begins is nearly perfect. There are some slight issues with things like placing the film within a franchise timeline and a few acting slips (looking at Katie Holmes on this one), but all in all, Batman Begins isn’t just one of the best Batman films, it’s one of the best films of any kind.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Christopher Nolan’s Interstellar, click here.

For my review of Christopher Nolan’s Dunkirk, click here.

 

For more Almighty Goatman,

AlmightyGoatman’s 10 Most Anticipated Films of 2016!

 

Note* This list is not the countdown so these are not numbered. This list contains films that have a release date for 2016 and will not contain the 10 films I believe will be the best. This is the films I have become aware of that I am looking forward to. No, your indie film didn’t make the cut because I just haven’t heard much if anything about it. I’m sorry, but you have a whole year to change my mind.

 

Honorable Mentions: Deadpool, Captain America: Civil War, The Free State of Jones, Connor4real, The BFG

 

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Hail, Caesar!

I love the Coen Brothers. I don’t always love their movies, but I love that these two great artists can conjure up so much grandeur while at the same time creating so many personal stories. Hail, Caesar! is an exciting farcical comedy about a kidnapped actor back in the heyday of show business and the studio man tasked with finding him. There is a lot of madcap, a lot of fun in the trailer alone, and a lot of Coen.

 

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Batman v Superman: Dawn of Justice

I’m not even all that convinced that this movie will be good. The trailer didn’t entirely convince me and I wasn’t a big fan of Man of Steel by any means. I’m mostly excited to see this film because it appears to be the must-see popcorn flick of 2016, much like Star Wars: The Force Awakens in 2015. The only problem: I was convinced by the great marketing campaign for Star Wars. Batman v Superman, not so much. Don’t get me wrong, I’ve been a big supporter of Zack Snyder (loved Dawn of the Dead and Watchmen, even liked 300) but lately, he just hasn’t been hitting the mark.

 

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Snowden

I actually know very little about this project except the touchy subject matter and Oliver Stone, who has become the king of the biopic. With so many great ones under his belt and Joseph Gordon-Levitt in the lead, Snowden looks to be an interesting property for this year.

 

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The Nice Guys

When I say Shane Black, you say what? Exactly, he isn’t a household name yet, but I feel in love with his style based on Lethal Weapon alone. He’s been hitting it out of the park lately with Kiss Kiss Bang Bang several years back and then 2013’s Iron Man 3, and now, a 1970s highly stylized buddy cop picture with Russell Crowe and Ryan Gosling. Yes, please.

 

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The Conjuring 2

I tried to pick the most interesting horror film of the mulch this upcoming season, and The Conjuring 2 is it. Never mind Annabelle (truth be told, haven’t seen it yet), The Conjuring is an excellent horror film that learned from all the great work and all the mistakes of director James Wan’s career, and coming off of Furious 7 (a difficult production giving us one of the best in the series) and you have me excited.

 

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Suicide Squad

Even if Batman v Superman is a dud or a hit, 2016’s real pressure of the DCEU is Suicide Squad, the third film in the Expanded Universe features some of its best villains, and they aren’t even the villains of the film. Confusing, I know, but at this point in the MCU, we were getting Iron Man 2, and we hadn’t even dipped a toe in the pool yet. The real test of the DCEU is Suicide Squad, so baby, dip that toe!

 

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A Monster Calls

An interesting property with Liam Neeson playing a monster. Yeah, a monster, and Juan Antonio Bayona (recently off of World War Z 2, dodged a bullet there) at the helm, A Monster Calls seems on par with a Boy and his Dog vibe and the magic of Maurice Sendak’s Where the Wild Things Are. Check out the teaser if you get the chance; it slipped right in under the radar last year.

 

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Doctor Strange

The reason I didn’t include Captain America: Civil War on the list this year was because of Doctor Strange, featuring Benedict Cumberbatch as our new Marvel hero, Mads Mikkelson as the villain, and horror director Scott Derrickson at the helm. This has the potential to be what Fantastic Four, or Fant4stic, or whatever it was last year, tried to be.

 

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Fantastic Beasts and Where to Find Them

These last two are no-brainers. Of course I am excited to see where JK Rowling and director David Yates take us in the ninth installment of what is becoming the Harry Potter expanded universe. Everyone’s doing it! I like the idea that you can play with a new tale in a world already established with rules made to be bent. Add in Academy Award Winner Eddie Redmayne, fresh off The Theory of Everything and The Danish Girl (which will likely garner him another nomination tomorrow morning), and you have made a delicious nerd soufflé, and I can’t wait to try it.

 

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Rogue One: A Star Wars Story

See Fantastic Beasts and Where to Find Them for my reasoning behind this film. Let’s face it, Star Wars: The Force Awakens was great, and this will be the first opportunity for Disney to actually experiment with the formula without killing our hopes and dreams. And what a story to tell, featuring a tale between Revenge of the Sith and A New Hope about the plot to steal the Death Star plans. Expect to see some hints dropped at Star Wars: Rebels and The Force Awakens, perhaps even a cameo or two. Sounds like an exciting December.

 

Hell, sounds like an exciting 2016!

So what do you think? These are just my choices. What are yours? Leave me your own 10 Most Anticipated Films of 2016 below in the comments and I look forward to talking this year with you for at least 12 months…

 

-Kyle A. Goethe

@AlmightyGoatman

[Happy 5th Birthday!] The A-Team (2010)

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Director: Joe Carnahan

Cast: Liam Neeson, Bradley Cooper, Jessica Biel, Sharlto Copley, Quinton “Rampage” Jackson, Patrick Wilson

Screenplay: Joe Carnahan, Brian Bloom, Skip Woods

117 mins. Rated PG-13 for intense sequences of action and violence throughout, language and smoking.

 

It is difficult to turn a popular television series into a movie. How do you condense years of storytelling into two hours? It has been attempted multiple times for multiple series, and while many of these attempts do not fare well, some happen to slip between the cracks. One of these rare finds is 2010’s The A-Team from director Joe Carnahan (The Grey, Stretch).

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In the adaptation of the popular 1980s series, viewers get to see how the famous team was formed by Hannibal Smith (Liam Neeson, Schindler’s List, Entourage). We see the meeting of the team, the inciting incident behind their court-martialing, and their fight to reclaim their freedom. After they are betrayed during a mission, Hannibal, Face (Bradley Cooper, Silver Linings Playbook, Aloha), Murdock (Sharlto Copley, TV’s Powers, District 9) and B.A. (Quinton “Rampage” Jackson, The Midnight Meat Train, Miss March) must outrun the cops, led by Face’s former flame Charissa Sosa (Jessica Biel, The Illusionist, Accidental Love) and try to prove their innocence with the help of the mysterious Lynch (Patrick Wilson, Insidious, Home Sweet Hell).

The A-Team is a perfect example of updating a classic scenario using all the bells and whistles of a big production. Getting strong performances from top names like Neeson, Cooper and Copley to play the infamous mercenaries (notice I didn’t mention Jackson here…) really elevates the level of excitement and fun had in this movie. We even get a unique and comedic performance from Wilson as Lynch, a notable character from the series.

Carnahan’s cinematography skill here is his ability to maneuver the camera constantly without resorting to shaky cam. It has a frenetic yet focused chaos to it. He also knows how to get a near-perfect flow from his films. The A-Team never lets up for the entirety of its near-two-hour runtime.

The subtle use of the original theme helps to homage the original musical cues. This is assisted by the great makeup and costuming. These characters are allowed to look damn cool no matter what they do. It is reminiscent of Quentin Tarantino’s treatment of his characters. Everyone in this film is so cool it made me jealous.

The visual effects work quite well for a bulk of the film, but their overuse in the finale is noticeable aged and comes off much more cartoony than it should, making many of the stylized action pieces look a bit like a video game cut scene, which ultimately takes away from the “Wow” factor of the explosive ending.

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Thanks to some dated effects and the poor casting of Rampage Jackson as a carbon-copy attempt of Mr. T, The A-Team has some faults, but it is a rather underappreciated and sadly forgotten action spectacle. I suggest you take some time to revisit this oft-unloved film from a great but largely unnoticed director like Carnahan.

 

4/5

-Kyle A. Goethe

 

June 2015 Preview

 

Alright, welcome to June 2015, everyone! I hope you enjoyed May, I certainly did. Let’s not waste any time here. Just keep in mind that these Previews are based on my highly intelligent abilities as a predictor of films. Our tastes may differ slightly, but I’m really open to helping you find the best films to see this month, so let’s jump in…

 

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Entourage

Entourage picks up where the eighth season of the hit HBO series left off, following Vincent Chase and his friends, E, Drama, and Turtle, as they continue to take Hollywood by storm. This was a series for a select group of people and those people will enjoy the film. If you haven’t seen Entourage, it isn’t the type of series to alienate viewers, so you may still enjoy yourself, but if you hated the television series, I don’t expect this film to sway you.

 

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Insidious: Chapter 3

Insidious is a franchise very close to me. I happen to find both films to be very enjoyable. The first one had me on the edge of my seat, and the second served to peel back layers of the various entities that exist in the mystical plane called The Further. I hope they find a way to utilize the prequel format to deliver something interesting, but this film is somewhat up in the air.

 

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Love & Mercy

Love & Mercy is based on the true account of Brian Wilson, played in the film by Paul Dano and John Cusack, after his time with the Beach Boys, as Wilson attempts to record Pet Sounds, the “greatest album” of all time. It also chronicles the older Brian Wilson as he loses his grip on reality due to a strange relationship with therapist Dr. Eugene Landy, played by Paul Giamatti. Love & Mercy seems like a solid win, I like the work from both Cusack and Dano, and I think this is a story that hasn’t been tapped. I’m solidly curious about the property.

 

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Spy

I feel pretty good about Spy, but not originally. While I liked director Paul Feig’s Bridesmaids, I felt that The Heat was generally disappointing. Really quite disappointing. Not nearly as bad as Tammy, but Melissa McCarthy is reaching the end of her talent. Spy has the distinction of having a perfectly cast group of supporting actors like Jason Statham and Jude Law. I think the elements of a proper spy film satire are in place here, so I’m leaning in the right direction.

 

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Jurassic World

So here it is, after years of development and several incarnations of a story shuffling around, we arrive at Jurassic World, the fourth film in the Jurassic Park series. This is another example of “up-in-the-air” film, I’m not entirely convinced yet. It seems to have all the right pieces in place, but time has been against it. 22 years after the original film’s events, a new park has opened, but in order to increase attendance, the owners have been experimenting with genetic testing on the dinosaurs.

 

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Inside Out

Inside Out is the newest Pixar film that takes place within the mind of a child named Riley. It tells the story of Riley’s emotions, specifically Joy, Sadness, Fear, Anger, and Disgust. Not a ton is known outside of this, but it’s Pixar, so it will make a lot of money. I like the idea of Pixar reaching for an area they haven’t gone, but it sounds an awful lot like the same plot as Toy Story, just saying.

 

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Ted 2

I think it is terrific that Ted 2 isn’t Ted. I mean, it has Ted in it. It contains a lot of the same jokes I am sure, but Ted 2 at least has a different plot. Look back at Hot Tub Time Machine 2 and The Hangover Part II. Same freaking movie but less great. Ted 2 has a chance here. After Ted marries Tami-Lynn, he wants to have a child, but he needs to prove to the courts that he is human. Some solid potential here, even if I will miss Mila Kunis, but it is nice to have performers like Liam Neeson and Morgan Freeman gracing this comedy sequel.

 

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Max

Max isn’t Mad Max. Max is a dog. A military dog traumatized by the loss of its handler. I’m not even sure how a movie like this could happen. Seriously. Just don’t.

 

 

Alright, that’s June 2015 for you. See you in July!

 

Best Bets: Entourage, Love & Mercy, Spy, Inside Out, Ted 2

On the Bubble: Insidious: Chapter 3, Jurassic World

Likely Misses: Max

 

-Kyle A. Goethe

 

March 2015 Preview

 

I hope you all enjoyed the Academy Awards. Now we are deep into 2015 and away we go!

As I say every month, these are my predictions based on buzz, trailers, and my abilities at reading into these things.

Don’t hate the player. Hate the game.

 

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Chappie

Director Neill Blomkamp, fresh off the news that he will next be helming a new Alien film with Sigourney Weaver, returns to creating culturally significant science fiction with Chappie. Chappie is an artificially intelligent robot created help mankind. Chappie must defend himself from enemies of robot life. I love Blomkamp’s work from District 9 and from the early trailers, I am absolutely stoked for Chappie. Definite good buzz.

 

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Faults

Faults is a cult that has taken Claire into its commune. Claire’s parents hire an expert on mind control to successfully free her from the cult’s clutches. Faults comes from the producers of You’re Next and The Guest, and I certainly enjoyed those films, so I am leaning towards the better side of Faults.

 

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Unfinished Business

Vince Vaughn plays a small-business owner who has traveled to Europe with his associates to close a major deal. On the way, their trip becomes unrailed by sex fetish event and a global summit. Vince Vaughn’s recent work has been a major disappointment but he does have the added abilities of Tom Wilkinson and Dave Franco, who could pull this film in the right direction. Still up in the air.

 

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Cinderella

Director Kenneth Branagh’s Cinderella reimage follows the standard story of a young girl and her abusive stepmother. When the prince throws a ball inviting every unmarried young woman, Cinderella desperately wants to go, and with the help of a Fairy Godmother, may just get it. I like Branagh’s directing style but I was disappointed by Jack Ryan: Shadow Recruit. I also don’t like the recent attempts by Disney to make remakes of their classic animated films. Maleficent was one of the better ones (for its alternate take) but I’m still not feeling this one.

 

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Run All Night

Liam Neeson stars as Jimmy Conlon, The Gravedigger, a high-profile hitman working for the mob, until his son, Michael, has a hit put on him. Now Jimmy and Michael has to survive the night filled with mob bosses, gunfire, and lots of explosions. I have found that Neeson’s low-budget action flicks are pretty hit and miss. I’m inclined to enjoy his engagements with Ed Harris. The higher part of the bubble here.

 

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Do You Believe?

This is essentially Valentine’s Day with religious intersections. Not going to be good. And don’t get me that whole thing about religion. I’ll point out, I’m a fairly religious guy, but these kinds of movies mostly fall flat by bad production and poor abilities from the crew. Skip.

 

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The Divergent Series: Insurgent

Insurgent follows the further adventures of Beatrice Prior after she escapes from the city with Four and the other lawbreakers. I was a tremendous hater of Divergent. I thought it was boring and unoriginal and riddled with plotholes. I’m willing to give Insurgent the benefit of the doubt but I’m still not recommending it yet.

 

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The Gunman

Equal parts Taken and an attempt to make American Sniper, The Gunman stars Sean Penn as a Special Forces member with PTSD who must save the woman he loves. Sorry, but I’ve seen Taken already.

 

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Get Hard

Will Ferrell returns to raunchy comedy with Get Hard, where he plays James King, a millionaire who is going to prison for fraud. He enlists Darnell Lewis to train him for jail. I think it looks kind of funny but Kevin Hart, while hilarious, is usually a movie-killer. I’m thinking better, though.

 

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Home

Home is essentially an animated version of E.T.: The Extra-Terrestrial, and while I love Jim Parsons, I do not love Rihanna, and I’m not feeling this one.

 

And here we are at the end. Final tally:

Best Bets: Chappie

On the Bubble: Faults, Unfinished Business, Run All Night, The Divergent Series: Insurgent, Get Hard

Likely Misses: Cinderella, Do You Believe?, The Gunman, Home

 

Enjoy yourself at the movies this month. See Chappie, and maybe take a bit to catch up on the Oscar films as it is pretty sparse this month. See you in April.

 

-Kyle A. Goethe

Taken (2008)

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Director: Pierre Morel

Cast: Liam Neeson, Maggie Grace, Leland Orser, Jon Gries, David Warshofsky, Holly Valance, Katie Cassidy, Xander Berkeley, Olivier Rabourdin, Gerard Watkins, Famke Janssen

Screenplay: Luc Besson, Robert Mark Kamen

93 mins. Rated PG-13 for intense sequences of violence, disturbing thematic material, sexual content, some drug references and language.

 

There was a time, not too long ago, when Liam Neeson (Schindler’s List, A Walk Among the Tombstones) was not thought of as an action star. Think about that. Think about it.

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Bryan Mills (Neeson) is a retired CIA agent who spends his time in solitude while trying to build a relationship with daughter Kim (Maggie Grace, Lockout, The Twilight Saga: Breaking Dawn Part 2). When Kim wants to go to Paris with her friend Amanda (Katie Cassidy, TV’s Arrow, Monte Carlo), Bryan’s ex-wife Lenore (Famke Janssen, TV’s Hemlock Grove, X-Men) is fine with it, but Bryan has his reservations. When his fears become true and Kim and Amanda are kidnapped in Paris, Bryan’s old CIA skills rise up and take over as he heads to France to find his daughter and get her back…and get revenge on those who took them.

Taken was a bit of a surprise for me. While I liked Liam Neeson from his work in Batman Begins and Schindler’s List, I never thought much on the one-man army concept working for him. I was wrong, and am happy for it. This is a nonstop thrill ride of immense proportions. Neeson kills it as Mills, and director Pierre Morel (From Paris with Love, District B13) keeps the film rollicking along. It isn’t perfect, but it is one of the better films to be dumped during the dry season for action films.

There isn’t anything truly special about the cinematography or the editing, the music is pretty nice but nothing amazing, and the direction isn’t going to win any major awards, but the film is still a fun time carried by a veteran performer and his ability to win fans over.

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Taken is pretty great, but not entirely well-made. See it for Neeson. See it. For Neeson. Yeah.

 

3.5/5

-Kyle A. Goethe

[Oscar Madness] Star Wars: Episode I – The Phantom Menace (1999)

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Director: George Lucas

Cast: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, Frank Oz

Screenplay: George Lucas

136 mins. Rated PG for sci-fi action/violence.

  • Academy Award Nominee: Best Sound
  • Academy Award Nominee: Best Effects, Sound Effects Editing
  • Academy Award Nominee: Best Effects, Visual Effects

 

Today we are going to look back on Star Wars: Episode I – The Phantom Menace, a film that has truly polarized fans of perhaps the most-beloved sagas in motion picture history.

Jedi Knights Qui-Gon Jinn (Liam Neeson, Schindler’s List, Taken 3) and Obi-Wan Kenobi (Ewan McGregor, Trainspotting, Mortdecai) are about to take part in trade negotiations with the insidious Trade Federation over trade disputes. When negotiations go south and the Trade Viceroy takes control of the peaceful planet of Naboo, the Jedi take refuge on the remote desert planet of Tattooine, where they meet young Anakin Skywalker (Jake Lloyd, Jingle All the Way), a child who may just be the Chosen One, a Jedi who can bring balance to the Force.

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Director George Lucas (American Graffiti, THX 1138) returned to his beloved Star Wars franchise sixteen years after 1983’s Return of the Jedi to create one of the most discussed entries in the canon. Some love it; many loathe it. I find it to be an enjoyable, albeit flawed entry in the series.

Jake Lloyd absolutely destroys his role as Anakin by not understanding the characters and delivering his lines as though he is just reading them. His scenes can’t even be saved by Neeson and McGregor. Anthony Daniels (The Lego Movie, The Lord of the Rings) and Kenny Baker (The King and I, Willow) return as C-3PO and R2-D2 and help to tie this film to the others. Then there is Ian McDiarmid (Sleepy Hollow, Annie: A Royal Adventure!) as Senator Palpatine. I love his performance here. He is slippery like a politician should be with just a note of secrecy.

I want to say something about George Lucas. I might get flack or praise, not sure which, but George Lucas can direct just fine. He cannot write all that well. He should stick to storytelling but leave the screenplay work to others. Look back at The Empire Strikes Back. It is considered by many to be the best in the saga, but it is the only one not specifically written by Lucas. Just sayin’.

The flow of the film is nicely tied together. I enjoyed the time spent on Tattooine, and I felt like the Naboo sequences add something new to the series. I honestly didn’t care much for Jar Jar Binks, but I also accepted that galaxies far far away probably had annoying aliens. There just has to be some.

The effects are wildly well put together, from the podrace sequences to the battle for Naboo. The new Yoda (played by Frank Oz, Zathura, Monsters, Inc.) is more advanced than previously, though it doesn’t really look like Yoda.

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Looking back at the first chronological Star Wars adventure brings up a lot of questions. How has the film held up? Did the love or the hate soften? Will Star Wars: Episode VII – The Force Awakens have the same reception? I don’t have the answers to all those questions, but I can say that expectations are often the culprits for long-waited installments. I like Star Wars: Episode I – The Phantom Menace. It is far from the perfect Star Wars film, but it is an enjoyable reintroduction to the galaxy and the time that we love so much.

 

4/5

-Kyle A. Goethe

The Ted 2 Trailer is Here…Thoughts?

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So today we see the release of Ted 2‘s trailer, where Ted (voiced by Seth MacFarlane) gets married and wants a child, but living teddy bears can’t exactly get their human wives pregnant because of science, so he needs John’s (Marky Mark Wahlberg) seed to get the job done. Other stuff happens too, but this is my favorite part. I guess.

 

Here’s the trailer, thoughts? Questions? Let me know your initial thoughts…

 

So, Ted 2? Will you be seeing Seth MacFarlane’s third film (and first sequel)? Where was Liam Neeson? Are teddy bears truly infertile? Wait, where’s Mila Kunis? What’s going on over here, and why am I more than excited to see Morgan Freeman talking with Ted for any amount of time?

January 2015 Preview

 

Welcome to 2015! January is usually equal parts wide-release Oscar nominees and bad horror releases, so let’s take a look at January’s releases.

As before, this is a look and my predictions are based on my abilities as a film reviewer. I’m pretty good at reading into these things and so here they are in all their glory.

Don’t sue me.

 

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The Woman in Black 2: Angel of Death

I wasn’t all that keen on The Woman in Black. I was slightly disappointed by how normal it was. There was nothing to make it stand out as a horror film apart from a pretty good performance from Daniel Radcliffe. It just wasn’t all that original. The sequel looks to be the same fodder. I am curious as to exactly how this film will tie in with the original, so in that way, I’d like to see it, but this feel was clearly dumped in January.

 

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Taken 3

I really liked Taken starring Liam Neeson. I found Taken 2 to be less worthy of the awesomeness of the first film, but at the same time, I thought it was pretty action packed while not being a complete carbon copy of the first. Taken 3 is going in a different direction again, so I can’t wait to see what kind of trouble Bryan Mills has in store for him as he is framed for a crime he didn’t commit.

 

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Blackhat

A Hemsworth in a cyber-crime thriller? No, it isn’t Paranoia, its Blackhat from director Michael Mann. Mann is hit-or-miss for me. I liked Heat. I didn’t like Collateral. I liked TV’s Miami Vice. I didn’t like Miami Vice (the film). I saw the trailer last week and I gotta say, I’m not all that impressed here. On the bubble definitely.

 

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The Wedding Ringer

I know Kevin Hart isn’t the leading man of, how do I put it best, “good” movies. The Wedding Ringer actually sounds pretty funny. Hart plays the owner of a business that places best men in weddings for socially awkward grooms who don’t have the adequate friends to put together a wedding party of his own. I’m not saying good, I’m saying possibly good.

 

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Spare Parts

Spare Parts is the true story of four undocumented immigrants who enter into a national robotics challenge with $800 bucks and borrowed robotic parts and end up facing off against M.I.T. students. It stars George Lopez and Jamie Lee Curtis. The poster looks good, and the story seems pretty engaging, but it also has George Lopez. Yikes.

 

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The Boy Next Door

Hey look, another guy is stalking Jennifer Lopez. After a sexual encounter with a younger man living next door, she discovers that he has taken an uncomfortable obsession to her. I’m just not interested anymore.

 

mortdecai2015a

Mortdecai

Mortdecai is based on a book and stars Johnny Depp as a charismatic (yeah, again) rogue art dealer hunting down a stolen painting that could lead to Nazi gold. This film is star studded and directed by David Koepp who worked with Depp on Secret Window back in 2004. I loved Secret Window and I still believe in Depp’s abilities. I can’t wait to see what they accomplish here.

 

strangemagic2015a

Strange Magic

Now, the word stoked needs to get tossed around more for Strange Magic, an eclectic new animated fairy tale from Lucasfilm. Still not a ton is known about this film, except that George Lucas wanted to create another film with the love and affection that Labyrinth has. It also contains new versions of pop songs that were strung into the film’s story. I love it when films like this actually work, so I am excited.

 

projectalmanac2015a

Project Almanac

I actually discussed this movie last February before it was postponed. At that time, it was called Welcome to Yesterday. My thoughts haven’t changed much.

 

wildcard2015a

Wild Card

Wild Card is a remake of the 1986 film Heat starring Burt Reynolds. Jason Statham is Burt Reynolds here, a recovering gambler who becomes security-for-hire to fuel his addiction. January Statham is a bad idea. Skip.

 

So there you have it. One more time:

Best Bets: Taken 3, Mortdecai, Strange Magic

On the Bubble: Blackhat, The Wedding Ringer, Spare Parts

Likely Misses: The Woman in Black 2: Angel of Death, The Boy Next Door, Project Almanac, Wild Card

 

Look forward to my first list of best films this year coming soon and we will see you for another preview in February.

 

-Kyle A. Goethe

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