[Box Office Report] Secret Life of Pets and Dark Phoenix Win the Weekend in Underwhelming Openings

The new releases of this past weekend failed to make a large impression at the domestic box office. The Secret Life of Pets 2 opened to $47.1 million. To compare, the first film knocked it out of the park with a $104.3 million opening weekend, a record-breaker for original animated properties. So I didn’t expect the second film to hit that, but it is surprising how not-close it got, especially after opening on 4,561 locations, second highest theater count ever to Avengers: Endgame. I found the first film’s marketing to be much better on an underwhelming film experience. I expected the original film to be about the secret lives our pets have when we aren’t around, much as the titles suggests. Instead, it was a cheaper less-interesting version of Toy Story.

Fox’s last outing with this iteration of the X-Men, Dark Phoenix, opened to a disappointingly low $33 million, making it the lowest-opening of all the X-Men films and an absolute disaster set to perhaps even lose money, close to half the $65.7 million for X-Men: Apocalypse. News and rumors of the production nightmares as well as the reshoots and release date changes spelled potential doom for this film long ago, but I don’t think I expected it to fail on opening weekend. I had assumed that on its second weekend, we would see a higher drop-off, but this was a surprising turn of events. I checked out Dark Phoenix on Thursday night, and while I felt it was far from the worst in the franchise, it was still in the lower half of rankings, with a disappointingly soulless reinterpretation of the Dark Phoenix Saga.

Disney’s live-action Aladdin claimed third place this weekend with $24.5 million on its third weekend of release. The newest of Disney’s live-action interpretations of their famous properties, Aladdin stumbles in a few places but overall is a fun nostalgic ride that aims to try something new with the story, and I really enjoyed it. Globally, it sits at $604 million, which is currently the fourth highest-grossing film of the year behind Avengers: Endgame, Captain Marvel, and China Film Group’s The Wandering Earth.

Fourth place this weekend is Godzilla: King of the Monsters, the third film in the MonsterVerse behind Godzilla and Kong: Skull Island, with $24.5 million. King of the Monsters has struggled in its release even though I felt like it was a major step up from the 2014 Godzilla, including all that kaiju which I love so much. The film has issues with its human characters but I liked them more than the blander humans of the 2014 film. It’s doing just fine globally, but its domestic run has been a rough one.

Rocketman nabbed fifth place this weekend, the musical biopic of Elton John claiming $14 million. I caught the film yesterday, and I absolutely adored it, and I hope it holds onto the Top Five for a bit longer.

Late Night opened in limited release with $249 thousand in four theaters. I quite enjoyed Late Night, and it should see some recognition for Emma Thompson’s incredible performance as an aging late-night talk-show host.

Next weekend should be an interesting one as Men in Black International drops alongside the newest Shaft sequel and Jim Jarmusch’s zombie film The Dead Don’t Die. Late Night will also open in wide-release.

So what did you see this weekend? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Thor: Ragnarok (2017)

Director: Taika Waititi

Cast: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum, Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins

Screenplay: Eric Pearson, Craig Kyle, Christopher Yost

130 mins. Rated PG-13 for intense sequences of sci-fi violence and action, and brief suggestive material.

IMDb Top 250: #207 (as of 12/22/2017)

 

I think I was one of the few people in the world who wasn’t worried a bit about Thor: Ragnarok. I just had a good feeling about the whole production, and considering that the original Thor is my favorite MCU film to date, I overall didn’t worry in the slightest. So I guess it comes down to it. Was I right not to worry?

Things haven’t been going well for Thor (Chris Hemsworth, Snow White and the Huntsman, Star Trek) lately. His brother Loki (Tom Hiddleston, Kong: Skull Island, TV’s The Night Manager) is believed dead. His father Odin (Anthony Hopkins, The Silence of the Lambs, Transformers: The Last Knight) has seemingly gone off the deep end. But when Thor discovers that he has a sister, Hela (Cate Blanchett, Blue Jasmine, How to Train Your Dragon 2), who has broken free of her captivity, he finds himself zipped across the galaxy to a strange planet where he must fight for his life against intergalactic gladiators to appease the Grandmaster (Jeff Goldblum, The Grand Budapest Hotel, The Lost World: Jurassic Park). Thor must band together with a ragtag group of friends and old foes to get back to Asgard and prevent Hela from unleashing Ragnarok, the Norse Armageddon.

I wanted to try and avoid some spoilers with Thor: Ragnarok, but they are inherently in the film’s plot. That being said, Ragnarok is by far the most unique MCU film to date and most definitely the best one of 2017. Bringing on Director Taika Waititi (What We Do in the Shadows, Hunt for the Wilderpeople) was an absolutely inspired choice, one that set up this installment for success from the very beginning. It is the kind of space film that deserves the term “rollicking.”

As always, Hemsworth and Hiddleston have excellent chemistry, but it is the addition of all the new characters like Goldblum’s Grandmaster, Tessa Thompson (Creed, Dear White People) as the Valkyrie, Karl Urban (The Lord of the Rings: The Two Towers, Pete’s Dragon) as Skurge, Hela’s commander, and Waititi himself as the alien Korg that make the experience as tremendous as it is.

Thinking about faults in the film, I didn’t feel an overwhelming sense of concern about Ragnarok at all through the film. Sure, it’s the Flash Gordon of the MCU but I wasn’t really concerned for any of the players. Also, classic characters like the Warriors Three are tossed aside and mishandled. As for Lady Sif, she is nowhere to be found, and I think the film suffers by not addressing it.

Treating Thor: Ragnarok as a space road trip movie and teaming up Thor with the Incredible Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) is the crowning achievement of the film, and being the third in a tremendous group of 2017 MCU films only steepens excitement for where this franchise is going as a whole. Ragnarok falters a bit when addressing the overall momentum of the franchise but it stands by itself as a singularly enjoyable experience that rivals that of the first Thor film for entirely different reasons. It’s my favorite superhero film of the year.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Jon Watts’ Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s What We Do in the Shadows, click here.

 

For more Almighty Goatman,

Kong: Skull Island (2017)

Director: Jordan Vog-Roberts

Cast: Tom Hiddleston, Samuel L. Jackson, Brie Larson, John Goodman, Jing Tian, Toby Kebbell, John Ortiz, Corey Hawkins, Jason Mitchell, Shea Whigham, Thomas Mann, Terry Notary, John C. Reilly

Screenplay: Dan Gilroy, Max Borenstein, Derek Connolly

118 mins. Rated PG-13 for intense sequences of sci-fi violence and action, and for brief language.

 

Creating a MonsterVerse (I believe that’s the working title) is nothing new. As far back as the third entry in the Japanese Godzilla franchise showed the big kaiju taking on King Kong. But in the world of cinematic universe, at least this one is taking a little time.

Set in the 1970s, Kong: Skull Island sees a group of scientists and soldiers , led by former British Special Air Service Captain James Conrad (Tom Hiddleston, The Avengers, The Night Manager) and Lieutenant Colonel Preston Packard (Samuel L. Jackson, Pulp Fiction, The Incredibles), make their way to the mythic island in search of adventure. In the process, they learn that the island already has an owner, the mighty Kong, who does not want visitors. Other inhabitants of the island include giant monsters dubbed Skullcrawlers as well as missing-in-action Lieutenant Hank Marlow (John C. Reilly, Talladega Nights: The Ballad of Ricky Bobby, Wreck-It Ralph). Now, cut off from the rest of the world and possible stranded on Skull Island, the team must find a way to escape before they are ripped to shreds by the many creatures residing on the island.

The plot of Kong: Skull Island is a rather simple one, and it may be the film’s cardinal sin. The simplicity of the put-a-bunch-of-people-on-an-island-and-pick-them-off-one-at-a-time idea feels unoriginal in a film that takes a familiar monster in King Kong and tries to break new ground with it. I can applaud the filmmakers for trying to do something original melding a bunch of the most famous King Kong works into one (seriously, there are parts of all three major King Kong films here as well as belting out references to Apocalypse Now and setting up more of the MonsterVerse). It’s safe to say that there are a lot of moving parts to Kong: Skull Island.

The film is entertaining though. The action sequences are beautifully shot and a lot of fun to watch. Kong is the star of the film and every scene that features him showcases the great motion capture work from Terry Notary (Warcraft) and Toby Kebbell (Dawn of the Planet of the Apes, A Monster Calls). Kong works, and therefore the film works.

I hope that as the MonsterVerse continues to build, the filmmakers working within it try to marry great human characters with the intense action sequences the franchise is likely to be known for. Between the two MonsterVerse films we have, I find Kong: Skull Island to be a much more entertaining film, and I hope the upward trajectory of this franchise continues all the way to the long-awaited mash-up, Godzilla vs. King Kong. Kong: Skull Island is a fine action film that is great at what it needs to be great at…action. Now, if they could only make the humans more interesting, the film would feel much fuller.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Gareth Edwards’s Godzilla, click here.

For my review of Jordan Vogt-Roberts’s Nick Offerman: American Ham, click here.

 

 

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[Early Review] Detroit (2017)

Director: Kathryn Bigelow

Cast: John Boyega, Will Poulter, Algee Smith, Jason Mitchell, John Krasinski, Anthony Mackie

Screenplay: Mark Boal

143 mins. Rated R for strong violence and pervasive language.

 

Folks, I just saw Detroit the other night, and I have to talk about it.

Detroit is the newest film from acclaimed director Kathryn Bigelow (The Hurt Locker, Zero Dark Thirty) and her frequent screenwriter Mark Boal. It offers snapshots into the Detroit Riots of 1967, specifically the events that took place at the Algiers Motel over the course of a very dangerous and bloody evening. Security Guard Melvin Dismukes (John Boyega, Star Wars: The Force Awakens, The Circle) simply attempts to offer coffee to his fellow armed forces, but he is quickly forced into a situation where he does not know the right call to make, or if he is even able to make it. Racially-charged officer Philip Krauss (The Revenant, War Machine) finds himself taking multiple people hostage at the Algiers Motel, including singer Larry Reed (Algee Smith, Earth to Echo, Let It Shine), whose night quickly turns from dream to nightmare.

While the events of the Detroit riots are known to this writer, I wasn’t particularly aware of the Algiers Motel incident until just recently, and Kathryn Bigelow expertly handles the story in a respectful but unforgiving manner. This is not an easy movie to watch, but I found myself unable to look away when I was exposed to the atrocities committed. At the screening I attended, an elderly African American woman frequently sobbed during the disturbing altercations between the white cops and their hostages.

John Boyega’s turn as Dismukes is amazing, and the way his character handles the situation with careful attention is shocking and difficult to witness. His scenes with Poulter are definitely powerful, as Poulter steals the screen with every scene. But it is Algee Smith, who plays Larry, who has the most compelling story of the film. The heartbreaking and nuanced performance Smith gives is unforgettable and should garner him some attention come award season.

I cannot say anything bad about the performances in this movie, and I would be disappointed in myself if I didn’t recognize the great work from Jason Mitchell (Straight Outta Compton, Kong: Skull Island), John Krasinski (TV’s The Office, 13 Hours), and Anthony Mackie (Captain America: Civil War, All the Way) in supporting roles. The film is just that good. It kept me on the edge of my seat the entire time, even with the lengthy runtime.

The only true flaw in the film is the reliance on shaky-cam cinematography, something that Bigelow has notably used in her most recent films, and it does tend to distract at times here. Overall, this isn’t a film-killing amount of shaky, but it does detract.

Detroit is in many ways like Christopher Nolan’s Dunkirk, also released this year, in that it chooses to take a major event and boil it down to the characters, the people, that lived it. This isn’t grandiose filmmaking but personal storytelling. Bigelow’s film shows heroes and villains on both sides of the racially poignant film. Detroit is indeed a film you need to see, but it isn’t one you will necessarily want to see again.

 

4.5/5

-Kyle A. Goethe

Kyle’s Top Ten Most Anticipated Films of 2017

 

Okay, folks, I’m a little late on this one, as I’ve already seen a few of 2017’s early films. But don’t worry, I made this list almost a month ago and am just now getting the chance to write it up for you. So, let’s start off with a point.

  • This list is most anticipated, not what I think will be the best by any stretch. These are the films I’m most looking forward to at the beginning of the year, so there will be a lot of bigger blockbustery films because that’s Sundance is just now happening and the other big Oscary films haven’t premiered yet. So with that being said…

 

NOTE: THIS IS NOT A COUNTDOWN BUT A LIST.

 

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Star Wars Episode VIII

  • Whatever the title may be, I’m so excited to pick up with the further adventures of Rey, Finn, Poe, BB-8, Luke, and Leia in Star Wars Episode VIII. It’s also a bittersweet film for me personally as it is the last time fans will see Carrie Fisher as their general. It means so much for fans to have that connection, one that many have felt since 1977. But there are many things to be excited for in Episode VIII. More revelations about Snoke, seeing Luke back in action, and new characters played by Benicio del Toro and Laura Dern. What’s not to love? Have I even mentioned director Rian Johnson? So excited!

 

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Alien: Covenant

  • I may find myself in the minority here, but I really enjoyed Prometheus. I had issues with some of the plot points, but the film made me yearn for more from this universe, and this year, we get it in full force with Alien: Covenant. I reported years ago about the then-titled Prometheus 2 having no Xenomorphs. I’m glad that director Ridley Scott changed his mind on that are we are getting Alien proper. Add in Katherine Waterston, Danny McBride, Billy Crudup, James Franco, and a return from Michael Fassbender as android David and you have a recipe for one hell of a film. At least…I hope.

 

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War for the Planet of the Apes

  • I really enjoyed Rise of the Planet of the Apes, but I absolutely loved Dawn of the Planet of the Apes. Talk about a film that services fans both big and small. Dawn of the Planet of the Apes was one of the best films of 2014 and remains a powerful work of art. Director Matt Reeves returns to helm War for the Planet of the Apes, and after Dawn, Cloverfield, and his remake Let Me In, I’m overjoyed to see what he does with this franchise next. Add in the extremely underrated Woody Harrelson to match the mo-cap performance of Andy Serkis as Caesar. This is an opening night kind of movie.

 

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Kong: Skull Island

  • The fact that Skull Island is actually happening is pretty impressive. The fact that the trailers look amazing is even more so. Director Jordan Vogt-Roberts adds some lovely flair to this story of 1970s-set Kong tale with John Goodman, Samuel L. Jackson, Brie Larson, and Tom Hiddleston. I only hope that the focus is on Kong and not set-up for the eventual match between the King of Skull Island and the King of Monsters, Godzilla in a few years. I’m thankful this one is coming out around my birthday so I have an excuse to drag everyone I know to this movie with me.

 

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It

  • As sad as I am to be missing Will Poulter as the titular creature and Cary Fukunaga behind the camera, I’m still very excited to see this new R-rated take on Stephen King’s classic story. It is a fascinating look at fear itself as a beast targeting children. Splitting it into two films scares me only for the concern that we may not get the conclusion we want if the first isn’t successful. Thanks to Stranger Things from last year, I do not believe that to be the case, but hopefully a trailer drops soon to help convince film-goers to spend their money.

 

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The Dark Tower

  • While we are on the subject of Stephen King, the long-gestating adaptation of his behemoth series The Dark Tower is almost upon us. Starring Idris Elba as the gunslinger Roland and Matthew McConaughey as the Man in Black, there has been a lot of confusing information being thrown around about what the film is actually going to concern itself with. With producer Ron Howard helping shepherd the film, I trust that it will be a hell of an experience, but I hope it will also bring in casual moviegoers with its marketing campaign. I’ll be there opening night, and I hope you join me.

 

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The Mummy

  • Cinematic universes are such a big thing right now that many fail to realize the first universe created was the Universal Monsters universe with films like Frankenstein Meets the Wolf Man and House of Dracula. Universal hopes to ignite a new fire in their monsters with The Mummy, the first in a series of monster movies aimed at bringing these creatures out from the darkness. After the first attempted failure of Dracula Untold, write Alex Kurtzman took directing duties with powerhouse producer and star Tom Cruise set to introduce the female mummy played by Sofia Boutella to the world. Aided by Russell Crowe’s Dr. Henry Jekyll, Cruise’s Nick Morton must save the world from an ancient and malevolent princess recently awakened. Count me in.

 

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Thor: Ragnarok

  • I’m only picking one Marvel film this year and that’s because I really love Thor. I love Chris Hemsworth. I love the Hulk. I love Mark Ruffalo. I love director Taika Waititi. I just love everything I’ve heard coming out of this film. I cannot wait until November to see how this all plays out. Yes, I get it. Guardians of the Galaxy vol. 2 will be pretty great. Spider-Man: Homecoming has a lot riding on it. But Thor…Thor is my favorite film of the Marvel Cinematic Universe and I’m just dying to see him suited up, especially after that [SPOILER ALERT] post-credits scene in Doctor Strange.

 

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Blade Runner 2049

  • I’m pretty late to the Blade Runner game, having only recently falling in love with the original film from Ridley Scott (Final Cut for the win!), but with Denis Villeneuve (Sicario, Prisoners, Arrival, need I say more?) behind the camera and original scribe Hampton Fancher’s screenplay, Blade Runner 2049 looks to be serving up some excitement heading towards its October release. It’ll be exciting to see original star Harrison Ford back in the fold with Ryan Gosling joining him. Another situation here of what’s not to love about this movie? Much in the way of The Force Awakens, there’s just so much to be excited about after being absent from these characters for over 30 years.

 

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God Particle

  • Lastly, we get to the strangest entry in this list. God Particle is apparently the third installment of the Cloverfield series, and after only last year discovering that there is a Cloverfield series, its safe to say that something interesting is happening here. Now, the film was pushed back to October for reasons, and the IMDb page has updated with the title Untitled Cloverfield Anthology Movie (2017), I can only wonder when news will come of this tale featuring Gugu Mbatha-Raw, Daniel Bruhl, Chris O’Dowd, John Ortiz, and David Oyelowo. One thing I can say: J.J. Abrams is insane.

 

SO there you have it. What film are you most excited for in 2017? Let me know/Drop a comment below.

 

-Kyle A. Goethe

Nick Offerman: American Ham (2014)

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Director: Jordan Vogt-Roberts

Cast: Nick Offerman

Screenplay: Nick Offerman

78 mins. Not Rated.

 

Last year, comedian/actor Nick Offerman (TV’s Parks & Recreation, Danny Collins) released his newest special American Ham. Director Jordan Vogt-Roberts (The Kings of Summer) helped craft the special and elevated it to a higher level.

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In Nick Offerman: American Ham, the performer gets his chance to give his tips and advice to the audience on how to be a glorious human being. Essentially, it boils down to being an adaptation of his novel Paddle Your Own Canoe, and it works in that way. There is something soothing and interesting to Offerman’s stylistic storytelling that works really well here.

Director Vogt-Roberts, who will next be taking a trip to Kong: Skull Island, filmed visual cues to Offerman’s different points, and they are gorgeously shot, adding a touch of film-like flair to the stand-up special featuring wife Megan Mullally.

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Nick Offerman is a unique soul in the body of a distinguished celebrity. It was a thrill to watch him muse on life and give thanks to “the gorgeous stack of curves that is Nick’s legal property: Megan Mullally” while throwing in a song or two (the songs mostly don’t work in contrast to the rest of the material). All in all, American Ham is a worthwhile 78 minute excursion and celebration of life and I can’t wait for the next.

 

4/5

-Kyle A. Goethe

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