[12 Days of Christmas] On the Fifth Day… Mickey’s Once Upon a Christmas (1999)

mickeysonceuponachristmas1999a

Director: Jun Falkenstein, Alex Mann, Bradley Raymond, Toby Shelton, Bill Speers

Cast: Wayne Allwine, Tony Anselmo, Tress MacNeille, Corey Burton, Diane Michelle, Russi Taylor, Jeff Bennett, Alan Young, Shaun Fleming, Jim Cummings, Frank Welker, Bill Farmer, Kelsey Grammer

Screenplay: Charlie Cohen, Scott Gorden, Tom Nance, Carter Crocker, Richard Cray, Temple Mathews, Thomas Hart, Eddie Guzelian, Alex Mann

66 mins. Not Rated.

 

Well, today we are going to look at Mickey’s Once Upon a Christmas, a collection of three holiday-themed tales narrated by the wonderful Kelsey Grammer (TV’s Cheers, The Expendables 3). We will look at each separately.

mickeysonceuponachristmas1999b

In “Donald Duck Stuck on Christmas,” the three young ducklings, Huey, Duey, and Louie wish Christmas could be all year. Their wish becomes true in a “Groundhog Day”-style tale about two much of a good thing. This tale is the second best of the three.

In “A Very Goofy Christmas,” Goofy tries to teach his son Max about Santa Claus, but after a disappointing Christmas Eve, Max doesn’t believe anymore, and in trying to convince his son, Goofy loses faith as well. Who can save them? This is the lesser of the stories.

In “Mickey and Minnie’s The Gift of the Magi,” Mickey really wants to get a great gift for Minnie, but can’t afford it, so he trades his harmonica for the money and discovers the true importance in gift-giving.

I really liked the first story, but I found the far-too-many duck characters to be rather an annoyance. Goofy’s tale became rather tragic and had a tone very dissimilar to its fellow stories. As for the finale, it was easily the best capper to this triad of family fun.

mickeysonceuponachristmas1999c

All in all, the animation is rather sketchy, or unsketchy (I’m not sure how sketchiness matches up on the animation scale). What I mean to say is, not great animation. The voice work (minus the aforementioned quacks) is good enough, and Kelsey Grammer’s enchanted narration holds the whole thing together, mostly. Mickey’s Once Upon a Christmas is a nice little holiday excursion, but not something I feel I need to see in order to properly celebrate during the season. It is pretty okay, and I can see young children liking it, but it doesn’t have that staying power.

 

2.5/5

-Kyle A. Goethe

Transformers: Age of Extinction (2014)

transformersageofextinction2014a

Director: Michael Bay

Cast: Mark Wahlberg, Stanley Tucci, Kelsey Grammer, Nicola Peltz, Jack Reynor, Titus Welliver, Bingbing Li, T.J. Miller

Screenplay: Ehren Kruger

165 mins. Rated PG-13 for intense sequences of sci-fi violence and action, language and brief innuendo.

 

It has been seven years since Transformers came out. I can’t believe I’m sitting here writing a review of the fourth film in this series, Transformers: Age of Extinction. This film is a bit of a departure in that it takes place five years after The Battle of Chicago, as it is referred to (which took place in Dark of the Moon) and features an entirely new cast of characters. Literally, nobody returns to this franchise for the fourth film except some of the voice actors for the Transformers.

transformersageofextinction2014b

This installment introduces us to Cade Yeager (Mark Wahlberg, Boogie Nights, Ted 2), a novice inventor, and his daughter Tessa (Nicola Peltz, TV’s Bates Motel, The Last Airbender). Cade is a picker who scavenges for parts to use in his various inventions. He and his assistant Lucas (T.J. Miller, Cloverfield, Big Hero 6) come across a truck in an old abandoned theater and take it home to discover it is Optimus Prime in hiding. A government official named Harold Attinger (Kelsey Grammer, TV’s Cheers, The Expendables 3) has hired a human hitman (Titus Welliver, The Town, Promised Land) and a bounty hunter Decepticon named Lockdown to hunt down and destroy the remaining Transformers. Meanwhile, a big-time business named Joshua Joyce (Stanley Tucci, The Hunger Games, Muppets Most Wanted) is developing new technology incorporating Autobot tech and using it to build his own Transformers.

The plot is at least a new direction for this series. I was getting tired of the limited character development of Shia LaBeouf. This film isn’t great, but it certainly epitomizes the Michael Bay promise: likable trash. I had a lot of fun watching this movie. It just felt newer, and it had a lot more in terms of acting prowess (from Wahlberg, Tucci, Grammer, and Miller). The plot runs on for damn near forever, but I’ve come to expect that from this series and I didn’t feel as restless as I had from the last few movies.

I also absolutely love the design of the new Transformers in this installment. Hound (voiced by John Goodman) is a new Autobot who plays off like an old army colonel. He is an absolutely fantastic and angry beast who actually transforms to have a cigar in his mouth, too. Drift (voiced by Ken Watanabe) is a samurai who has blades that come from his transformation into an Apache helicopter. The faces are so well-defined that this is the first Transformers movie where I know all the Transformers based on looks. These are different characters.

And then there’s Lockdown. This is a complex character who is joining the US government to take on the Autobots and also has plans of his own.

I enjoyed this movie more so than I thought, and perhaps that comes from hearing all these bad reviews coming out of this movie’s initial release. I guess I had my hopes down.

One major flaw came from Galvatron, who is one of the new lead villains, a man-made Decepticon who feels so underdeveloped that it becomes really tough to fear him.

transformersageofextinction2014c

All in all, this was more fun than expected. Make sure you have a comfortable chair, because you will be here awhile, and non-Transformers fans need not apply.

 

3/5

-Kyle A. Goethe

 

What did you think of Michael Bay’s Transformers: Age of Extinction? Did it transform into a masterpiece or did you “Roll Out” of the theater? Let me know!

 

For my review of Transformers, click here.

For my review of Transformers: Revenge of the Fallen, click here.

For my review of Transformers: Dark of the Moon, click here.

X-Men: The Last Stand (2006)

xmenthelaststand2006a

Director: Brett Ratner

Cast: Hugh Jackman, Halle Berry, Ian McKellan, Famke Janssen, Anna Paquin, Kelsey Grammer, James Marsden, Rebecca Romijn, Shawn Ashmore, Aaron Stanford, Vinnie Jones, Patrick Stewart

Screenplay: Simon Kinberg, Zak Penn

104 mins. Rated PG-13 for intense sequences of action violence, some sexual content and language.

 

After X2: X-Men United, the superhero series was invigorated and raring to go again. Bryan Singer left to direct Superman Returns, so Brett Ratner took over the chair and creative control of the franchise. This has often been seen as a bad idea. Brett Ratner, not to be blunt, is terrible.

xmenthelaststand2006c

It’s the story of the mutants dealing with the death of Jean Grey (Famke Janssen, GoldenEye, Taken 3) in the previous film. Logan (Hugh Jackman, The Prestige, Prisoners) appears on the surface to have gotten over her death and has taken on a more important role within the school alongside Ororo Munroe (Halle Berry, TV’s Extant, Cloud Atlas). Meanwhile, Eric Lensherr (Ian McKellan, The Lord of the Rings: The Fellowship of the Ring, The Golden Compass) has been recruiting new mutants to join The Brotherhood in the fight against the government, which has created a new treatment or “cure” for mutants. Rogue (Anna Paquin, TV’s True Blood, The Piano) is interested in the cure, but her boyfriend Bobby (Shawn Ashmore, TV’s The Following, Frozen).

There a lot of moving plot points in this movie, but the script is far too weak to fully explore them all. There are multiple times when dialogue is unreal, too much exposition is given (or sometimes, not enough), and characters are doing things that betray their character traits.

The actors are trying to perform to a weak script, and most of them do as well as they can, but Brett Ratner focuses too much on trying to be a spectacle, often sacrificing character moments under piles of action. Now, the action is good, and leads to a solid climax which is handled nicely, but we have a conflict of style. On one hand, we have the previous film, which establishes a seriousness and a stake in what happens. On the other hand, we have a goofy style which pushes against and a more-comic-booky look to the film, something that was handled much better in the prequel X-Men: First Class.

While the climax is handled nicely, Ratner chooses to play down the denouement, which, considering this was supposed to be a closing of the trilogy, is what really kills this movie. We have so many plot threads untreated and ultimately unthreaded that it set the series up for several films of trying to fix the damage, before finally X-Men: Days of Future Past was able to do.

xmenthelaststand2006b

This isn’t the worst X-Men movie of all time. That honor is currently held by X-Men Origins: Wolverine, but that doesn’t mean that this wasn’t an epic letdown from X2, and served to topple the franchise for a couple years.

 

2/5

-Kyle A. Goethe

 

For my review of X-Men, click here.

For my review of X-Men Origins: Wolverine, click here.

For my review of X-Men: First Class, click here.

For my review of The Wolverine, click here.

For my review of X-Men: Days of Future Past, click here.

Blog at WordPress.com.

Up ↑