More Casting Announcements for The Stand

As the closing chapter of the It series is currently in theaters, and the release of Stephen King’s new book The Institute hitting shelves yesterday, it seems only fitting that we keep talking about King’s upcoming adaptations. Collider is reporting several new casting announcements for The Stand, the upcoming CBS All Access Series, including Alexander Skarsgård as the villainous Randall Flagg.

The report also revealed Whoopi Goldberg, Jovan Adepo, Owen Teague, Brad William Henke, and Daniel Sujata joining the cast. Previously announced cast members included James Marsden, Amber Heard, Odessa Young, and Henry Zaga.

The big reveal here of course is Skarsgård as Flagg, the villain of the book and one of King’s most important characters across his multiverse. Flagg enters the story as the world is ravaged by a plague called Captain Tripps which wipes out a significant portion of the population. So it would seem that the Skarsgård brothers will be sharing the villain spotlight in King’s work, with Alexander’s brother Bill playing Pennywise the Dancing Clown in the It films.

It was previously reported that Whoopi Goldberg would be playing Mother Abigail, the light to Flagg’s darkness, and it would seem that has now been confirmed. Not much else is known of the other additions to The Stand’s mammoth cast, but I’m excited to see some more good names joining the production, which is set to release in 2020.

Making some guesses here, I would assume perhaps Owen Teague (known for Patrick Hockstetter in the It films as well) could be playing Harold Lauder, a nerdy youth who is in love with Odessa Young’s Frannie Goldsmith. I would like to see Brad William Henke playing Lloyd Henreid, a criminal poised at Flagg’s right-hand man. I could potentially see Sunjata placed in a Larry Underwood role as a musician who just hit it big with his new single, but I’m not sure how I would place Adepo except for perhaps a role as Tom Cullen, although this is a complete out-of-nowhere guess.

What do you think about these casting choices, and who do you think they will play? Let me know/Drop a comment below!

 

-Kyle A. Goethe

[#2017oscardeathrace] Fences (2016)

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Director: Denzel Washington

Cast: Denzel Washington, Viola Davis, Stephen Henderson, Jovan Adepo, Russell Hornsby, Mykelti Williamson, Saniyya Sidney

Screenplay: August Wilson

139 mins. Rated PG-13 for thematic elements, language and some suggestive references.

  • Academy Award Nominee: Best Motion Picture of the Year [Pending]
  • Academy Award Nominee: Best Performance by an Actor in a Leading Role (Denzel Washington) [Pending]
  • Academy Award Nominee: Best Performance by an Actress in a Supporting Role (Viola Davis) [Pending]
  • Academy Award Nominee: Best Adapted Screenplay

 

You’d think, after 114 performances of Fences on the stage, Denzel Washington (The Great Debaters, Antwone Fisher) might not to partake in a screen version, and you’d be wrong.

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Washington directs from a screenplay by the late August Wilson (The Piano Lesson) and also stars as Troy Maxson, a former baseball player in the Negro Leagues who now works as a garbage collector. Viola Davis (TV’s How to Get Away With Murder, The Help) is Rose, Troy’s wife, who does her best to keep the peace in the volatile Maxson home. Troy’s son from a previous relationship, Lyons (Russell Hornsby, TV’s Grimm, Something New), is always coming over asking for money that Troy doesn’t think he’ll ever pay back. Cory (Jovan Adepo, TV’s The Leftovers), Troy and Rose’s child, wants to be a professional football player, and he really has a shot at the NFL, but not if Troy has anything to say about it. Then there’s Gabriel (Mykelti Williamson, Con-Air, The Purge: Election Year), Troy’s brother, who suffered an injury in World War II and was mentally impaired by it. With all the happenings going on at the Maxson house, Troy focuses his attention on a fence extending around his property. But a simple fence doesn’t keep secrets and regrets and frustrations from releasing themselves and forever changing the entire Maxson family in the process.

I recall seeing Fences some years back in a smaller production and absolutely enjoying it, but this play has become Washington’s and Viola’s permanently. Each of them brings a gravitas and strength to the story that is shockingly heartfelt and heartbreaking. The chemistry between Troy and Rose is the best strength of the film.

Honestly, the most frustrating element of the film is Washington’s decision to copy and paste the play on the big screen. It’s a great play but it is not adapted into a film. Washington chose not to risk compromising any of Fences impact by not making it a movie, and for me, that’s where the film suffers. I’m not talking about fundamentally changing the way the story is, but there is zero attempt at creating a film. That being said, it’s a great play on film.

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Overall, Fences is a very important film which captures Wilson’s original story quite well. It doesn’t really try to adapt the play so much as copy it perfectly which has some issues for me, but the film is largely focused on its incredible performers, notably Davis and Washington. This is their movie and their story is an unforgettable one.

 

4/5

-Kyle A. Goethe

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