Jonathan Goldstein and John Francis Daley Move to D&D Film

The directing duo of Jonathan Goldstein and John Francis Daley have moved from the Flash film over at DC to negotiations for the Paramount Dungeons & Dragons film, replacing director Chris McKay, who left the D&D film to work on Ghost Draft, starring Chris Pratt.

The script for D&D is currently being penned by Michael Gillio, but one can only assume that the directing pair will take a stab at a rewrite before they step behind the camera (they wrote Spider-Man: Homecoming and Horrible Bosses, among many other projects).

Little is still known about Paramount’s AllSpark Pictures, of which Dungeons & Dragons will be a part of, and people keep referring to the collective as a cinematic universe, but I think that is an incorrect categorization.

This does spark a little excitement in me, as I really enjoyed last year’s Game Night from this duo as well as their work on Spider-Man: Homecoming and some of their other projects. I do worry that the film’s tone might be questionably more campy than I would have thought, but that’s purely because I haven’t seen any work by Goldstein and Daley that skews to the serious. Sure, there are elements, but I think this D&D film needs to take itself more seriously and less comedic. That’s just me. It’s just what I want.

So what do you think? Is this the writing directing team for Dungeons & Dragons? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Spider-Man: Homecoming (2017)

Director: Jon Watts

Cast: Tom Holland, Michael Keaton, Robert Downey Jr., Jon Favreau, Zendaya, Donald Glover, Tyne Daly, Marisa Tomei

Screenplay: Jonathan Goldstein, John Francis Daley, Jon Watts, Christopher Ford, Chris McKenna, Erik Sommers

133 mins. Rated PG-13 for sci-fi action violence, some language and brief suggestive content.

 

Spider-Man is back. For the third time. In 15 years. Good lord, I hope this one works out.

The MCU proudly welcomes Spider-Man to their slate of Phase 3 with Spider-Man: Homecoming, featuring a teenage Peter Parker (Tom Holland, The Impossible, Edge of Winter) trying to prove to de facto mentor Tony Stark (Robert Downey Jr., Sherlock Holmes: A Game of Shadows, Chef) that he has what it takes to be an Avenger. Peter also the task of balancing his heroics with a failing social life and his schoolwork. Meanwhile, Adrian Toomes (Michael Keaton, Birdman, American Assassin) has been acquiring alien tech with the help of his villainous crew and a mechanical winged suit. Peter thinks he has what it takes to unmask the Vulture and defeat him, but Tony knows better. But as Peter makes foolish mistakes that risk his own safety as well as the safety of his aunt May (Marisa Tomei, The Wrestler, Spare Parts), he finds himself coming closer to the Vulture…and closer to losing it all.

Spider-Man: Homecoming proves that as a franchise continues, it doesn’t necessarily have to get bigger. The Vulture is a real villain (with unreal tech) who only wants to provide for his family. There is a heart to his mission even if it is a villainous one. He’s relatable, except that he flies around in a Vulture suit.

The tone of the film is nicely executed by director Jon Watts (Cop Car, Clown) and gives off John Hughes vibes which was the goal of the film. Spider-Man: Homecoming never gets bogged down by heavy exposition or darkness. It always stays light and fluffy and fun.

And did anybody miss the origin? I didn’t, and the film is better for not being an origin story. Spider-Man fans and non-fans all know the origin, and if they don’t know it, they can just watch one of the other Spider-Man films. We don’t need to be reminded of Uncle Ben. We don’t need an unnecessarily convoluted subplot with Peter’s parents or with Aunt May. In fact, Tomei’s portrayal of Aunt May is fresh, too. She comes off like a big sister. Ignore the origin. And don’t force Oscorp in just because it’s Spider-Man. I’m curious to see how they play Harry Osborn if they ever do it, but it would have been unneeded in this film.

Overall, Spider-Man: Homecoming is imperfect, but it does make a lot of gains for the character and franchise now that he is firmly in the MCU. I didn’t feel like every joke landed and there are some untied up plot threads I would rather see finished, but overall, this is my second favorite Spider-Man film (I really love Spider-Man 2 and Doc Ock). A worthy addition to the MCU.

 

4/5

-Kyle A. Goethe

 

 

So what did you think of Jon Watt’s Spider-Man: Homecoming? Is the MCU the right home for Peter Parker? And what’s your favorite Spider-Man film? Let me know/Drop a comment below!

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Anthony and Joe Russo’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

 

 

For more Almighty Goatman,

Horrible Bosses (2011)

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Director: Seth Gordon

Cast: Jason Bateman, Charlie Day, Jason Sudeikis, Jennifer Aniston, Colin Farrell, Kevin Spacey, Donald Sutherland, Jamie Foxx

Screenplay: Michael Markowitz, John Francis Daley, Jonathan Goldstein

98 mins. Rated R for crude and sexual content, pervasive language and some drug material.

 

I usually find one great comedy every year. 2011’s Horrible Bosses was a great comedy. My review for Horrible Bosses here.

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Nick Hendricks (Jason Bateman, TV’s Arrested Development, This is Where I Leave You) has been working his butt off for a promotion, but his boss Dave Harken (Kevin Spacey, TV’s House of Cards, American Beauty) seems not to notice or care. Dale Arbus (Charlie Day, TV’s It’s Always Sunny in Philadelphia, The Lego Movie) is trying to be the best fiancé he can be, but his boss Julia (Jennifer Aniston, TV’s Friends, Cake) wants to ruin it be forcing Dale into a sexual relationship through blackmail. Then there’s Kurt Buckman (Jason Sudeikis, We’re the Millers, Drinking Buddies), who is all set up to take over his boss’s position when he retires. Unfortunately, Kurt’s boss Jack Pellitt (Donald Sutherland, The Italian Job, The Hunger Games: Mockingjay – Part 1) dies, and his son Bobby (Colin Farrell, Total Recall, Winter’s Tale) takes over instead. Now, these three have no choice but to get the help from Mothafucka Jones (Jamie Foxx, Django Unchained, Annie) to kill their horrible bosses in this dark comedy gem.

I love this movie. Most films don’t try the black comedy anymore and even fewer actually succeed as perfectly as Horrible Bosses did. I also found the story to have plenty of twists and turns to it, enough so to keep me enthused even without the laughs, but then add in the genius of Bateman, Day, and Sudeikis as the everymen along with the strong performances of Spacey, Aniston, and Farrell as the “horrible bosses” and you have a great time at the movies. Director Seth Gordon (Identity Thief, Freakonomics) handles this crew nicely and gives each equal laughs and equal screentime to boot.

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All in all, you see a movie like Horrible Bosses for laughs, and it has plenty. It isn’t a perfect film, but it is about as close to genius comedy as one can get.

 

4.5/5

-Kyle A. Goethe

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