Suicide Squad (2016)

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Director: David Ayer

Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevigne

Screenplay: David Ayer

123 mins. Rated PG-13 for sequences of violence and action throughout, disturbing behavior, suggestive content and language.

 

I’m not the first person to say that the DCEU has had a rough time of it trying to build a shared universe of films. After Green Lantern failed to ignite the franchise, Man of Steel hit with mixed reviews, and Batman v Superman: Dawn of Justice got destroyed by fans and critics alike. Then, Suicide Squad was released to…drumroll, please…negative reviews. It hasn’t been easy for DC. Now, it took me some time to get to Suicide Squad just out of pure frustration with the film but I had some interesting views on it.

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After the death of Superman, Amanda Waller (Viola Davis, TV’s How to Get Away With Murder, The Help), an intelligence operative, puts forth a plan to assemble a team, Task Force X, led by Rick Flag (Joel Kinnaman, TV’s The Killing, Child 44). When Flag’s girlfriend June Moone (Cara Delevigne, Paper Towns, Pan) is overtaken by a supernatural evil entity called The Enchantress who wishes to unleash a hellish future upon the Earth, Task Force X is called to action to stop her. The team, consisting of Deadshot (Will Smith, Men in Black, Concussion), Harley Quinn (Margot Robbie, The Wolf of Wall Street, The Legend of Tarzan), and other criminals imprisoned at Belle Reve Prison, assemble to save the day…and plan their escape.

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I was extremely hesitant to the idea that Will Smith was the central focus of all the members of the Suicide Squad. I didn’t like the idea of the entire movie forming around Smith, who hasn’t been able to carry an action film in some time. After seeing the performance, I take it back. Will Smith’s Deadshot is the most accessible character, a man doing bad things for the best intentions. His arc is one of the more interesting and successfully engaging in the film.

As for Harley Quinn, Margot Robbie owns the scenes that feature her. Robbie’s was one of the more anticipated for the film and another extremely workable and engaging performance. As for her relationship with The Joker (Jared Leto, Requiem for a Dream, Dallas Buyers Club), it isn’t one that people should pine for. Everyone seems to think that Harley Quinn is a strong empowered woman when really, she is the furthest from, at least in this film. Harley Quinn is broken, insisting that she belongs to The Joker, her Puddin’, and that she would do anything for him. The Joker’s master manipulation is what turned her into what she is: an obedient, sexually exploited, pet. Now, an interesting character indeed, but nothing that women should look to for empowerment.

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Let’s talk about The Joker while we are here, and one of the major problems of the film. Now, I must say that Jared Leto is absolutely amazing in the film, and for the time we see him, I left wanting more, and there’s a reason for that. Leto’s performance takes mere hints from Heath Ledger’s The Dark Knight portrayal and Jack Nicholson’s Batman incarnation, as well as Cesar Romero’s Batman: The Movie from the 1960s. But Leto took a step further, going full method. Stories from the set of dead pigs being shipped as gifts are only scraping the surface of where he takes the character. So what’s not to like? The major problem with The Joker in the movie? He isn’t in it. He barely appears, which would be fine, but the fact that he was cut mostly from the film is a slap in the face to the great work Leto provides. Jared Leto created enemies on set with his batshit work, and there’s nothing to show for it. And it isn’t just him. The entire film suffers in the same way that Batman v Superman does. It feels like a collection of great scenes that don’t fit together. You get the sense that Suicide Squad was gutted even before hearing it confirmed.

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The rest of Task Force X? There is some pretty solid work from Jai Courtney (Divergent, Terminator Genisys) as Captain Boomerang and Adelwale Akinnuoye-Agbaje (G.I. Joe: The Rise of Cobra, Trumbo) as Killer Croc (another horribly slashed character who just isn’t given enough to do). Jay Hernandez (Hostel, Bad Moms) does the best he can, but his character just isn’t that well written.

Lastly, we touch on The Enchantress. Cara Delevigne does the best she can, but her villain has no motivation. I spent half the movie just trying to figure out what damn machine she is building, what she is trying to accomplish, and exactly what her minions were. They kind of looked like poop demons covered in hot tar and became mindless drones.

Something very fascinating that the DCEU is attempting to do with this shared universe is how connected it is. Batman v Superman is a direct sequel to Man of Steel, and Suicide Squad inciting incident revolves around a key moment from BvS. I enjoy that each film heavily influences the others.

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The tone of Suicide Squad isn’t perfect, but the film is a lot of fun to watch, which makes up for a lot of the shortcomings around it. I enjoyed it for the most part, but I cannot deny the glaring issues in pacing, editing, and writing that stared me in the face the entire time. For me, however, at least the DCEU is going in the right direction. I found myself liking BvS more than Man of Steel, and Suicide Squad was an increase in quality as well. Issues, yes, there are plenty, but Wonder Woman looks poised to take the quality a further notch up the scale, so overall, at least Suicide Squad was fun. Right?

 

2.5/5

-Kyle A. Goethe

 

 

#SpoilerAlert: did anyone else see Harley Quinn’s rap sheet at the beginning says she assisted in the death of Robin? What was that all about?

 

 

For my review of Zack Snyder’s Man of Steel, click here.

For my review of Zack Snyder’s Batman v Superman: Dawn of Justice, click here.

RoboCop (2014)

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Director: Jose Padilha

Cast: Joel Kinnaman, Gary Oldman, Michael Keaton, Samuel L. Jackson

Screenplay: Joshua Zetumer, Edward Neumeier, Michael Miner

117 mins. Rated PG-13 for intense sequences of action including frenetic gun violence throughout, brief strong language, sensuality and some drug material.

 

In order to make a solid remake, you need to analyze the areas where the original incarnation succeeded and also find avenues to bring something new to the table. RoboCop tried this, and for what it brought to the table, it worked just fine. The problem stems from the fact that this film could’ve worked so much better as a reboot than a remake. There were avenues laid out in the original series, and they could’ve been examined closer. The original RoboCop is not that far back.

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Alex Murphy (Joel Kinnaman, TV’s The Killing, Safe Haven) is a cop on the edge, and he has nothing but contempt and handcuffs for crooked cops. When an attempt is made on his life, Murphy is left horribly disfigured and limbless, essentially dead. But the folks over at OmniCorp, including CEO Raymond Sellers (Michael Keaton, Batman, Birdman) and lead science doctor Dennett Norton (Gary Oldman, The Dark Knight Rises, Dawn of the Planet of the Apes) have new thoughts for Murphy. They turn him into RoboCop, a cyborg officer with a human heart.

RoboCop tries new things, but not enough of them. It comes off as a TV movie version of the original, a copy made with a poor printer. Kinnaman’s performance comes off as wooden, which doesn’t work since Alex Murphy is supposed to be struggling to find humanity in his new metal body. Gary Oldman gives us some batshit crazy work here, probably the best in the film. Michael Keaton plays up his villainy and reminds us why we love him. Then there is Samuel L. Jackson (Pulp Fiction, Captain America: The Winter Soldier) who portrays Pat Novak, a television personality who essentially takes over the satirical commentary that the original film had. He was interesting but ultimately pulled me out of the film. This script just doesn’t differ or add enough to be worth the trouble.

Let’s talk about the violence. Where is the blood? I know that it shouldn’t be an issue, but this RoboCop is so tame that one can’t help but wish for the days of RoboCop being a badass. This Alex Murphy, a badass he is not.

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Maybe RoboCop is the beginning of a new franchise, and if so, it has a lot to learn about creating a world. As for now, RoboCop 2014 doesn’t have this.

 

2/5

-Kyle A. Goethe

 

ps. I also miss the 1987 RoboCop score…

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