[31 Days of Horror: The Final Chapter] Day 6 – Shock Treatment (1981)

 

Director: Jim Sharman

Cast: Jessica Harper, Cliff DeYoung, Richard O’Brien, Patricia Quinn, Little Nell, Charles Gray, Barry Humphries

Screenplay: Richard O’Brien, Jim Sharman

94 mins. Rated PG.

 

Okay, so technically, I’m not sure you can call Shock Treatment a horror film. But it is a little unnerving, and I do always watch it in October right after Rocky Horror Picture Show, so screw you, I’m doing it.

Newlyweds Janet (Jessica Harper, Suspiria, Minority Report) and Brad (Cliff DeYoung, Flight of the Navigator, Wild) are not in a great place in their relationship. Janet yearns for freedom and excitement and Brad is, well, boring, and in the town of Denton, where all the townspeople gather to watch TV shows on a giant set all hours of the day, boring is a death sentence. Brad is imprisoned on the reality soap Dentonvale, where hosts Dr. Cosmo (Richard O’Brien, Dark City, The Stolen) and Nation (Patricia Quinn, Monty Python’s The Meaning of Life, The Lords of Salem) McKinley seek to help fix the nervous wreck. All the while, Janet is being seduced by her newfound stardom and the attention of the rich fast food mogul Farley Flavors who wishes to take Janet for his very own.

Shock Treatment is…weird. Even by Rocky Horror standards. Rather than make a straight sequel to RHPS, director Jim Sharman (The Night, The Prowler, Summer of Secrets) elected to create a wholly new musical alongside original scribe Richard O’Brien. And while I would have preferred a more traditional sequel, this follow-up does have its own merits.

First of all, I need to address that Shock Treatment actually has its own underground fan base, comparatively-sized to its predecessor, and they live for the film. Many of the elements of the satirical story do mirror events currently going on in present day America. Our addiction to likes, shares, and reality TV is something that Shock Treatment does a tremendous job playing to. And many, but not all, of the songs are quite catchy in their own way.

Overall, this film does meander quite a bit without finding footing. Characters and plotlines are introduced without much care, but the themes stand tall enough not to take away. I was also disappointed by the recasting of Brad and Janet, as I feel their chemistry wasn’t strong enough to reflect the strain on their marriage. They seem at times to really hate one another, and that doesn’t work.

Shock Treatment is a rarity in the business, a film that is indescribably strange but pulls you in very capably. I always enjoy watching it, but it is flawed indeed and I personally find it to be a step down from Rocky Horror Picture Show. But that’s just me? So which fan club are you in?

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Jim Sharman’s The Rocky Horror Picture Show, click here.

31 Days of Horror: Day 30 – The Rocky Horror Picture Show (1975)

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Director: Jim Sharman

Cast: Tim Curry, Susan Sarandon, Barry Bostwick

Screenplay: Jim Sharman, Richard O’Brien

100 mins. Rated R.

 

The Rocky Horror Picture Show is, like one of its characters, something that keeps coming back. Every year, it is a ritual to which many dance the Time Warp all the way to Transexual Transylvania. The film currently holds the record for longest running theatrical release, as it has been playing at theaters since 1975. Quite a feat to behold. Explaining the plot isn’t easy, so I’ll try to be as literal as possible.

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The Rocky Horror Picture Show is an homage to older RKO and Universal style horror movies mixed with the B-style eroticism of the Hammer Horror films of yesteryear. Brad Majors (Barry Bostwick, TV’s Spin City, Hannah Montana: The Movie) and his new fiancé Janet Weiss (Susan Sarandon, Thelma & Louise, Tammy) have just set out to visit an old friend when their car stalls. They follow a road leading to an old castle where they hope to get a phone to call a tow. The castle is the resident of Dr. Frank-N-Furter (Tim Curry, TV’s The Wild Thornberrys, Burke and Hare), a twisted doctor of sinful pleasures who is making a man for himself. The castle is home to many strange faces like the handyman Riff Raff, his sister Magenta, and a groupie named Columbia. As the storm settles them in, Brad & Janet discover that this is no picnic.

I love this movie. I love that it isn’t laid out in stone as far as interpretations go. I love that it embraces its badness and has a lot of fun. This is the kind of movie to watch with a bunch of friends and a couple of brews, and the rest of the world has realized that too. Around the country and other parts of the world, midnight showings of The Rocky Horror Picture Show play, encouraging audience participation (yelling at the screen, throwing items like rice at the opening wedding scene) and shadowcasts (performers acting in front of the film as it plays in the background). It is a naturally occurring phenomenon in the film world.

I really enjoy the performances, from actors that are having fun making a movie and it shows through. For many years, Tim Curry was able to convince people that someone else played Frank-N-Furter, that is how abstract the performance is. Sarandon and Bostwick are lovable 50’s and have such an arc in their character development, albeit a tragic story.

Let’s not forget the incredible musical numbers. Everyone knows about the Time Warp and Science Fiction, Double Feature, but I enjoy songs like Over at the Frankenstein Place and Dammit Janet, Eddie’s Teddy and Touch-a Touch-a Touch-a Touch Me are terrific songs as well.

Sure the film is far from being a perfect film, but it continues to age very well. This is a great movie, so perfectly constructed that it is difficult to ascertain which parts were accidental and which were purposely accidental…I guess.

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Let’s Do the Time Warp Again!

 

4.5/5

-Kyle A. Goethe

 

ps. Only watch the U.K. Version, the extra song in it actually sums up the characters’ journeys perfectly.

 

For more 31 Days of Horror, click here.

31 Days of Horror – Extra Bits: [Take 5] Horror Musicals!

Hey everyone, well, October is well upon us, and for my first entry in the 31 Days of Horror, I talked about a horror musical called The Devil’s Carnival. As you might recall, I didn’t love it, but it got me intrigued about horror musicals. I know they can be pulled off, I have seen some pretty fierce ones and they can ride that line of camp or darkness or sometimes both. So, today, I’m starting a new feature called Take 5, where I give you a list of five movies that are horror musicals. Now, this is not a list of the only five horror musicals ever. It is also not a countdown, but merely five movies that I’m trying to bring to public knowledge more. The idea came from a casual reader that asked me about marathoning movies for Halloween, and I thought back to a weekly movie night I hosted at my home, and one night we did a horror musical night, and all the horror musicals listed here were up for contention. So, I’m not going to drag that out much longer and just present you with this week’s Take 5!

 

Take 5 Horror Musicals:

 

The Nightmare Before Christmas (1993)

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(Dir: Henry Selick)

Nominated for Best Visual Effects (1994 Academy Awards)

Now, I want to exclaim this right now. I haven’t seen this movie in a number of years. To be honest, I have always respected it, but it just never got me like it got so many.

The Nightmare Before Christmas is the story of Jack Skellington (Chris Sarandon) who lives in “Halloween Town” and ends up finding his way out through a doorway leading to a mystical forest of sorts. Spotting another doorway and entering through it, Jack finds himself in “Christmas Town” and decides to celebrate this newly discovered world. It features some absolutely powerful music (this is music that gets stuck in your head, even when you don’t know any of the lyrics, and you just can’t stop singing them) as well as some wholly terrifying voice work from the stop-motion characters. I want to point out that Tim Burton did not primarily direct this picture, but it has his look all around it.

 

Sweeney Todd: The Demon Barber of Fleet Street (2007)

Sweeney Todd The Demon Barber of Fleet Street (2007)

(Dir: Tim Burton)

Awarded Best Achievement in Art Direction (2008 Academy Awards)

Nominated for Best Actor (Johnny Depp) and Best Costume Design (2008 Academy Awards)

Now, Tim Burton did direct this feature, based on the musical theater production from Stephen Sondheim and Hugh Wheeler. It tells the tale Sweeney Todd (Depp) and his slow descent into madness following the loss of his wife and child. He decides to hone his skills as a barber in order to lure men into his home and murder them before sending the bodies to Mrs. Lovett (Helena Bonham Carter) to make into meat pies. His main target is Judge Turpin (Alan Rickman), the man behind the inciting treachery. This movie was released right at the time where Tim Burton wasn’t really holding my love, but I was in a musical renaissance where musicals were big for me. Maybe it was the emotional pain of youth, but I had to see this movie. I loved it, and it was one of my favorite movies from 2007, which was a pretty great year for movies already.

 

Little Shop of Horrors (1986)

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(Dir: Frank Oz)

Nominated for Best Visual Effects and Best Original Song (“Mean Green Mother from Outer Space) (1987 Academy Awards)

Another fan and critical favorite is this 80s classic, which has an interesting backstory. I actually studied this movie in college and it holds a special spot in my heart. So, it is based on a stage musical which in turn is based on a Roger Corman anti-classic B-movie from 1960. It stars Rick Moranis as Seymour Krelborn, an unlucky slumper who comes across a very unusual plant while walking the back streets of New York City during a “Total Eclipse of the Sun!” and decides to name it Audrey II after the woman he loves (played by Ellen Greene). Things get complicated when he finds that Audrey II talks and only enjoys blood and flesh. Morbid, campy and all things terrific, this is a movie that I have to watch regularly and I dare you to watch it and try not to sing.

 

Repo! The Genetic Opera (2008)

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(Dir: Darren Lynn Bousman)

I highly recommend this one to anyone who is curious about The Devil’s Carnival or someone who has already seen it and needs to wash the taste out. Repo! is set in the future where the one thing on everyone’s mind is surgery: make yourself better, look hotter, and live longer. Shilo (Alexa Vega) is stuck with a blood disease which is slowly killing her, and her relationship with her father (Anthony Stewart Head) is dying from his wanting to protect her from further harm. But father has secrets of his own and Shilo won’t follow his directions any longer, as she gets more and more into the mystery surrounding the death of her mother Marni. A gruesome and violent rock opera, Repo! is an addiction all its own, and features Anthony Stewart Head belting out the music in some his most powerful work to date.

 

The Rocky Horror Picture Shown (1975)

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(Dir: Jim Sharman)

Celebrating its 40th Anniversary next year, The Rocky Horror Picture Show is a film that everyone needs to see, though most picture will not like or understand it. The film is a send-up to the horror films of back in the day, a campy but lovable triumph of fun and music, and also a satire of many heavy themes about politics and gender and sex and, well, the movie is about so many things that it’s hard not to take something new away every time you see it. My advice, watch this movie once in your home, then head to a midnight shadow cast (you’ll learn more when you go), preferably on Halloween. I have seen The Rocky Horror Picture Show Live for the past seven years in Grand Forks, North Dakota, and if able, this year will be number eight.

 

Take-aways:

All five films here are winners, and I suggest them to you for your Halloween pleasure. Little Shop goes together well with Rocky Horror, as do Sweeney Todd and Repo!, and will make for a grand marathoning. Happy singing!

 

For more 31 Days of Horror, click here.

 

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