31 Days of Horror Part II: Day 16 – Big Ass Spider! (2013)

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Director: Mike Mendez

Cast: Greg Grunberg, Lin Shaye, Patrick Bauchau, Ray Wise, Clare Kramer, Lombardo Boyar, Ruben Pla

Screenplay: Gregory Gieras

80 mins. Rated PG-13 for sci-fi violence and gore.

 

Apparently Mike Mendez (The Gravedancers, Tales of Halloween) fought like hell to keep the title Big Ass Spider! He was right, though unfortunately there is little else to draw one in.

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Alex Mathis (Greg Grunberg, TV’s Heroes, Super 8) is an expert exterminator (ignore the part at the beginning where he is bit by an apparently lethal spider). His expertise comes to great importance as the hospital that he’s in has an extremely dangerous spider that quadruples in size at an alarming rate. Now, Alex and his de facto partner Jose (Lombardo Boyar, Happy Feet, Dawn of the Planet of the Apes) attempt to stop the mammoth bug while a team of government agents led by Major Braxton C. Tanner (Ray Wise, RoboCop, The Lazarus Effect) attempt to blow it out of the sky, putting millions at risk.

This title brought me in. The film put me out. I actually really like Greg Grunberg but I don’t feel like he is ready to lead a movie, even one like Big Ass Spider! He is joined by Boyar who plays off as a cliché token Hispanic. The only man who plays to this film’s strengths is Wise, who delivers a goofy satire of the by-the-numbers Major. I also enjoyed the “cameo” by Lin Shaye (There’s Something About Mary, Insidious: Chapter 3).

Big Ass Spider! has some actually engaging effects, but the screenplay didn’t move along in any way that actually interested me, choosing to embrace its B-Movie possibilities rather poorly.

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All in all, get a laugh out of the fact that somebody actually made a movie called Big Ass Spider! No, you don’t actually have to watch the movie.

 

2/5

-Kyle A. Goethe

 

For more 31 Days of Horror, click here.

31 Days of Horror Part II: Day 2 – Insidious (2010)

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Director: James Wan

Cast: Patrick Wilson, Rose Byrne, Barbara Hershey

Screenplay: Leigh Whannell

103 mins. Rated PG-13 for thematic material, violence, terror and frightening images, and brief strong language.

 

On this second day of our 31 Days of Horror, I want to talk about a modern classic from one of my favorite filmmakers currently working: James Wan (Saw, Furious 7). The film is Insidious.

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The Lambert family is almost finished unpacking after their big move. Josh (Patrick Wilson, TV’s Fargo, The Conjuring) is busy with his new teaching position. Renai (Rose Byrne, X-Men: First Class, Spy) is juggling packing boxes, her infant child, and her struggling passion for music. But when her son Dalton mysterious enters a comatose state and she begins hearing loud noises and seeing suspicious figures around her home, she learns that her son has become a conduit that insidious and nefarious spirits are using to enter our realm. Now, Josh and Renai have enlisted the help of paranormal investigators Elise, Specs, and Tucker to rescue Dalton from a place called The Further.

Insidious is one of my absolute favorite recent horror films. Director James Wan utilizes tone and style to create his scares, launching some very effective jump scares because of it.

First of all, if you want to build an effective horror film, there are a few great ways to do it. Having Grade-A quality performers helps a lot. I’m talking about Wilson, Byrne, Barbara Hershey (Black Swan, Riding the Bullet), who plays Josh’s mother Lorraine, and of course veteran character actress Lin Shaye, who knocks it out of the park as Elise, the lead paranormal investigator.

The second way to build fear is through creating an effective and powerful tone. Wan balances his tone with heavy use of sound and music and juxtaposing them with scenes of more lighthearted fare featuring Specs (Leigh Whannell) and Tucker (Angus Sampson).

Now, it’s true that the film forces fear through its sound work (often, the music cues the scare before the scare actually happens) and the final reveal of the beast vying for Dalton’s vessel (played by orchestrator Joseph Bishara) could’ve been better if not fully revealed, but these are minor flaws that lessen over multiple views.

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Insidious builds a mythology very solidly over the course of its runtime and inhabits its world with interesting characters and frightful apparitions. This is a great film for those filmgoers that can’t handle the gore of heavier films that we see in today’s horror films. Big buy.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Leigh Whannell’s Insidious: Chapter 3, click here.

For my review of James Wan’s Furious 7, click here.

Insidious: Chapter 3 (2015)

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Director: Leigh Whannell

Cast: Dermot Mulroney, Stefanie Scott, Angus Sampson, Leigh Whannell, Hayley Kiyoko, Lin Shaye

Screenplay: Leigh Whannell

97 mins. Rated PG-13 for violence, frightening images, some language and thematic elements.

 

Horror sequels are often looked at as a lesser film than the original. Horror prequels have it even worse. So how does Insidious: Chapter 3 (a sequel that is actually a prequel) stack up?

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Set two years before the haunting of the Lambert Family, Insidious: Chapter 3 follows Sean Brenner (Dermot Mulroney, TV’s Shameless, My Best Friend’s Wedding) and his daughter Quinn (Stefanie Scott, Wreck-It Ralph, No Strings Attached). Quinn has been trying to contact her deceased mother, but something else has reached back. She needs the help of gifted but retired paranormal investigator Elise Rainier (Lin Shaye, There’s Something About Mary, Ouija).

Being a prequel limits this installment to certain franchise pitfalls. Many prequels make the mistake of referencing future events in a tongue-in-cheek way. This is one area where, for the most part, the film doesn’t disappoint. There are two scenes at the end that make this mistake, but the earlier sequences of the film that make reference to the Lamberts and the haunting. It is a smart decision to tell an original story within the series as opposed to tell a story that leads directly the opening of the first installment.

New director Whannell, known for writing the first three installments of the Saw franchise, Dead Silence, and all three Insidious films, takes over for directing partner James Wan who makes a cameo known but was busy on Furious 7 at the time. He does a somewhat mediocre job handling the many hats of a filmmaker, but there is some serious potential here. The film’s scary sequences are hit-and-miss, but Whannell shows that he can learn from mistakes, so I have faith in his abilities.

The big winner here is Lin Shaye, who has an exploding career so far into her career. She carries this film so well that it is easy to overlook many of the failures, and it is fun to see her initial interactions with Tucker (Angus Sampson, TV’s Fargo, Mad Max: Fury Road) and Specs (played by Whannell).

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Insidious: Chapter 3 is the third best film in this franchise. It stumbles at times but shows definite talent for its cast and crew. I can see the forward trajectory of this series making its mark. Fans of the series should enjoy themselves; everyone else need not apply.

 

3/5

-Kyle A. Goethe

 

So what did you think of Insidious: Chapter 3? Did it take you Further or did you sleep well after? Let me know!

 

June 2015 Preview

 

Alright, welcome to June 2015, everyone! I hope you enjoyed May, I certainly did. Let’s not waste any time here. Just keep in mind that these Previews are based on my highly intelligent abilities as a predictor of films. Our tastes may differ slightly, but I’m really open to helping you find the best films to see this month, so let’s jump in…

 

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Entourage

Entourage picks up where the eighth season of the hit HBO series left off, following Vincent Chase and his friends, E, Drama, and Turtle, as they continue to take Hollywood by storm. This was a series for a select group of people and those people will enjoy the film. If you haven’t seen Entourage, it isn’t the type of series to alienate viewers, so you may still enjoy yourself, but if you hated the television series, I don’t expect this film to sway you.

 

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Insidious: Chapter 3

Insidious is a franchise very close to me. I happen to find both films to be very enjoyable. The first one had me on the edge of my seat, and the second served to peel back layers of the various entities that exist in the mystical plane called The Further. I hope they find a way to utilize the prequel format to deliver something interesting, but this film is somewhat up in the air.

 

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Love & Mercy

Love & Mercy is based on the true account of Brian Wilson, played in the film by Paul Dano and John Cusack, after his time with the Beach Boys, as Wilson attempts to record Pet Sounds, the “greatest album” of all time. It also chronicles the older Brian Wilson as he loses his grip on reality due to a strange relationship with therapist Dr. Eugene Landy, played by Paul Giamatti. Love & Mercy seems like a solid win, I like the work from both Cusack and Dano, and I think this is a story that hasn’t been tapped. I’m solidly curious about the property.

 

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Spy

I feel pretty good about Spy, but not originally. While I liked director Paul Feig’s Bridesmaids, I felt that The Heat was generally disappointing. Really quite disappointing. Not nearly as bad as Tammy, but Melissa McCarthy is reaching the end of her talent. Spy has the distinction of having a perfectly cast group of supporting actors like Jason Statham and Jude Law. I think the elements of a proper spy film satire are in place here, so I’m leaning in the right direction.

 

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Jurassic World

So here it is, after years of development and several incarnations of a story shuffling around, we arrive at Jurassic World, the fourth film in the Jurassic Park series. This is another example of “up-in-the-air” film, I’m not entirely convinced yet. It seems to have all the right pieces in place, but time has been against it. 22 years after the original film’s events, a new park has opened, but in order to increase attendance, the owners have been experimenting with genetic testing on the dinosaurs.

 

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Inside Out

Inside Out is the newest Pixar film that takes place within the mind of a child named Riley. It tells the story of Riley’s emotions, specifically Joy, Sadness, Fear, Anger, and Disgust. Not a ton is known outside of this, but it’s Pixar, so it will make a lot of money. I like the idea of Pixar reaching for an area they haven’t gone, but it sounds an awful lot like the same plot as Toy Story, just saying.

 

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Ted 2

I think it is terrific that Ted 2 isn’t Ted. I mean, it has Ted in it. It contains a lot of the same jokes I am sure, but Ted 2 at least has a different plot. Look back at Hot Tub Time Machine 2 and The Hangover Part II. Same freaking movie but less great. Ted 2 has a chance here. After Ted marries Tami-Lynn, he wants to have a child, but he needs to prove to the courts that he is human. Some solid potential here, even if I will miss Mila Kunis, but it is nice to have performers like Liam Neeson and Morgan Freeman gracing this comedy sequel.

 

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Max

Max isn’t Mad Max. Max is a dog. A military dog traumatized by the loss of its handler. I’m not even sure how a movie like this could happen. Seriously. Just don’t.

 

 

Alright, that’s June 2015 for you. See you in July!

 

Best Bets: Entourage, Love & Mercy, Spy, Inside Out, Ted 2

On the Bubble: Insidious: Chapter 3, Jurassic World

Likely Misses: Max

 

-Kyle A. Goethe

 

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