[31 Days of Horror: The Final Chapter] Day 19 – Patrick (1978)

Director: Richard Franklin

Cast: Susan Penhaglion, Robert Helpmann, Rod Mullinar

Screenplay: Everett De Roche

112 mins. Rated PG.

 

 

I really just picked out Patrick because I have a friend named Patrick. This one’s for you, Patrick.

So Patrick is an Ozploitation horror film from the 1970s  directed by Richard Franklin (Psycho II, Road Games). Susan Penhaglion (Soldier of Orange, Top Dog) plays Kathy, a nurse who takes on a new patient in Patrick, who killed his parents three years ago and now lies in a coma. Hospital owner Dr. Roget (Robert Helpmann, Chitty Chitty Bang Bang, Henry V) explains that Patrick is being kept alive for studies. What they do not know, however, is that Patrick has psychokinetic powers and can leave his body at will to commit all sorts of horrors. Can Kathy figure out how to stop it?

Well, Patrick is rather boring. Not my friend. Hi, Patrick. No, the movie Patrick is rather boring. Richard Franklin failed to bring life to this comatose film that has an interesting conceit but blows it all on meandering plot threads and little to no scares. You might think that Patrick perhaps just hasn’t aged well.

The movie, not my friend. Patrick, you have aged just fine.

Patrick, the movie, hasn’t aged well, but I think altogether, it didn’t work long ago and age has just not been kind.

I didn’t find the characters interesting, but I respect that they too started out well and were interesting at the beginning, but failure to further explore them with an interesting narrative tanked the movie.

I’ve heard that Everett De Roche’s screenplay was, at one point, over 250 pages (a massive tome that would’ve translated to a four-hour film), and that Franklin helped him fine-tune it. Well, the film feels like it retained that weighty rambling tone but cut all the interesting pieces.

Sadly, I don’t like Patrick all that much. The movie. My friend Patrick is pretty cool. I don’t think you’ll like Patrick. But if you ever meet my friend, he’s alright in my book.

 

  • Patrick (1/5)
  • Patrick, my friend (4.5/5)
  • Patrick, the poster (4/5)

[The poster is pretty damn cool, though, right?]

-Kyle A. Goethe

 

 

 

For my review of Richard Franklin’s Psycho II, click here.

 

For more Almighty Goatman,

[Happy 20th Birthday!] Frankenstein (1994)

frankenstein1994a

Director: Kenneth Branagh

Cast: Robert De Niro, Kenneth Branagh, Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, Aidan Quinn

Screenplay: Steph Lady, Frank Darabont

123 mins. Rated R for horrific images.

  • Academy Award Nominee: Best Makeup

 

After the commercial and critical success that was Francis Ford Coppola’s Dracula, the decision was made to revisit another gothic horror classic novel, Mary Shelley’s Frankenstein. Coppola made the decision to pass directorial duties to the talented Shakespearian director/performer Kenneth Branagh (Henry V, Cinderella), something he would later in life admittedly regret, but we will get to that later.

frankenstein1994c

Frankenstein 1994 is closer to Shelley’s original novel than its 1931 counterpart, showing the story of Victor Frankenstein (played by Branagh) and his making of the iconic Creature (Robert De Niro, GoodFellas, Grudge Match), much to the tragedy of friend Henry Clerval (Tom Hulce, Amadeus, Jumper) and love Elizabeth (Helena Bonham Carter, Fight Club, Burton and Taylor).

Frankenstein suffers from a crisis of identity. On one hand, it is trying to be a gothic horror filled with a mixture of dark realism and fantastical surrealism; on the other hand, it is too much Shakespeare. Branagh seems to have difficulty playing to anything other than Shakespeare, with a series of over-the-top performances and exaggerated jubilation during the happy moments. I just couldn’t believe the events of this film as actually realistically happening.

De Niro dominates this film with his portrayal of The Creature. He studied stroke victims and other medical cases where speech patterns can be fractured in his line delivery. He becomes a tragic figure in cinema, a man who is ultimately an angry boy with a conflict of adult attraction and childhood longing for understanding. I could watch this movie just for Robert De Niro.

The rest of the cast really struggles here with giving viewers something to attach themselves to. Nobody can decide the tone and mood of a picture like this. I’m not saying the film is a complete failure, but it certainly has more detachers than strengths.

The screenplay is pretty strong here, delivered by Steph Lady (Doctor Dolittle) and Frank Darabont (TV’s The Walking Dead, The Shawshank Redemption). I enjoy the addition of unique steps in the creation of Frankenstein’s monster; this film has electric eels rather than the toted lighting. That being said, Frankenstein’s obsession with lighting in the beginning now makes less sense and has less impact on the actual movie.

frankenstein1994b

I would say that Frankenstein isn’t a worthless movie, but it has unnecessary conflict behind the scenes that reduces the tension in front of the camera. Coppola agreed that the film was scary and that Branagh completely mishandles the picture, and I can’t say my opinion differs.

 

2/5

-Kyle A. Goethe

 

For my review of Kenneth Branagh’s Jack Ryan: Shadow Recruit, click here.

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