[#2021oscardeathrace] The Nominees for the 93rd Academy Awards

Nominations are officially out for the 93rd annual Academy Awards. This year, it almost didn’t happen, and to be true, as I’ve said before, it’s been a weird year. I’m happy to have the Oscars occurring, even with the adjusted eligibility window making it very confusing as to what is allowed and what isn’t (and I’m sure, next year, it’ll be weirder when we talk snubs only to have forgotten that snubs for next year’s awards may actually have just been nominated this year and we forgot, much like the entire fourth season of Community), but I digress. The Oscars are here, and I’m so happy to have this feeling of normalcy in a very abnormal year.

The pandemic has had a shroud of much of the film community since last year. I recall that the last group party I attended was an Oscar party. There was a lot of us having fun, laughing and yelling at the TV, and we all joined together in praise when Parasite took the top prize.

It all feels like so long ago. I haven’t been in a theater in over a year. I can’t wait to go back to some kind of normal.

And normal is coming. With it, one of my favorite events is gearing up. In fact, the nominees were announced on my birthday, an altogether strange happenstance that likely won’t happen again. So here are the nominees. I’m sure you already know them, but I’ll be using this page to link the reviews that are incoming.

I’m ready to begin the 2021 Oscar death race. It’s a term I heard many years back, referring to the attempt to see every Oscar nominee before the big night. In recent years, I’ve been rather successful, at most missing a short here or there and perhaps a foreign language film that hasn’t reached wide release in the states. If you’d like to join in the Oscar death race this year, feel free to drop the hashtag #2021oscardeathrace so I can see what you’re watching and what you think on these nominees. It’s one of the best times of the year, and I look forward to sharing it with you.

Best Picture:

  • The Father
  • Judas and the Black Messiah
  • Mank
  • Minari
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Director:

  • Lee Isaac Chung, Minari
  • Emerald Fennell, Promising Young Woman
  • David Fincher, Mank
  • Thomas Vinterberg, Another Round
  • Chloé Zhao, Nomadland

Best Actor:

  • Riz Ahmed, Sound of Metal
  • Chadwick Boseman, Ma Rainey’s Black Bottom
  • Anthony Hopkins, The Father
  • Gary Oldman, Mank
  • Steven Yeun, Minari

Best Actress:

  • Viola Davis, Ma Rainey’s Black Bottom
  • Andra Day, The United States vs. Billie Holiday
  • Vanessa Kirby, Pieces of a Woman
  • Frances McDormand, Nomadland
  • Carey Mulligan, Promising Young Woman

Best Supporting Actor:

  • Sasha Baron Cohen, The Trial of the Chicago 7
  • Daniel Kaluuya, Judas and the Black Messiah
  • Leslie Odom, Jr., One Night in Miami…
  • Paul Raci, Sound of Metal
  • Lakeith Stanfield, Judas and the Black Messiah

Best Supporting Actress:

  • Maria Bakalova, Borat Subsequent Moviefilm
  • Glenn Close, Hillbilly Elegy
  • Olivia Colman, The Father
  • Amanda Seyfried, Mank
  • Youn Yuh-jung, Minari

Best Original Screenplay:

  • Judas and the Black Messiah
  • Minari
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Adapted Screenplay:

  • Borat Subsequent Moviefilm
  • The Father
  • Nomadland
  • One Night in Miami…
  • The White Tiger

Best Animated Feature:

  • Onward
  • Over the Moon
  • A Shaun the Sheep Movie: Farmageddon
  • Soul
  • Wolfwalkers

Best International Feature Film:

  • Another Round (Denmark)
  • Better Days (Hong Kong)
  • Collective (Romania)
  • The Man Who Sold His Skin (Tunisia)
  • Quo Vadis, Aida? (Bosnia and Herzegovina)

Best Documentary Feature:

  • Collective
  • Crip Camp
  • The Mole Agent
  • My Octopus Teacher
  • Time

Best Documentary Short Subject:

  • Colette
  • A Concerto Is a Conversation
  • Do Not Split
  • Hunger Ward
  • A Love Song For Latasha

Best Live Action Short Film:

  • Feeling Through
  • The Letter Room
  • The Present
  • Two Distant Strangers
  • White Eye

Best Animated Short Film:

  • Burrow
  • Genius Loci
  • If Anything Happens I Love You
  • Opera
  • Yes-People

Best Original Score:

  • Da 5 Bloods
  • Mank
  • Minari
  • News of the World
  • Soul

Best Original Song:

  • “Fight For You” from Judas and the Black Messiah
  • “Hear My Voice” from The Trial of the Chicago 7
  • “Husavik” from Eurovision Song Contest: The Story of Fire Saga
  • “Io sì (Seen)” from The Life Ahead
  • “Speak Now” from One Night in Miami…

Best Sound:

Best Production Design:

  • The Father
  • Ma Rainey’s Black Bottom
  • Mank
  • News of the World
  • Tenet

Best Cinematography:

  • Judas and the Black Messiah
  • Mank
  • News of the World
  • Nomadland
  • The Trial of the Chicago 7

Best Makeup and Hairstyling:

  • Emma.
  • Hillbilly Elegy
  • Ma Rainey’s Black Bottom
  • Mank
  • Pinocchio

Best Costume Design:

  • Emma.
  • Ma Rainey’s Black Bottom
  • Mank
  • Mulan
  • Pinocchio

Best Film Editing:

  • The Father
  • Nomadland
  • Promising Young Woman
  • Sound of Metal
  • The Trial of the Chicago 7

Best Visual Effects:

  • Love and Monsters
  • The Midnight Sky
  • Mulan
  • The One and Only Ivan
  • Tenet

So there you have it. These are the nominees for the the Oscars this year. Let the #2021oscardeathrace begin.

-Kyle A. Goethe

The Big Push: Sony Bumps Its Summer Releases Into 2021

Well, COVID-19 has caused another studio to push a lot of properties into 2021. To my knowledge, F9: The Fast Saga, the latest in the Fast & Furious franchise, is the only film that was pushed into 2021. Now, Sony has added several more films to that list.

Sony Pictures has adjusted the release dates for Morbius, Ghostbusters: Afterlife, Uncharted, and Peter Rabbit 2: The Runaway into early 2021. The Kevin Hart film Fatherhood was moved from 2021 into October of this year in all the shuffle, and Greyhound, the Tom Hanks-scripted and starring film, was removed from its June date.

The only significant Sony film that didn’t adjust is Venom 2, the upcoming sequel to the very-successful Venom film from 2018. Let’s break this down…

Morbius, starring Jared Leto, was set to be the second film in Sony’s Spider-Man Character Universe. It was set to follow the first Venom film and it had a lot of questions surrounding it. The trailer featured posters of Spider-Man as well as a moment with Michael Keaton potentially playing Vulture again, which would be mind-blowing because many believed that Disney would not allow Sony to do that with the current deal in place. Many wondered if Morbius was firmly plant itself as MCU-adjacent, and the question therefore came to, “Will it connect to Venom as well?” Now that Morbius will come out after Venom 2, that seems to tell us that the films won’t crossover. If they did, Morbius would likely have taken Venom 2‘s spot and Venom 2 would have likely moved to 2021.

Ghostbusters: Afterlife is something I’ve been very excited for, but this film has a lot to accomplish. I was really excited to see how this film would pick up the franchise and get it going again, but the biggest hurdle of this sequel isn’t Ghostbusters II. It’s 2016’s Ghostbusters: Answer the Call. I know, they aren’t related, but not everyone will connect that. What people will connect is how they didn’t like that film. Ghostbusters: Answer the Call was very mixed in its reactions. I really enjoyed the 2016 film myself, but I know there were a lot of people that didn’t love the film, and now we have this upcoming sequel to Ghostbusters II that has a new, potentially concerning release date. Release dates are an economic science, and choosing a date can make or break your release.

Uncharted, like The New Mutants, seems cursed. This movie just cannot catch a break. This most recent push just signals that the film may never happen.

As far as Peter Rabbit 2: The Runaway goes, I couldn’t care less. The first wasn’t great but not horrible, but I don’t need to see another one.

So there you have it. A lot of changes, and a lot more waiting. You may be asking “Why? Why bump these movies so early?” It’s all for marketing. If you cannot guarantee the release date, you can’t spend millions marketing a movie.

So what do you think? Which of these adjustments hits you the hardest or do you not care about any of them? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

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