All the Way (2016)

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Director: Jay Roach

Cast: Bryan Cranston, Anthony Mackie, Melissa Leo, Frank Langella, Stephen Root

Screenplay: Robert Schenkkan

132 mins. Rated TV-14.

 

In the newest film from HBO, Bryan Cranston (TV’s Breaking Bad, Get a Job) takes his award-winning performance from the stage to the screen. But does the play become a movie? Let’s find out.

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All the Way, from director Jay Roach (Meet the Parents, Trumbo), covers the role that Lyndon B. Johnson (Cranston) played as President after the assassination of John F. Kennedy. Events from Johnson’s work with Martin Luther King Jr (Anthony Mackie, The Hurt Locker, Captain America: Civil War) are shown as well as Johnson’s bid for reelection during the following campaign.

All the Way has so many great performances. In fact, it’s what holds the entire film together. Led by the powerhouse work from Bryan Cranston and the incredible makeup work done to bring the President to life is stunning. He is nearly matched by Melissa Leo (TV’s Wayward Pines, The Fighter) as Lady Bird Johnson. I also liked Frank Langella (TV’s The Americans, Frost/Nixon) as Senator Richard Russell and Stephen Root (TV’s King of the Hill, Mike and Dave Need Wedding Dates) as J. Edgar Hoover.

For flaws, All the Way suffers one of the most common issues of translating a play to the screen. It loses a lot of momentum as it moves. Jay Roach, an extremely capable director, struggles to keep the pacing up and moving throughout, and it shows near the final act of the film.

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Overall, All the Way is a perfect showcase for its cast (I’d be remiss if I didn’t at least mention Bradley Whitford’s work as well), but it just can’t stand on its own legs as a true film. Not enough was done to properly adapt the work as Robert Schenkkan (TV’s The Andromeda Strain, The Quiet American) adapted his own work. Thankfully, the performances keep the film strong and evocative for most of the film. Still worthy of viewing? Most definite.

 

3.5/5

-Kyle A. Goethe

[Early Review] Mike and Dave Need Wedding Dates (2016)

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Director: Jake Szymanski

Cast: Zac Efron, Anna Kendrick, Adam DeVine, Aubrey Plaza

Screenplay: Andrew Jay Cohen, Brendan O’Brien

98 mins. Rated R for crude sexual content, language throughout, drug use and some graphic nudity.

 

Hey, everyone! I was blessed to have seen Mike and Dave Need Wedding Dates last night, and here’s my Early Review! Is this comedy enough chuckles to earn a theater experience? Let’s take a look.

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Oddly enough, Mike and Dave Need Wedding Dates is a based on a true story…sort of. It’s the tale of the Stangle Brothers, Mike (Adam DeVine, TV’s Uncle Grandpa, The Intern) and Dave (Zac Efron, 17 Again, Neighbors 2: Sorority Rising), and their quest to get dates to their sister’s wedding. Tasked by their parents to get dates or be out of the wedding, Mike and Dave, desperate for nice girls, go to Craigslist with their request. Eventually, the two gain fame in their search, which leads them to Alice (Anna Kendrick, Pitch Perfect, Get a Job) and Tatiana (Aubrey Plaza, TV’s Parks and Recreation, Dirty Grandpa), who see this as an opportunity for a free trip to Hawaii and fake themselves off as nice girls. It isn’t long, however, before the Stangles and their wedding dates find that it isn’t easy to fake nice, and supposed hilarity ensues.

I’m going to make a comparison here that you won’t expect. Mike and Dave Need Wedding Dates is very similar to Batman v Superman: Dawn of Justice. The entire film feels like a collection of great scenes that just don’t fit together well. The movie isn’t very cohesive. It doesn’t pace very well either. There are numerous scenes that I loved (just wait for the massage bit) but overall these scenes are wasted on a splotchy story from director Jake Szymanski (7 Days in Hell).

I liked the chemistry from stars Efron and DeVine as well as Kendrick and Plaza. This film takes the approach for extreme lowball comedy which works occasionally as a style, but I don’t think Szymanski knows how to cultivate a style of his own that moves the story forward. Instead, he relies heavily on his leads to point the way. The problem with an approach like this is that you get characters that don’t evolve. The quartet of characters all have scenes that tell but don’t show growth which leads to a rather uninspired film.

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Sadly, I didn’t enjoy Mike and Dave nearly enough to endorse this film to you. It is definitely worth a Redbox-ing, but you can save your spending dollars for a better fare. For those of you that don’t want my opinion, Mike and Dave Need Wedding Dates opens July 8th.

 

2.5/5

-Kyle A. Goethe

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