Director: Rob Hedden
Cast: Jensen Daggett, Scott Reeves, Peter Mark Richman, Kane Hodder
Screenplay: Rob Hedden
100 mins. Rated R.
When the eighth Friday the 13th film was announced, the first poster was released depicting the “I Love NY” slogan with Jason Voorhees busting through it. The New York Tourism board sued to get the poster taken down. There are probably some rare prints of these posters out there, so if anyone’s looking for an early Christmas gift for me, just saying…
Jason Voorhees (Kane Hodder, Daredevil, Victor Crowley) is still out there in Crystal Lake, still alive, waiting for his chance to return to the surface, and when two young lovers get their boat anchor caught in the lake, it lets Jason loose. Now unleashed, Jason hitches a ride on a boat headed for New York City, and along the way, he’ll spend his time doing his favorite thing: killing attractive teens.
Let’s address the elephant in the room: Jason doesn’t take a lot of Manhattan in this film. He takes a boat for about an hour of the film’s runtime, and he takes Manhattan, which is mostly Vancouver, for the final third. I think the expectations of a film subtitled Jason Takes Manhattan conjures up images of Jason slaying his way across the city. Now, without a doubt, the shot of Jason Voorhees in Times Square is pretty impressive, but it’s the only moment that feels like Jason Takes Manhattan.
None of the teens in this film are very memorable, and that includes Rennie (Jensen Daggett, Major League: Back to the Minors, Telling You), the lead. She’s a very relaxed and unremarkable lead character without much to root for. The rest of the cast is filled with machete fodder, with the exception of the always fun-to-watch character actor Peter Mark Richman (Agent for H.A.R.M., After the Wizard) as Rennie’s Uncle Charles, who also happens to be a teacher chaperoning the boat trip. Richman plays the unlikable Uncle Charles to pretty solid results.
But hey, at least the final product is incredible, right? No, it’s not. Not really, but it isn’t a colossal failure either, and maybe that’s a lot of the problem. There’s just no soul to this movie. It should be full of weird flavor and enjoyable sequences, but it’s very hollow. Think about it. Jason in Manhattan should be so much fun, but it doesn’t have any tone at all. It just is…and that’s a problem.
Jason Takes Manhattan is neither the best nor the worst of the Friday the 13th franchise. It’s just kind of forgettable. Outside of the one true moment of Jason Voorhees standing in Times Square (and, to be fair, Kane Hodder’s return as Jason should be all the more celebrated because he’s just damn good), there’s just nothing special flowing through the veins of this movie. It’s an empty shell, and that’s a damn shame.
-Kyle A. Goethe
For more 31 Days of Horror, click here.
For my review of Sean S. Cunningham’s Friday the 13th, click here.
For my review of Wes Craven’s A Nightmare on Elm Street, click here.
For my review of Steve Miner’s Friday the 13th Part 2, click here.
For my review of Steve Miner’s Friday the 13th Part III, click here.
For my review of Joseph Zito’s Friday the 13th: The Final Chapter, click here.
For my review of Jack Sholder’s A Nightmare on Elm Street 2: Freddy’s Revenge, click here.
For my review of Danny Steinmann’s Friday the 13th Part V: A New Beginning, click here.
For my review of Chuck Russell’s A Nightmare on Elm Street 3: Dream Warriors, click here.
For my review of Tom McLoughlin’s Jason Lives: Friday the 13th Part VI, click here.
For my review of Renny Harlin’s A Nightmare on Elm Street 4: The Dream Master, click here.
For my review of John Carl Buechler’s Friday the 13th Part VII: The New Blood, click here.
For my review of Stephen Hopkins’s A Nightmare on Elm Street 5: The Dream Child, click here.