Long Shot (2019)

Director: Jonathan Levine

Cast: Seth Rogen, Charlize Theron, June Diane Raphael, O’Shea Jackson Jr., Andy Serkis, Bob Odenkirk, Alexander Skarsgard

Screenplay: Dan Sterling, Liz Hannah

125 mins. Rated R for strong sexual content, language throughout and some drug use.

 

Long Shot kind of came out of nowhere. I don’t think anyone expected to be such a crowd-pleaser but reviews have been pretty solid for the film. I finally got a chance to catch it in the theater, and while I don’t it is ground-breaking comedy, it was still quite a chuckler.

Secretary of State Charlotte Field (Charlize Theron, Monster, Atomic Blonde) is planning on running for President when currently-seated President Chambers (Bob Odenkirk, Incredibles 2, TV’s Better Call Saul) decides not to attempt a second-term run. Charlotte’s biggest opportunity heading into the race is that she is considered cold and the public doesn’t connect with her, so when she comes across someone she knew from her youth, recently-out-of-a-job journalist Fred Flarsky (Seth, Rogen, This is the End, Like Father), she takes him on as her speech-writer to help connect her to voters. Then, as they work more and more closely together, they find that they each bring out the best of each other, but is Flarsky a liability for Charlotte’s White House run?

The term I would use to describe the central relationship of Long Shot is cute. I genuinely believed the chemistry between Theron and Rogen, and their scenes together were cute. I think director Jonathan Levine (50/50, Snatched) mined the relationship and the screenplay from Dan Sterling and Liz Hannah for some pretty solid comedy gold. This is a surprisingly good role for Charlize Theron, considering we haven’t seen much from her in a romantic comedy aspect. Yes, there have been films like Young Adult and Tully, but those roles have been much more tied into her dramatic performance than the guffaw-style laughs she goes for here.

Don’t get me wrong, there is a level of drama to Long Shot, but it is clear that the film is not taking itself as seriously as the films I have previously mentioned. It’s taking shots at our current political climate, lampooning and laughing at the current administration with its President Chambers, and Alexander Skarsgard (The Aftermath, TV’s True Blood) is rather silly and playful as the Prime Minister of Canada. Not everything works in the film, and some of the comedy dries up near the end as the film somewhat struggles to find its ending, but the last ten minutes were a fantastic finale that plays into its romantic comedy elements while also remaining somewhat unexpected.

The film also features a scene-stealing performance from the enigmatic and often-unrecognizable Andy Serkis (War for the Planet of the Apes, The Adventures of Tintin) as Peter Wembley, a media mogul who bought the paper that Fred previously worked for and also wants Charlotte on his team, politically-speaking. He doesn’t have a lot of scenes but every time he popped up, I lost it laughing. His performance is the best of the film, and some of the things he does are slimy as can be.

Long Shot limps a bit in its second act. It struggles to find its footing in order to get to a reasonably-satisfying conclusion, but thankfully it finds a great ending to land on, saving a fun romantic comedy that strives to be about more than just romance and comedy. I’ll leave it up to you to decide how successful it is in that respect, but I found it quite funny. I would temper your expectations for all the people saying it’s the best romantic comedy in years, but it works quite well all the same.

 

3.5/5

-Kyle A. Goethe

The Interview (2014)

theinterview2014a

Director: Evan Goldberg, Seth Rogen

Cast: Seth Rogen, James Franco

Screenplay: Dan Sterling

112 mins. Rated R for pervasive language, crude and sexual humor, nudity, some drug use and bloody violence.

 

Last year, a film was made, one that almost never saw the light of day thanks to terrorism. In the course of a few days, buzz around The Interview skyrocketed after a threats were made to Sony concerning its release. Theaters around the country pulled the film and refused to show it. It was a sad day to be an artist in America. It didn’t matter what kind of art was pulled, the fact that we were afraid to express ourselves showed more weakness than I could have imagined.

theinterview2014b

But then, Sony came to the rescue. They released the film on online platforms. You can’t bomb online platforms (well, the danger was still there). Youtube released it. Netflix released it. Then, stores put it on shelves and we proved to the evils of the world that we are not going to stand for it (cue the inspirational battle hymn). Well, anyway, that happened, and it helped cement The Interview in the annals of American film history, but there was still one unanswered question: was the film any good?

In The Interview, the new comedy from directors Evan Goldberg and Seth Rogen (This is the End), we follow Rogen as Aaron Rapaport, producer for the talk show Skylark Tonight, featuring his friend Dave Skylark (James Franco, 127 Hours, True Story). The show is a fledgling one, more of a witch hunt show searching for shock and awe rather than inspirational or interesting television. That is, until they get an interview with Kim Jong-Un after finding that the dictator is a fan of the show. The two are then enlisted by the US government to assassinate the world leader during the interview and save countless lives (that’s right, it does bleed controversy).

The performances by the two leads are goofy and a little stupid, the cinematography looks cheap and a little stupid, and the pacing is way off. It’s a little stupid. With all that, the film does have its charms, but I do struggle to remember a moment where I laughed out loud. There were a few “that’s funny” moments but no guffaws. I wanted some damn guffaws.

theinterview2014c

All in all, does The Interview deserve to be remembered the way it will be? Probably not. I found it to be a goofy somewhat comedic romp with little true substance outside its controversy.

 

2/5

-Kyle A. Goethe

Blog at WordPress.com.

Up ↑