Jonathan Goldstein and John Francis Daley Move to D&D Film

The directing duo of Jonathan Goldstein and John Francis Daley have moved from the Flash film over at DC to negotiations for the Paramount Dungeons & Dragons film, replacing director Chris McKay, who left the D&D film to work on Ghost Draft, starring Chris Pratt.

The script for D&D is currently being penned by Michael Gillio, but one can only assume that the directing pair will take a stab at a rewrite before they step behind the camera (they wrote Spider-Man: Homecoming and Horrible Bosses, among many other projects).

Little is still known about Paramount’s AllSpark Pictures, of which Dungeons & Dragons will be a part of, and people keep referring to the collective as a cinematic universe, but I think that is an incorrect categorization.

This does spark a little excitement in me, as I really enjoyed last year’s Game Night from this duo as well as their work on Spider-Man: Homecoming and some of their other projects. I do worry that the film’s tone might be questionably more campy than I would have thought, but that’s purely because I haven’t seen any work by Goldstein and Daley that skews to the serious. Sure, there are elements, but I think this D&D film needs to take itself more seriously and less comedic. That’s just me. It’s just what I want.

So what do you think? Is this the writing directing team for Dungeons & Dragons? Let me know/Drop a comment below!

 

-Kyle A. Goethe

The Lego Movie 2: The Second Part (2019)

Director: Mike Mitchell

Cast: Chris Pratt, Elizabeth Banks, Will Arnett, Tiffany Haddish, Stephanie Beatriz, Charlie Day, Alison Brie, Nick Offerman, Maya Rudolph

Screenplay: Phil Lord, Chris Miller

106 mins. Rated PG for some rude humor.

 

Do you remember when Everything was Awesome back in 2014 when The Lego Movie surprised everyone by actually being great? Remember how it got completely snubbed at the Oscars causing complete and utter outcry and sadness? Remember Pepperidge Farm? I remember.

It’s been five years since Emmet Brickowski (Chris Pratt, Guardians of the Galaxy, Jurassic World: Fallen Kingdom) saved everyone by defeating the evil Lord Business on Taco Tuesday. Unfortunately for Emmet, Lucy (Elizabeth Banks, The Hunger Games, The Happytime Murders), and the others, that victory only made way for the invasion of the Duplos, frightening beings from the Systar System. Now, Everything is Not Awesome, and Bricksburg has become the bleak and dark and brooding Apocalypseburg. Emmet has tried to make the best of it by staying positive, but his happiness is tested when the sinister General Mayhem (Stephanie Beatriz, Short Term 12, TV’s Brooklyn Nine-Nine) kidnaps Lucy and the others and takes to them to the Systar System to meet with Queen Watevra Wa’Nabi (Tiffany Haddish, Girls Trip, Kevin Hart’s Guide to Black History) for a royal wedding. Emmet has to join up with the dangerous and strong Rex Dangervest (also Pratt in a dual-role) in order to have a chance at saving them and avoiding “Our-Mom-Ageddon” in the process.

The Lego Movie 2 sets itself up nicely as a direct sequel to the original film and even a follow-up to The Lego Batman Movie, but it’s clear that this sequel is missing the boat a bit in terms of its ability to ignite fire in its story. It comes right out and states that this is set 5 years after the events of The Lego Movie, but it doesn’t feel like anything fresh has been conjured in those five years. While the events, scenarios, and overall message of this sequel, there’s just something in the film that doesn’t work as well, as though director Mike Mitchell (Shrek Forever After, Trolls) is struggling to be Phil Lord and Chris Miller, the directors of the previous film.

Lord and Miller have crafted the screenplay here, and that’s why the overall arc of the film works, including some of the third-act twists and turns. I was surprised at myself for not getting where the film was going as it went, and I think that upped my overall enjoyment of the film. I found the screenplay’s meta-humor broadened even more so with the original film’s revelation that the Lego world is a representation of what is happening in the real world. Lord and Miller are able to use that to craft a lot of interesting humor between the real world and the Lego world that works nicely to bridge the two films.

The voice-work is pretty solid here, especially from newcomers Haddish and Beatriz. Haddish takes a lot of the heavy lifting as Wa’Nabi, and she holds her own in several musical numbers. With their inclusion, though, I felt the loss of Benny (Charlie Day, Hotel Artemis, TV’s It’s Always Sunny in Philadelphia), MetalBeard (Nick Offerman, Bad Times at the El Royale, TV’s Parks and Recreation), and Unikitty (Alison Brie, The Post, TV’s Community), who are all relegated to tertiary-level characters in the sequel.

I think it was a bad call for Warner Bros to move the release date of this sequel to accommodate The Lego Batman Movie and The Lego Ninjago Movie. It separates this sequel from its predecessor in a way that kind of hurts it for people that haven’t watched the original recently. The Lego Movie 2 is perfectly fine and, at times, brilliant, but it mostly stands in the shadow of The Lego Movie, always being fun but never rising up to the level of its predecessor. I still found myself enjoying it, but it’s a step down.

 

3/5

-Kyle A. Goethe

 

 

For my review of Phil Lord & Chris Miller’s The Lego Movie, click here.

Jurassic World: Fallen Kingdom (2018)

Director: J.A. Bayona

Cast: Chris Pratt, Bryce Dallas Howard, Rafe Spall, Toby Jones, Ted Levine, BD Wong, Jeff Goldblum

Screenplay: Derek Connolly, Colin Trevorrow

128 mins. Rated PG-13 for intense sequences of science-fiction violence and peril.

 

I think a lot of people would say, when Jurassic World came out back in 2015, that it was the best film in the series since the original. That may be true. What’s also true is that it was the safest choice to make by following very closely the trajectory of the original film. That’s not really the case with Jurassic World: Fallen Kingdom.

Fallen Kingdom picks up some time after the events of Jurassic World. The park is closed and deserted. Dinosaurs roam free. But people haven’t forgotten about Isla Nublar. There are groups of dinosaur rights activists, one of which is led by Claire Dearing (Bryce Dallas Howard, The Help, Gold) who are trying to protect these precious species. When Claire is given the opportunity to work with a team on the island to save these creatures from certain destruction at the hands of the island’s no-longer-dormant volcano, which is set to erupt, she goes to Owen Grady (Chris Pratt, Guardians of the Galaxy, The Lego Movie) for help. With a team assembled, they head back to the island in hopes of saving these creatures, but there’s a much more nefarious reason for this expedition.

Fallen Kingdom got a lot of hate this year for a film that performed so well at the box office. I got married the week it was released so I didn’t actually catch it until it hit home video. This means I was able to temper my expectations, which were high considering that it was directed by J.A. Bayona (The Impossible, A Monster Calls), a highly-skilled director with a particularly good eye for horror.

What’s great about the choice of Bayona as director is what he brings to the second half of the film. I won’t delve into spoilery territories but there are elements to the back half that are reminiscent of a horror film. And this is really a film of two halves.

The first half of Fallen Kingdom boils down to a standard sequel to Jurassic World. In fact, it’s a plot point hinted at since the original Jurassic Park novel by Michael Crichton that a dormant volcano lies at the center of the island. The second half of the film is ballsy and ambitious. Does the second half work? Some of it did for me. I’ve heard criticisms about the final moments of the film and yes, I agree, they are infuriating for how they play out, but I get it given the character development we’ve seen from these people over the course of two films.

The biggest issue that rises up from me is some of the timing inconsistencies in the film. The opening literally has characters talking about a dinosaur that should be dead by now that are not, and then there are moments brought up later on that do not confirm this timeline. Even co-screenwriter Colin Trevorrow’s answer to the mystery of how much time has passed makes it seem like he really didn’t put much thought or care into the decision of setting the film at a specific distance from Jurassic World.

I think that Fallen Kingdom puts the characters from Jurassic World to better use in a more interesting narrative. Claire is more accessible and, in a lot of ways, this is more her movie whereas the previous film is more Owen-centric.

Overall, Jurassic World: Fallen Kingdom is a really ambitious installment of the franchise, and while I don’t think it really works as well as it should, I found myself engaged with the plot of both halves of the film, and I’m shocked that it was allowed to be made at all. If you haven’t seen this one yet, don’t listen to the naysayers and give it a go. I enjoyed it more than I expected to, and it makes me very excited for where the series will go next.

 

3.5/5

-Kyle A. Goethe

 

 

For my review of Steven Spielberg’s Jurassic Park, click here.

For my review of Colin Trevorrow’s Jurassic World, click here.

 

For more Almighty Goatman,

Avengers: Infinity War (2018)

Director: Anthony Russo, Joe Russo

Cast: Robert Downey Jr., Chris Hemsworth, Mark Ruffalo, Chris Evans, Scarlett Johansson, Benedict Cumberbatch, Don Cheadle, Tom Holland, Chadwich Boseman, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Danai Gurira, Letitia Wright, Dave Bautista, Zoe Saldana, Josh Brolin, Chris Pratt

Screenplay: Christopher Markus, Stephen McFeely

149 mins. Rated PG-13 for intense sequences of sci-fi violence and action throughout, language and some crude references.

IMDb Top 250: #37 (as of 9/1/2018)

 

Well, it happened. I almost cannot believe it, but it happened. After 10 years and numerous storylines, everything in the Marvel Cinematic Universe has culminated in this.

Let me say that word again: culminated. I like that word.

So a lot has happened. I’ll try to sum it up as quick as I can.

Thanos (Josh Brolin, No Country for Old Men, Sicario: Day of the Soldado) has one goal driving his very being: to collect all six Infinity Stones. He already has one, but to get the others, he will have to go through the Avengers, Earth’s Mightiest Heroes. The Hulk (Mark Ruffalo, Spotlight, Now You See Me 2) and Thor (Chris Hemsworth, Snow White and the Huntsman, 12 Strong) are quickly dispatched, Thanos sends his minions, The Black Order, to Earth to search for the remaining Earthbound stones while he finds himself facing off with his daughter Gamora (Zoe Saldana, Avatar, My Little Pony: The Movie). Now, it’s a fight to protect the stones from the increasingly more dangerous Thanos as the Avengers team up with the Guardians of the Galaxy, Doctor Strange (Benedict Cumberbatch, The Imitation Game, The Child in Time), Spider-Man (Tom Holland, The Impossible, Pilgrimage), Black Panther (Chadwick Boseman, 42, Marshall), and others, but do they even stand a chance?

Avengers: Infinity War almost needs to be looked at differently than other films. My goal here and in all my reviews is to look at each within the context that it exists. When I watch a horror film, I look to be scared, thrilled, or shocked. When I watch a comedy, I look to laugh or smile. When I watch a Uwe Boll film, I look to hate myself at the end. Context.

So Avengers: Infinity War needs to be looked at on its own terms as well as how the film changes and shapes the characters in this universe. It’s a season finale of sorts, and it does an incredible job of juggling so many character arcs and stories that have existed within the confines of ten years of storytelling.

Let’s start with the most important arc in the film: Thanos’s. Josh Brolin does the performance capture justice in his work as the Mad Titan. We spend more time with Brolin’s character than anyone else in the film, and for that reason, this is very much Thanos’s film. He’s the protagonist. He is the one with the goal who initiates the action, and our heroes are only trying to stop that mission. He is a believably insane tyrant who moves from planet to planet wiping half of the population out in order to restore order. It’s a crazy idea but he believes it wholeheartedly which makes him all the more frightening. He’s well-written, thoughtful and menacing. There are of course a few similarities to Kurtz from Apocalypse Now or its source novel Heart of Darkness. It’s mostly surface level but it also works pretty well and helped me to understand how his mental faculties would lead him to such a sinister mission.

The rest of the cast get mixed amounts of time, most of them only about 10 minutes onscreen with the biggest characters getting closer to 30 minutes. Thor has one of the better arcs, especially following the opening of the film. He has vengeance in his heart and a plan to stop Thanos. He joins up with Rocket Racoon and Groot to accomplish his mission and it’s an enjoyable and important set of sequences. I would have liked to see a bit more emotion from Hemsworth as the film goes on but he kind of falls back to comedy as a backup.

Mark Ruffalo also gets a lot of time with his journey, especially considering that he spends a lot of the film not being the Hulk. We see a side of both of them that I’m not sure we’ve seen before, and it’s the first time in a while that we see Banner having to deal with not turning into the Hulk.

It’s also nice to give some more time to Gamora, who has gotten some development in the Guardians of the Galaxy films but always as a companion to the others. Now, she has a really interesting relationship with father Thanos. I just wish more time would have been given to further develop the two.

Directors Anthony and Joe Russo (You, Me, and Dupree, Welcome to Collinwood) and screenwriters Christopher Markus and Stephen McFeely (The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, Pain & Gain) developed what was later termed as strange alchemy, the forcing together of characters that don’t usually spend any time together. This idea works really well and is a large portion of what makes The Avengers films so fun and so anticipated. It’s what I’m looking forward to more than anything else for next year’s Avengers: Endgame.

The Russos did a tremendous job of weaving all of these story threads together while never once sacrificing the flavor that comes with each film. I love that they devoted time to ensure their film would not be ruined for viewers who were not there on opening night. Each of the separated groups further the problem that this team works best together but now they are caught up in different parts just trying to plug a leak, essentially, and these directors and screenwriters never let the story dry up or get stale.

Avengers: Infinity War is not a perfect movie. The ending, upon a second viewing, doesn’t really feel like it has stakes (though that may change next year), and some more character development would be much appreciated, but overall it accomplishes its goals and in context of what the film is trying to be, it succeeds in almost every way. This is an event film if there ever was one, and it is endlessly re-watchable. If you haven’t seen the film yet (and don’t kid yourself, yes you have), then what are you doing? Go. Now. Watch it.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Jon Favreau’s Iron Man, click here.

For my review of Jon Favreau’s Iron Man 2, click here.

For my review of Louis Leterrier’s The Incredible Hulk, click here.

For my review of Anthony and Joe Russos’s Captain America: The Winter Soldier, click here.

For my review of James Gunn’s Guardians of the Galaxy, click here.

For my review of James Gunn’s Guardians of the Galaxy vol. 2, click here.

For my review of Joss Whedon’s Avengers: Age of Ultron, click here.

For my review of Anthony and Joe Russo’s Captain America: Civil War, click here.

For my review of Ryan Coogler’s Black Panther, click here.

For my review of Jon Watts’s Spider-Man: Homecoming, click here.

For my review of Taika Waititi’s Thor: Ragnarok, click here.

 

For more Almighty Goatman,

Guardians of the Galaxy vol. 2 (2017)

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Kurt Russell, Michael Rooker, Karen Gillan, Pom Klementieff, Elizabeth Debicki, Chris Sullivan, Sean Gunn, Sylvester Stallone

Screenplay: James Gunn

136 mins. Rated PG-13 for sequences of sci-fi action and violence, language, and brief suggestive content.

 

Yes, Guardians of the Galaxy vol. 2 is now available on home video and streaming platforms, and this film was universally liked but not universally loved. I took another look at it to see how I really felt.

Set a few months after the original Guardians of the Galaxy, Peter Quill (Chris Pratt, Jurassic World, Passengers) and the team find themselves on the run from the Sovereigns when they come across a being known as Ego (Kurt Russell, The Hateful Eight, Deepwater Horizon) who announces that he is Peter’s father and has been looking for him. Peter takes off with Ego and brings along Drax (Dave Bautista, Spectre, Enter the Warriors Gate) and Gamora (Zoe Saldana, Avatar, Live by Night), leaving Rocket (Bradley Cooper, Silver Linings Playbook, 10 Cloverfield Lane) and Baby Groot (Vin Diesel, Furious 7, Riddick)  to fix the ship and keep an eye on their prisoner, Gamora’s sister Nebula (Karen Gillan, Oculus, The Circle) who is very much alive. While Peter learns much of his heritage from Ego, there is something strangely perfect looming over their time on the living planet while Rocket and Groot are hunted down by the Ravagers led by Yondu (Michael Rooker, Cliffhanger, The Belko Experiment). With the team split up, they soon learn that they are at their strongest when they stick together in this sequel helmed by James Gunn (Movie 43, Super).

Is Guardians of the Galaxy vol. 2 an improvement over the original? No, but does it have to be? No. I’m tired of these comparisons that say that a sequel or follow-up is not successful unless it surpasses the original. It doesn’t have to. But there are some things that are better. First off, I think the film’s coverage of its secondary characters is better. We get a much better look at Yondu that’s more than the somewhat one-dimensional character we had in the original. Michael Rooker is a masterful and often forgotten character actor and he absolutely shines here.

I also think the obligatory Stan Lee cameo is the best one in his entire filmography, which, at this point, is a pretty impressive feat. James Gunn’s choice to overload the end credits with five mid and post-credit scenes is brilliant and it adds to the insanity. I think overall, Gunn’s choice to embrace the flavor of what he brought to the screen is the winning element of the Guardians of the Galaxy series. You probably saw the music video for Inferno, the Guardians theme, recently, and I love that this kind of marketing and viral social meeting presence is available to fans.

I also felt that the relationship between Star-Lord and Ego is an interesting and complex one. Chris Pratt said in an interview that this film helped him to get over the death of his own father. Theirs is the driving force of the film and everything feeds off it. In fact, this is a film about fathers and the families we create, whether by blood or not (oh, and the de-aging of the devilishly handsome Kurt Russell is pretty impressive).

Things that altogether weren’t as good as they should have been? Really, it’s a small list, but I wish Mantis (Pom Klementieff, Oldboy, Hacker’s Game) could’ve done more. I think we will see more of Mantis later, but I felt like she was underused. I also was never a big fan of the Nebula/Gamora dynamic and I hope more relevance comes to this when Infinity War hits. Then there’s the loss of Nathan Fillion’s terrific cameo. I wish there had been a place to squeeze him in, but the film is rather bloated. Maybe that’s it. There’s so much going on that the film feels a little bloated. Yeah, that’s it.

“I am Groot.” -Groot

Overall, Guardians of the Galaxy vol. 2 is a fine film and a fine addition to the MCU. I love these characters and treasure further adventures with all of them. The soundtrack is subtle and important and stays with you long after the film ends (I’m still humming it). Yeah, it’s just a damn fun time at the movies and in that respect, it’s a beautiful experience.

 

4/5

-Kyle A. Goethe

 

 

  • For my review of Jon Favreau’s Iron Man, click here.
  • For my review of Louis Leterrier’s The Incredible Hulk, click here.
  • For my review of Jon Favreau’s Iron Man 2, click here.
  • For my review of Anthony & Joe Russo’s Captain America: The Winter Soldier, click here.
  • For my review of James Gunn’s Guardians of the Galaxy, click here.
  • For my review of Joss Whedon’s Avengers: Age of Ultron, click here.
  • For my review of Anthony & Joe Russo’s Captain America: Civil War, click here.

 

 

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Jurassic World (2015)

jurassicworld2015c 

Director: Colin Trevorrow

Cast: Chris Pratt, Bryce Dallas Howard, Nick Robinson, Ty Simpkins, Vincent D’Onofrio, Omar Sy, B.D. Wong, Irrfan Khan

Screenplay: Rick Jaffa, Amanda Silver, Colin Trevorrow, Derek Connolly

124 mins. Rated PG-13 for intense sequences of science-fiction violence and peril.

 

It has been 22 years since the events of Jurassic Park, and now John Hammond’s vision has been fully realized. Jurassic World has been up and running for about a decade, and has been run by Claire (Bryce Dallas Howard, The Help, 50/50) to great success. Now, though, with declining numbers, the park’s owner Simon Masrani (Irrfan Khan, Life of Pi, The Amazing Spider-Man) wants something new and bigger to boost attendance. He has enlisted Dr. Henry Wu (B.D. Wong, Mulan, Focus) with the task of genetically hybridizing a new dinosaur species called the Indominus Rex, but this new species is much smarter than they could have realized, and now a raptor trainer named Owen (Chris Pratt, TV’s Parks and Recreation, Guardians of the Galaxy) must help Claire find her nephews, Nick (Nick Robinson, TV’s Melissa & Joey, The Kings of Summer) and Gray (Ty Simpkins, Insidious, Iron Man 3), who are missing in the park.

In this third sequel to the Jurassic Park franchise, we see something that has been almost promised for just as long: a fully functioning theme park, exactly what John Hammond would have wanted. It is a completely new experience for fans of the series, and it offers a cadre of new set pieces for director Colin Trevorrow (Safety Not Guaranteed) to completely destroy.

Chris Pratt gives another leading man performance that proves he has the chops to continue raking in the dough. Now Owen isn’t played as well to Pratt’s strength, and he comes off rather wooden at the beginning of the film before really finding his character beats as the film progresses. His chemistry with Bryce Dallas Howard’s Claire is pretty strong, though the developed romance between feels way contrived in the grand scheme of the story.

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The supporting players all mostly give in to the conceit of the film and perform admirably. Our child actors Robinson and Simpkins do enough to get by, though Simpkins underwhelms when compared to previous work in the Insidious franchise and the Marvel Cinematic Universe.

Vincent D’Onofrio (TV’s Law & Order: Criminal Intent, Run All Night) is great as the slimy Hoskins who wishes to use Owen’s raptor skills to train the beasts for militaristic purposes. He is matched perfectly by Irrfan Khan’s Masrani, an eccentric billionaire very similar to Hammond and who wishes to follow in his footsteps and do right by him. The term “Spare No Expense” comes to mind several times.

B.D. Wong returns to the franchise from the original film as the genius Dr. Wu, a character much expanded upon from the original source novel by Michael Crichton. In this film, Wu defends his place in the history books as the clever mind behind many of the park’s greatest attractions.

Now the dinosaurs here as missing much of the Stan Winston touch that made them so magical in the 1993 film. They still look amazing from the terrific visual effects work, and some of them, like the mighty aquatic Mosasaurus, but it is something I missed. Looking back on Steven Spielberg’s original film, I still look in wonder at the magic on the screen, whereas here I know I am seeing CGI.

Michael Giacchino’s score is also a great feature of the film, subtly using John William’s original themes while adding notes of grandeur and chaos to reinvent it. When we first see the gorgeous set pieces accompanied by the original music, it made my heart skip a beat.

Flaws? Yeah, there are several. The use of the Gyrospheres being completely controlled by the attendees? Yeah, no safety features required there…not! This film makes several of the same mistakes that we’ve seen before, making the characters seem like they paid no attention to the mistakes made in previous installments.

JURASSIC WORLD - 2015 FILM STILL - Pictured: The Indominus rex dominates all creatures in her path - Photo Credit: Universal Pictures   © 2014 Universal Studios and Amblin Entertainment, Inc. ALL RIGHTS RESERVED.

Thankfully, the film is much saved by how great the wins are. There are several faults at play, but overall this is the best film in the franchise since the original. The little pieces of homage to the T-Rex, Spinosaurus, Mr. DNA, John Hammond, and Ian Malcolm help validate this film as a strong installment in the series that holds its own and opens new avenues for the future of the story.

 

4/5

-Kyle A. Goethe

 

 

So have you seen Jurassic World? What did you think? Did this film’s life find a way or go extinct in the process? Let me know!

 

For my review of Steven Spielberg’s Jurassic Park, click here.

 

Guardians of the Galaxy (2014)

GuardiansoftheGalaxy

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close, Benicio del Toro

Screenplay: James Gunn, Nicole Perlman

121 mins. Rated PG-13 for intense sequences of sci-fi violence and action, and for some language.

 

The Marvel Cinematic Universe just keeps on getting bigger. Each film just seems to open up the world a bit more, and with Guardians of the Galaxy, director James Gunn just blew the lid off the whole thing. This movie is huge, epic in scale, absolutely opening doors to further adventures both for these heroes and a whole lot more.

Guardians of the Galaxy is the story of Peter Quill (Chris Pratt, Her, Jurassic World) aka Star Lord, an Earthling kidnapped from his home many years previously by aliens. Peter steals a mysterious orb from Ronan the Accuser (Lee Pace, The Hobbit: The Desolation of Smaug, The Twilight Saga: Breaking Dawn – Part 2). Ronan wants it back, badly. Peter joins up with several other degenerate thugs to protect it. Among them is daughter of Thanos, Gamora (Zoe Saldana, Avatar, Out of the Furnace), Drax the Destroyer (Dave Bautista, Riddick, The Man With the Iron Fists), a walking and talking tree named Groot (Vin Diesel, Fast & Furious 6, Babylon A.D.), and a talking genetic raccoon named Rocket (voiced by Bradley Cooper, Silver Linings Playbook, American Sniper). Together, they form the loosely fitting title of the “Guardians of the Galaxy.”

First of all, I just want to point out that Chris Pratt takes a commanding lead of this colorful cast of characters. He controls the film and doesn’t falter under any pressure carrying us along. I’ve been saying for a while that Pratt is going somewhere. This film proves it.

guardians-galaxy-movie-preview-guardians-of-the-galaxy-music-cinematography-chris-pratt-review

Zoe Saldana is such a beauty; I will never understand why every damn movie has her suiting up in CG of makeup, but the performance here doesn’t suffer, mostly because Saldana requested to wear light makeup so as not to mess with her ability to act. Gamora is a tough character to knock down. Through her relationship with father Thanos (last seen in 2012’s The Avengers in a cameo appearance) and sister Nebula (Karen Gillan, Oculus), she probably has the most connections to tie us into the MCU.

I was actually fairly shocked by Dave Bautista as Drax. I see a former wrestler-turned-actor in a lineup and assume the worst, but that is because more often than not, I am right, but Bautista doesn’t hold us down. He serves the tough guy purpose nicely, and he has a heart in there; the glimpses are just enough to connect to the audience.

Vin Diesel’s Groot is the breakout performance of this film. With three words and seemingly endless permutations, Groot is the source for a lot of the heart and soul of the picture, and his relationship with Rocket is a beautiful thing.

The Collector (Benicio del Toro, Snatch, Inherent Vice) was introduced to us in the post-credits sequence for last year’s Thor: The Dark World, and he serves the purpose of really expanding the Marvel universe. Apart from having the subtle nuances to complete with the other major players, The Collector delivers a lot of big game info in his small role, like the Infinity Stones, certainly something to learn about for future features all over the verse (wait, was that the cube?), as well as giving us some nice cameos of perhaps some future Marvel players (not all, but dammit, enjoy the post-credits scene for what it is).

Now, I did have criticisms for the film. For example, Lee Pace’s Ronan the Accuser is a somewhat generic villain, very much alike to previous Marvel fare. We as the audience wanted more of Thanos that we didn’t really get. At least the film served a purpose of reminding us that he isn’t really an endgame. Not to mention the fact that the ending builds to a less-than-stellar face-off that could have been used earlier for better effect.

The nicest thing we could be given for this film is that we didn’t have a lot of it ruined by the trailer. More films should take a page from Guardians of the Galaxy and understand that a trailer can be made up of non-feature material.

Before I end this off, I want to point out how impressed I was by Gunn’s choice of soundtrack and how much it actually, surprisingly works. Give it a listen and let it pump you up.

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Guardians of the Galaxy was a Marvel Studios test, and it works. Producer Kevin Feige wanted to see it fans would turn out for some of the more cosmic, out-there characters that Marvel has to offer. And we did. And we loved it. I think you will too.

 

4/5

-Kyle A. Goethe

 

What did you think of Guardians of the Galaxy? Did this ship take you places or crash land on a strange and disappointing planet? Tell me!

 

The Lego Movie (2014)

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Director: Phil Lord, Christopher Miller

Cast: Chris Pratt, Will Ferrell, Elizabeth Banks, Will Arnett, Nick Offerman, Alison Brie, Charlie Day, Liam Neeson, Morgan Freeman

Screenplay: Phil Lord, Christopher Miller

100 mins. Rated PG for mild action and rude humor.

 

The Lego Movie has a simple enough premise: an ordinary everyday man (mini-figure?), Emmet (Chris Pratt, Guardians of the Galaxy, next year’s Jurassic World) discovers that he may actually be the Special, a Master-Builder who can save the Lego world from the evil Lord Business (Will Ferrell, Step Brothers, Anchorman 2: The Legend Continues), who plans to unleash a weapon known only as the Kragle. Joining Emmet in his quest is Wyldstyle (Elizabeth Banks, The Hunger Games, Walk of Shame), another jealous Master,a Lego-ized Batman (Will Arnett, Despicable Me, Teenage Mutant Ninja Turtles), a cyborg pirate named Metal Beard (Nick Offerman, TV’s Parks & Recreation, 22 Jump Street), a princess unicorn/kitty (Alison Brie, TV’s Community, The Five-Year Engagement), a hyper-active astronaut (Charlie Day, TV’s It’s Always Sunny in Philadelphia, Horrible Bosses 2), and a wizard with a prophecy (Morgan Freeman, The Shawshank Redemption, Lucy). Liam Neeson (Schindler’s List, A Million Ways to Die in the West) is Good Cop/Bad Cop, an unhinged enforcer working for Lord Business is hot on their tails.

This movie shocked me by how much I enjoyed it. After it began raking in the big bucks, I assumed it was at least something of merit, but originally, I laughed it off. I had seen toys/board games turned into really bad movies before, and I just knew that this would be one of them. After all, do Legos have a plot? Not really. In fact, they are meant to be a tool for imagination in a lot of ways. Little did I think that this would be the resounding theme of the film.

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The breakout voice work here is from Pratt, Arnett, and Neeson. The former two for their great comedic timing, and the latter for his ability to play straight-laced with absolutely wacky. I can tell from this performance that we will see a lot more headlining from Chris Pratt in the future (and that isn’t all that much of a prediction with Guardians of the Galaxy just recently released and Jurassic World on the way for 2015).

The cinematography in this movie is astounding. Get a look at this visual perfection. The Lego-style brick animation looks very stop-motiony and mixes perfectly with the lush landscapes in a very unique way that I’ve never seen before.

The music is another major win here. This score is very mechanical and, forgive my pun, building the entire story in a way that just pumped me up for the action and mayhem still to come. Let’s not forget the song “Everything is Awesome!” I could probably spend another article just analyzing this incredible piece that not only is very catchy, but also adds an entirely new dimension to the story.

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What more can I say? The Lego Movie is absolutely astounding! From the Octan references that harken back to my childhood to the overtly meta-storytelling we could get from Writer-Directors Phil Lord and Christopher Miller, I cannot recommend this movie enough, both for children and adults, it works on just about every level, and it just so happens to be one of the best films of the year. Look for it in the Best Animated Feature category at next year’s Oscars.

 

5/5

-Kyle A. Goethe

 

What did you think of Phil Lord and Christopher Miller’s The Lego Movie? Was Everything Awesome? Did the film just not snap together for you? Let me know!

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