Fast & Furious presents Hobbs & Shaw (2019)

Director: David Leitch

Cast: Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby, Helen Mirren

Screenplay: Chris Morgan, Drew Pearce

137 mins. Rated PG-13 for prolonged sequences of action and violence, suggestive material and some strong language.

 

Hobbs & Shaw is a really dumb movie. It’s very fun, but wow, it’s a dumb movie. What did you expect?

It’s been two years since The Fate of the Furious, and Luke Hobbs (Dwayne Johnson, Jumanji: Welcome to the Jungle, San Andreas) and Deckard Shaw (Jason Statham, Crank, Spy) have both been relatively busy kicking ass in the name of justice…more or less. Meanwhile, a group of MI6 agents are attacked while trying to retrieve a virus called Snowflake. Only one of them, Shaw’s sister Hattie (Vanessa Kirby, Mission: Impossible – Fallout, TV’s The Crown) escapes after injecting herself with the virus. Now framed as a fugitive, Hattie is on the run from Brixton Lore (Idris Elba, Beasts of No Nation, TV’s Luther), and she winds up getting help from Hobbs & Shaw. Now, if only they can stop arguing long enough to save Hattie from Brixton and the terrorists he works for.

I cannot stress enough how stupid some parts of this movie get, but at the same time, I come to the Fast & Furious films to see insane action set-pieces and thrilling fight scenes. This whole franchise has branded itself as a B-Movie franchise with an A-Movie budget, and the same holds up in this spin-off. The tone feels slightly different from the other films in this universe, which I think is a smart move to set it aside while also not betraying the character arcs from previous films. You don’t have to have seen any of the previous films to get this one.

Dwayne Johnson and Jason Statham have great chemistry together, even if the movie overdoes their banter several times over. There’s still a sense of family to this installment, and both characters get some more background with it, though the family stuff in this installment never feels dramatic like it does in the other franchise. It’s especially nice to see Shaw’s background delved further into, and I think it’s silly that people are calling out the age-issue with him and Vanessa Kirby, as in the film they are about two years apart but the performers are closer to two decades apart. Really? That’s what your problem is with believability? For me, I was hoping to get some more info on his relationship with brother Owen, who feels very absent from this film after his appearances in the franchise, so not seeing Luke Evans was kind of a bummer for me.

My biggest problem apart from the bloated run time is the villain Brixton. I love Idris Elba and I think he gave his all in the film, but I don’t think the character of Brixton is interesting at all, and I didn’t see any solid character development to him. He’s kind of just a villain because he’s a villain. I would love to have seen more of his arc. I also didn’t like the cybernetic implants angle. I just think it pushes the insanity envelope further than I would have liked. I know, I know, but while the silliness has been in this franchise for some time, I feel like Brixton and his cybernetic implants veers the franchise into supernatural territory more than I would like.

Hobbs & Shaw is a pretty solid ninth entry in this franchise, though for me it’s not as strong as the last four films in the series. I enjoyed myself, but there is some sputtering in the setup to this spinoff series. I liked the main characters chemistry and the action is really solid, but there are problems with the pacing and the villain. It’s fun to see some really interesting small roles/cameos that I didn’t expect in the film, and I’m looking forward to how they are utilized in a future installment. Overall, Hobbs & Shaw is mindless stupidity and that’s what I was hoping for. This is popcorn action at its most ludicrous.

 

3/5

-Kyle A. Goethe

 

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

For my review of F. Gary Gray’s The Fate of the Furious, click here.

For my review of David Leitch’s Atomic Blonde, click here.

For my review of David Leitch’s Deadpool 2, click here.

[Early Review] The Fate of the Furious (2017)

Director: F. Gary Gray

Cast: Vin Diesel, Jason Statham, Dwayne Johnson, Charlize Theron, Michelle Rodriguez, Tyrese Gibson, Chris Bridges, Nathalie Emmanuel, Kurt Russell, Scott Eastwood, Helen Mirren

Screenplay: Chris Morgan

136 mins. Rated PG-13 for prolonged sequences of violence and destruction, suggested content, and language.

 

Trust me, you need to understand what kind of film you are about to see.

Dom (Vin Diesel, Guardians of the Galaxy, xXx: The Return of Xander Cage) and new wife Letty (Michelle Rodriguez, Avatar, The Assignment) are enjoying their honeymoon in Cuba when a mysterious woman shows up and tells Dom that he is going to work for her. When Dom is on a mission with Hobbs (Dwayne Johnson, Moana, Journey 2: The Mysterious Island) and the rest of the crew, he turns on them, showing allegiance to the mystery woman called Cipher (Charlize Theron, Mad Max: Fury Road, Kubo and the Two Strings) and in the process, shattering his familial bonds. Now, Hobbs, aided by Mr. Nobody (Kurt Russell, The Hateful Eight, Deepwater Horizon) and forced to join up with Deckard Shaw (Jason Statham, The Transporter, Spy), must track Dom and Cipher in an effort to save their fallen brother or take him out.

As I’ve stated before, the important thing to remember about this franchise is that it is very unique. Action spectacles are no new thing in Hollywood, The Fast and the Furious, as a franchise, is a B-Movie franchise with an ever-expanding budget. That sort of thing just doesn’t really happen. What sets it apart from others is the focus on a recurring theme (family) and the set pieces that aren’t focused on realism in the slightest but instead, these action beats are asking the question: How can we make this more ridiculous? And that’s what works here.

The cast does admirable work here as the likable family members while newcomers Scott Eastwood (Gran Torino, Snowden) as Mr. Nobody’s new recruit and Charlize Theron as Cipher. There is a notable exclusion made by the absence of Brian O’Connor (played by the late Paul Walker) but I completely understand what happened and I still feel like his character is honored here in a pretty touching albeit predictable way.

Incoming director F. Gary Gray (The Italian Job, Straight Outta Compton), fresh off his recent success with the NWA biopic, teams up with previous collaborators in Diesel, Johnson, Theron, and Statham creates a kinetic energy that runs rampant through this film, creating some of the darkest plot threads of the series while also some of the most hilarious action scenes too. Gray’s direction results in a unique experience without pushing too far.

Through it all, though, there are times when The Fate of the Furious feels unusually restrained (hear me out), as if the film itself is trying to top the craziness from the superior Fast Five and Furious 7 but just can’t quite get there. I can’t quite put my finger on it, but something felt off at times throughout, and perhaps that’s due to Diesel’s character being tied up with Cipher rather than the crew we all find him more enjoyable with. I was very happy to discover that the unusual plot line of betrayal actually kind of makes sense within the larger scope of The Fast and the Furious franchise (I had been very worried when I saw the initial trailer).

I was very impressed with The Fate of the Furious. This entry in the series isn’t the best one to come along, but it definitely rest higher on the ranking. This is a franchise that isn’t trying to win over new fans (though it doesn’t seem to need that), and this newest installment only proves that this is a franchise for the fans. I enjoyed it and the numerous surprises that this film has in store. I highly suggest an opening weekend viewing.

 

4/5

-Kyle A. Goethe

 

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

For my review of Justin Lin’s Fast & Furious, click here.

For my review of James Wan’s Furious 7, click here.

For my review of F. Gary Gray’s Straight Outta Compton, click here.

Furious 7 (2015)

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Director: James Wan

Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Tyrese Gibson, Chris Bridges, Jordana Brewster, Djimon Hounsou, Kurt Russell, Jason Statham

Screenplay: Chris Morgan

137 mins. Rated PG-13 for prolonged frenetic sequences of violence, action and mayhem, suggestive content and brief strong language.

 

And here we are, after six films, we arrive here at Furious 7, the latest installment in the high-octane series of car action films started with The Fast and the Furious some many years back.

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In the newest adventure, Dominic Toretto (Vin Diesel, Saving Private Ryan, Guardians of the Galaxy) and his family have returned to the United States after gaining amnesty for their previous offences. As new parent Brian O’Conner (Paul Walker, Brick Mansions, Hours) adjusts to the simple life with wife Mia (Jordana Brewster, TV’s Dallas, Home Sweet Hell), he and Dom discover that Deckard Shaw (Jason Statham, The Transporter, Spy) is seeking vengeance on them for his comatose brother. When Hobbs (Dwayne Johnson, G.I. Joe: Retaliation, WrestleMania) is dispatched, the group realize that they need help. In comes a mysterious government agent (played by Kurt Russell, The Thing, Poseidon) who need them to find a piece of high-tech gadgetry that has been stolen by the villainous Jakande (Djimon Hounsou, Gladiator, Seventh Son). The deal is simple: retrieve the tech in exchange for cart blanche to defeat Shaw.

I really enjoyed Furious 7. Director James Wan (Saw, Insidious: Chapter 2), known for his abilities as a horror director, supplies the film with much-needed cheese with an incredibly exhilarating experience. The returning cast has grown so close that the chemistry here is great. Diesel’s journey of reintroduction with Letty (Michelle Rodriguez, Avatar, Machete Kills) is one of the better stories to come out of this series, and it ties into the franchise well. I had a lot of fun watching the banter between Roman (Tyrese Gibson, Transformers, Black Nativity) and Tej (Chris Bridges, New Year’s Eve, No Strings Attached). Newcomers Kurt Russell and Jason Statham provide a lot of fun to the equation. Russell’s Mr. Nobody is an interesting new character I’m excited to see further fleshed out. Statham’s Shaw comes off a bit on the cheesy side, especially with his introduction, but overall it works.

Now onto what most people are interested in hearing about: dealing with the death of Paul Walker. Did it work? Suprisingly well, actually. I expected Walker’s role to be relegated to a glorified cameo, but I was wrong. With brothers Cody and Caleb, alongside some terrific digital effects, helped to provide some resolution to Brian’s story in an appealing way. The finale of the film definitely pays tribute well with a closing musical number with a montage of Walker’s role in the franchise served to button up his story and send him off to the next place without coming off as a wasted opportunity. Wiz Khalifa’s “See You Again” works well here, too.

I like that Furious 7 helps tie the franchise back together with references to Toretto’s relationship with Letty before her “death” and the rarely-seen Race Wars from the original film. The best thing about this franchise is that the crew learns from previous mistakes to make the best film possible.

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Furious 7 isn’t the greatest film in the series (that honor lies with Fast Five), but it definitely takes a step in the right direction after a few missteps with Fast & Furious 6. It serves to provide closure to Paul Walker’s character and career well without sacrificing plot and sets the series up for further adventures which will continue with the upcoming Furious 8 (yeah, it’s happening).

 

4/5

-Kyle A. Goethe

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

For my review of Vin Diesel’s Los Bandoleros, click here.

 

You can follow Kyle A. Goethe on Twitter @AlmightyGoatman

Fast & Furious (2009)

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Director: Justin Lin

Cast: Vin Diesel, Paul Walker, Michelle Rodriguez, Jordana Brewster

Screenplay: Chris Morgan

107 mins. Rated PG-13 for intense sequences of violence and action, some sexual content, language and drug references.

 

After the serviceable but ultimately disappointing The Fast and the Furious: Tokyo Drift, Universal had two choices: kill the franchise or put everything you have into it. They chose the latter and brought back what made the series such a powerhouse. The entire principal cast of the original film was back, and with an entertaining story and the work from director Justin Lin (Finishing the Game: The Search for a New Bruce Lee, Annapolis) and screenwriter Chris Morgan (47 Ronin, Wanted), it was a formula that actually worked.

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When fugitive Dominic Toretto (Vin Diesel, Guardians of the Galaxy, Riddick) loses everything that matters to him, he returns home to his sister Mia (Jordana Brewster, TV’s Dallas, The Texas Chainsaw Massacre: The Beginning) and crosses paths with Brian O’Conner (Paul Walker, Brick Mansions, Hours), who has earned his life back as a federal agent. The two are forced to join together to take down an elusive new villain never seen and only known as Braga.

Before we get too deep here, I would like to point out that this film is more of an interquel as opposed to a straight sequel. It takes place between 2 Fast 2 Furious and The Fast and the Furious: Tokyo Drift. It features a character, Han, who we see biting the dust in the previous film. I’m not entirely sure why this choice was made, but I like the idea of Han sticking around. He is a likable hero.

Having Diesel and Walker together again is action gold. These two worked very closely in crafting this sequel with the crew to make it not only worthwhile but also help build a gigantic franchise out of the fledgling series, and it works so well. There are elements of this franchise that owe a lot to this entry. The races and chases are incredible yet simple, the characters actually develop as the film progresses, and I could tell everyone is having fun here.

Director Lin and screenwriter Morgan have learned a lot about crafting a sequel and it shows. Lin’s directing has improved, giving equal time to emotional beats and car-bashing crazy, and Morgan’s screenplay is formulated to transform the franchise and its characters.

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Fast & Furious is the sequel fans deserved and it’s the one they finally got. It proved that a series can learn from previous mistakes and evolve, and it gives viewers some of the coolest action on the screen. It still holds onto the grindhousian insanity that made the first one enjoyable and continues the tradition onward.

 

4/5

-Kyle A. Goethe

 

For my review of Rob Cohen’s The Fast and the Furious, click here.

For my review of Philip G. Atwell’s Turbo Charged Prelude, click here.

For my review of John Singleton’s 2 Fast 2 Furious, click here.

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