Bill & Ted 3 is Officially Happening, But Is It?

According to The Hollywood Reporter, Bill & Ted Face the Music, set to reunite the Wyld Stallyns played by Keanu Reeves and Alex Winter, is being shopped right now at Cannes. The report says that creators Chris Matheson and Ed Solomon wrote the screenplay that is being used, and that the film will be directed by Galaxy Quest’s Dean Parisot.

The film is in preproduction mode right now, and will tell the story of middle-aged Bill & Ted on another time-traveling adventure to find the greatest song ever written in order to save the universe.

Now, this is a chance for me to admit a fault: I’ve never seen Bill & Ted’s Excellent Adventure. I’ve never seen Bill & Ted’s Bogus Journey. I own them both, and they are collecting dust on my shelf. I’ll get to it, hopefully before this third film releases.

All in all, I’m totally for Bill & Ted Face the Music. I think a franchise like this doesn’t have an untouchable quality to it, and why not give it another go for a trilogy capper? Especially with original creators behind the script.

Yeah, let’s do this. Reunite the Wyld Stallyns.

What do you think? Are you excited for Bill & Ted Face the Music? Which Bill & Ted film is your favorite? Let me know/Drop a comment down below!

 

-Kyle A. Goethe

 

 

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[Early Review] The Beguiled (2017)

Director: Sofia Coppola

Cast: Colin Farrell, Nicole Kidman, Kirsten Dunst, Elle Fanning

Screenplay: Sofia Coppola

93 mins. Rated R for some sexuality.

 

The Beguiled is the second adaptation of the 1966 novel A Painted Devil (rather than a remake of the 1971 film starring Clint Eastwood) and features Colin Farrell (Phone Booth, Fantastic Beasts and Where to Find Them) as a Civil War soldier taken in by Miss Martha (Nicole Kidman, TV’s Big Little Lies, The Hours) after he is found injured nearby. Miss Martha runs a girls’ school in Virginia, and Corporal McBurney is the first interaction many of the women have had with the war. Miss Martha is untrusting of the man and how quickly he gains the trust of teacher Edwina (Kirsten Dunst, Spider-Man, Hidden Figures) and the girls of the school. Miss Martha continues to remind him that he will leave as soon as he is healed and repeatedly threatens to turn him over to the Confederate Army. The house is very quickly altered by McBurney’s presence, bubbling with sexual tension and jealousy among the inhabitants until finally it takes a shocking and unexpected turn, putting them all in grave danger.

I had to really tiptoe around this synopsis as I dare not spoil the events depicted in this new film from Writer/Director Sofia Coppola (Lost in Translation, A Very Murray Christmas). I would also advise you to avoid trailers for the film as they give away a bit too much. Overall, I enjoyed The Beguiled much more than I expected to.

I’ll start with what I didn’t like about the film. First, the writing of Colin Farrell’s character. I love Colin Farrell when he gets it right. Sure, he’s had stumbles in his career, but when he nails it, he really nails it. And he is great in The Beguiled, but the manner in which his character is written doesn’t feel like a fully-formed arc. His performance is top notch but there isn’t enough screen time for us as viewers to accept the journey his character takes.

I also didn’t really like the ending. It felt almost too easy, and there’s a near-horrific plot point that gets brushed away too easily that would’ve made things more interesting. Overall, the ending does linger with you, but I think there could’ve been more to it.

Everything else in the film is amazing, most notably the incredible performance from Nicole Kidman. Coming off her Oscar-nominated performance in Lion, Kidman is chillingly cold as Miss Martha, a motivated and strong woman who takes charge of her situation. There’s a beauty to her performance with an underlying uneasiness, especially when she shares the screen with Farrell. The rest of the performances are great as well, but I want to recognize Elle Fanning (Maleficent, 20th Century Women) and Angourie Rice (who you may remember from last year’s The Nice Guys, if anyone else actually saw it) for their turns as members of the school. Both of these actresses give impressive turns in every film and The Beguiled is no exception.

Sofia Coppola became the second female director ever to win Best Director at Cannes (and hopefully we won’t wait 50 years for another), and The Beguiled is a worthy film of such an award. Its tension and drama is all based around its characters , usually a win for Coppola. The film stumbles rarely, but manages to pick itself up rather quickly and recover. It’s one of the better films I’ve seen this year, and it is worth your time to catch it when it expands to wide release this weekend.

 

4/5

-Kyle A. Goethe

[Early Review] Okja (2017)

Director: Bong Joon-Ho

Cast: Tilda Swinton, Paul Dano, Seo-Hyun Ahn, Byun Hee-Bong, Steven Yeun, Lily Collins, Yun Je-Mun, Shirley Henderson, Daniel Henshall, Devon Bostick, Choi Woo-Shik, Giancarlo Esposito, Jake Gyllenhaal

Screenplay: Bong Joon-Ho, Jon Ronson

118 mins. Not Rated.

 

Well, have I got a movie for you today!

Okja is the story of a young girl named Mija (Seo-Hyun Ahn, The Housemaid, Monster) who lives on a farm in South Korea with her grandfather and a unique animal, a superpig named Okja. For ten years, Mija and her grandfather have been raising Okja to win a competition against other superpig farmers around the country. Mija is overjoyed when the judge, TV personality and zoologist Dr. Johnny Wilcox (Jake Gyllenhaal, Donnie Darko, Life) selects Okja as the winner. But when she learns of what will happen to Okja upon returning to the United States and to its true owner, Mirando Corporation, she sets out to free him and, along the way, gains help from Jay (Paul Dano, Little Miss Sunshine, Swiss Army Man) and his ALF (Animal Liberation Front) team. Lucy Mirando (Tilda Swinton, We Need to Talk About Kevin, War Machine), the CEO of Mirando, will stop at nothing to use Okja for her own greedy plans in this strange and unique new film from Bong Joon-Ho (Snowpiercer, Mother).

Now, I get it. Reading that synopsis wouldn’t exactly hype me for a film, and in lesser hands, I’d believe this film to be destined for failure. But with this director, I became more and more excited to see it.

And Okja has a lot going for it. With Bong Joon-Ho’s direction  and powerful writing, the cardinal message shines clear but with enough layers to make the discussion following an important one. The use of the CG superpig allows enough separation from reality for the film to make thought-provoking statements and ask serious questions behind the guise of a science-fiction adventure.

The performances here aid in crafting the unique vision presented, specifically Tilda Swinton as Lucy Mirando, a villain with motivations and an understandable approach but one that doesn’t always have the right methods to solve her problems. Then, there’s the standout work from Jake Gyllenhaal, who steals every scene as the over-the-top Wilcox, an unhinged failing TV personality who lost his fanbase years ago. Paul Dano and Giancarlo Esposito (The Usual Suspects, The Maze Runner: The Scorch Trials) also turn in great work, the latter portraying Frank Dawson, Lucy’s right-hand man, but the work from Seo-Hyun Ahn as Mija rises up to match her fellow performers. The young actress’s ability to play to a CG superpig and hold her own in scenes with much more accomplished actors is strong in its own right.

It frustrates me that a film like Okja was booed at Cannes for having the Netflix banner in front of its opening titles. The streaming giant has more than proved itself in recent years, and Okja stands among the best of their original films. I’ll say it simple: it’s the best film I’ve seen this year so far. This is a film that balances humor with deep political satire and genuinely heartbreaking moments. I don’t care if this film changes your mind on its subject matter. It didn’t completely change mine, but I’m happy for the interesting viewpoint it offers. This is one that will stick with you. It will make you believe in a superpig.

 

4.5/5

-Kyle A. Goethe

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