The Dead Don’t Die (2019)

or “The Living Don’t Entertain”

Director: Jim Jarmusch

Cast: Bill Murray, Adam Driver, Tilda Swinton, Chloë Sevigny, Steve Buscemi, Danny Glover, Caleb Landry Jones, Rosie Perez, Iggy Pop, Sara Driver, RZA, Carol Kane, Selena Gomez, Tom Waits, Austin Butler

Screenplay: Jim Jarmusch

104 mins. Rated R for zombie violence/gore, and for language.

 

The Dead Don’t Die might have the greatest cast of 2019, but everyone in the film is a guest star in someone else’s movie, but no one knows who that someone is.

In the sleepy and small town of Centerville, the dead have started to rise. Polar fracking has caused the Earth to fall of its axis, causing strange phenomena like sunlight at odd hours or cell phones dying, and of course…zombies. Chief Cliff Robertson (Bill Murray, Lost in Translation, Ghostbusters II) and Officer Ronnie Peterson (Adam Driver, Star Wars: The Force Awakens, BlacKkKlansman) don’t know how to stop the phenomenon, and Ronnie has a feeling that this is going to end up bad. The only residents in town that seem to understand the stakes are Hermit Bob (Tom Waits, Seven Psychopaths, The Ballad of Buster Scruggs) and a mortician with swordplay skills named Zelda (Tilda Swinton, We Need to Talk About Kevin, Avengers: Endgame).

The first sin of this zombie comedy is boredom, and it is visited upon the audience rather quickly. I never would have thought a zombie film with this impressive cast could bore, but it did. Director and screenwriter Jim Jarmusch (Broken Flowers, Ghost Dog: The Way of the Samurai) seemingly pays tribute to zombie history in film, but he does it with what feels like an ineffective laziness, never really giving his zombies any bite. His tone is never struck sharply enough to affect the viewer. It’s clear that he studied the genre, but he never delivers on any of the elements the genre requires. His knocks on the current political climate work well enough, from the Make America White Again hat worn by Farmer Frank (Steve Buscemi, Fargo, TV’s Miracle Workers) to the claims of Fake News on the television concerning the cause of the rising dead.

As I said before, most of the cast listlessly moves through the film with deadpan wit. Some of the jokes work, but most do not, and the way the film is written, with Driver and Murray aware that they are in a film, is neither executed fully nor elaborated beyond three lines of jarringly useless dialogue. If that had been the full conceit, that some of the actors knew they were in a zombie film and understood the rules, that would be one thing, but it is never elaborated on enough to really mean anything. In fact, the characters would behave no differently in the film if I had replaced the zombie problem with something like one of them forgetting to turn off the oven at home.

The Dead Don’t Die has moments of greatness, but they are few and far-between. The cast is wasted on a subpar script and an attitude that shows no real love for the genre. Boring is a tough thing to achieve when you have creatures eating human flesh, and it that was the goal, it was met.

 

2/5

-Kyle A. Goethe

Ghostbusters: Answer the Call (2016)

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Director: Paul Feig

Cast: Melissa McCarthy, Kristen Wiig, Kate McKinnon, Leslie Jones, Cecily Strong, Andy Garcia, Charles Dance, Michael K. Williams, Matt Walsh, Chris Hemsworth

Screenplay: Katie Dippold, Paul Feig

116 mins. Rated PG-13 for supernatural action and some crude humor.

 

Yes, it’s that Ghostbusters film review.

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Abby Yates (Melissa McCarthy, TV’s Gilmore Girls, The Boss) and Erin Gilbert (Kristen Wiig, The Martian, How to Train Your Dragon 2) were once partners, true believers, and friends, but that was a long time ago. The two have grown apart due to Erin’s attempts at unbelieving in the paranormal that brought the two together in the first place, but a rogue copy of the paranormal research book that Abby and Erin wrote years earlier surfaces and causes them to reunite alongside Abby’s new colleague Jillian Holtzmann (Kate McKinnon, TV’s Saturday Night Live, Finding Dory) and…uh, the one who drives the car, Patty (Leslie Jones, Trainwreck, Top Five). Together, the Ghostbusters must use their tools and expertise to stop a maniac trying to create an otherworldly invasion.

After watching the “Most Disliked” Trailer Ever on Youtube (yeah, it holds that distinction) and seeing one of the worst marketing campaigns in film history, I was extremely nervous. After all, I’ve been a fan of this franchise since I’ve known fear (that Vigo the Carpathian painting still unnerves me) and I’ve been frustratingly watching as hopes of a third film slowly dwindled into nothingness all because of Bill Murray. Yeah, I put all the blame on him. So, I was very judgmental of this reboot from the very beginning. I paid no attention to the gender-swapping in the movie because it didn’t really bother me. I just didn’t really care. What I did care about was a fun and frightful adventure that stayed true to the original but forged its own path.

For the most part, I actually really enjoyed Ghostbusters: Answer the Call. There were so many great elements and the fact that it wasn’t a straight remake really won me over. The Paul Feig (Spy, The Heat) comedy  was really funny and even though it missed the frights, it didn’t completely take me out of the experience.

There was a glaring issue that, for some, might not be a big deal. For me, it really was. This glaring issue was the decision to ignore the previous two installments. Instead of a brave decision, it felt like a slap in the face, especially with so many of the original performers returning for stupid cameos. Not a single cameo in this film made me happy except for the return of Ernie Hudson. Why Feig and fellow screenwriter Katie Dippold didn’t make this a passing of the torch I’ll never know. All it would have taken was one scene of Dan Aykroyd handing the equipment over to his neice or something. It wouldn’t even have had to been a good passing of the torch to be better than the complete retconning of the franchise. A true miss that is really the one major problem I had in an otherwise mostly enjoyable film experience.

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Perhaps one day we will get the extended cut we deserve with the original 4-hour cut that Paul Feig originally ended up with. For now, we will have to settle with a pretty fun film that pays homage and walks its own path. I would be remiss if I didn’t mention the laugh-out-loud work from Chris Hemsworth (Thor, Star Trek) as Kevin the receptionist. Now, I don’t know if we are getting Ghostbusters: Answer the Call 2 down the road (the box office numbers aren’t exactly screaming for it) but I can only hope to see more adventures from this crew.

 

4/5

-Kyle A. Goethe

 

So have you seen Ghostbusters: Answer the Call yet? What did you think? And what is your preferred horror/comedy of choice? Let me know!

 

 

For my review of Paul Feig’s The Heat, click here.

St. Vincent (2014)

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Director: Theodore Melfi

Cast: Bill Murray, Melissa McCarthy, Naomi Watts, Jaeden Lieberher

Screenplay: Theodore Melfi

102 mins. Rated PG-13 for mature thematic material including sexual content, alcohol and tobacco use, and for language.

 

Bill Murray (Groundhog Day, Dumb and Dumber To) has done a lot of things recently seemingly to piss me off. He has also done a lot of things recently to make me happy. He is an enigma, much more aligned with the assholery of his fellow Saturday Night Live-r Chevy Chase (there, I said it). So when St. Vincent came out, I wasn’t terribly keen to see it. I forgot, though, about Murray’s innate ability to perform the hell out of a movie.

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In St. Vincent, Murray plays…Vincent, an older war vet who seems to hate everything and everyone except his dear Daka (Naomi Watts, King Kong, The Divergent Series: Insurgent), a paid lover who is having his baby. When he is roped into babysitting Oliver (Jaeden Lieberher) at the behest of his down-on-her-luck mother Maggie (Melissa McCarthy, TV’s Gilmore Girls, Spy), Vincent uses the situation to his benefit, practically extorting the situation to his liking. When he finds that Oliver is in need of a father-figure, Vincent finds himself growing closer to the boy, whether he like it or not.

The performances here are great, especially those from Murray and Watts (who plays Daka so well that I forgot it was her). Even young Lieberher keeps his own with the commanding comedic vet Murray.

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A lot of people have discussed this film’s merits and its possible snub during the Oscars, and while I feel that it has a great many good things about the screenplay and the performances, the film’s technical aspects are nothing of particularly astounding quality. Director Theodore Melfi can make a movie, but a powerhouse award winner perhaps not. For what it is, St. Vincent is a cute little piece of a movie with some great work turned in from the actors. Groundbreaking? No. Funny with a heart? Sure. The acting here is what makes the film.

 

4/5

-Kyle A. Goethe

The Grand Budapest Hotel (2014)

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Director: Wes Anderson

Cast: Ralph Fiennes, F. Murray Abraham, Edward Norton, Mathieu Amalric, Saoirse Ronan, Adrien Brody, Willem Dafoe, Lea Seydoux, Jeff Goldblum, Jason Schwartzman, Jude Law, Tilda Swinton, Harvey Keitel, Tom Wilkinson, Bill Murray, Owen Wilson, Tony Revolori

Screenplay: Wes Anderson

100 mins. Rated R for language , some sexual content and violence.

 

Wes Anderson (Moonrise Kingdom, Fantastic Mr. Fox) has a style. It is easy to tell when a movie is a Wes Anderson movie. He has tells. He has a visual sense that he knows he wants. The Grand Budapest Hotel has this notable visual sense that Anderson is known for. It is told in a frame device of a frame device. In the present, a girl opens a memoir by “The Author” (Tom Wilkinson, Batman Begins, Belle) who recounts a tale of his meeting with Zero Moustapha (F. Murray Abraham, TV’s Homeland, Amadeus) who further recounts a tale of his time working as a lobby boy for M. Gustave (Ralph Fiennes, Harry Potter and the Deathly Hallows: Part 2, The Invisible Woman) who is framed for murder. The entirety of the film revolves around this whodunit as Gustave claims he had nothing to do with the death of Madame D (Tilda Swinton, Adaptation, The Zero Theorem). Her family is fighting over her fortune, and one of them may be the one responsible for her death.

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This movie is all over the place. I enjoyed the central premise but I didn’t feel as though the plot stayed in one place long enough to be interesting. I prefer the more calculated Moonrise Kingdom to this piece, which just goes too far out.

Of the actors involved here, I really liked a lot of what was brought to the screen from an acting perspective. I particularly loved Ralph Fiennes as Gustave, who may be more worried about the state of his hotel than about the murder to which he is framed. F. Murray Abraham is a great narrator here. I also really like Willem Dafoe (Spider-Man, John Wick) as the hitman Jopling who has been hired to take out the leads that could link authorities to the true culprit. Jeff Goldblum (Jurassic Park, Morning Glory) steals absolutely every scene he has here, and I wish he had more screentime. The film also contains a cadre of Anderson cameos from previous collaborators.

Anderson does display a gorgeous cinematography here, the only fault being with the editing job which spends too much time dragging out too many subplots.

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I liked The Grand Budapest Hotel. I didn’t love The Grand Budapest Hotel. It was merely enjoyable but Wes Anderson has done better and can do better. I can see several actors getting nods from the Academy for this film, but you will not see this film on the list of Best Picture nominees.

 

3/5

-Kyle A. Goethe

 

What did you think of Wes Anderson’s The Grand Budapest Hotel? Did you stay for the night or check out early? Let me know!

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