Tag: Bill Condon

[#2018oscardeathrace] The Greatest Showman (2017)

Director: Michael Gracey

Cast: Hugh Jackman, Zac Efron, Michelle Williams, Rebecca Ferguson, Zendaya

Screenplay: Jenny Bicks, Bill Condon

105 mins. Rated PG for thematic elements including a brawl.

  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures (Original Song) “This is Me” [Pending]

 

Musicals are getting a comeback recently thanks to La La Land. In 2017, the same lyricists contributed to The Greatest Showman, a musical biopic based on the life of P.T. Barnum. So can the film stand up to meet the music?

Phineas T. Barnum (Hugh Jackman, Les Miserables, Logan) came from nothing. When his father died, he was forced into a life of stealing bread and selling old newspapers just to survive, but his hard work and determination to give his beloved Charity (Michelle Williams, Manchester by the Sea, All the Money in the World) the life she deserves brings him to the creation of P.T. Barnum’s Museum, a building of curiosities and unique people. When Barnum’s successes lead him further away from his family, he is forced to confront what is most important in his life.

Okay, so the music is incredible here. I could not stop tapping my foot all throughout the film, and I did actually enjoy myself. The best songs in the film are the opening number and, of course, “This is Me.”

The biggest problem with the movie is that the story hits familiar beats all too often. There is a lot in P.T. Barnum’s life to cover, but the screenplay focuses on some paint-by-numbers plot points like the way Jenny Lind (Rebecca Ferguson, Mission: Impossible – Rogue Nation, The Snowman) influences the plot and the love story between Philip Carlyle (Zac Efron, High School Musical 3: Senior Year, The Disaster Artist) and Anne Wheeler (Zendaya, Spider-Man: Homecoming, Zapped).

Hugh Jackman is, thankfully, a tremendous force in the film. In prepping for his role as Barnum, he read over 30 books on the famous showman. His role is joyful, emotional, and full of life. The Greatest Showman has been a passion project for Jackman since 2009, and his passion shows through here.

I left the theater with a big damn grin after The Greatest Showman ended. Much like The Disaster Artist, the film is about the need to perform and create, and in that way, Jackman’s performance shines through. He and the rest of the cast give their all in their acting and singing, but the screenplay hits a few too many beats. That being said, this is still a lovely time, especially in the theater.

 

3.5/5

-Kyle A. Goethe

 

 

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Beauty and the Beast (2017)

Director: Bill Condon

Cast: Emma Watson, Dan Stevens, Luke Evans, Kevin Kline, Josh Gad, Ewan McGregor, Stanley Tucci, Audra MacDonald, Gugu Mbatha-Raw, Ian McKellan, Emma Thompson

Screenplay: Stephen Chbosky, Evan Spiliotopoulos

129 mins. Rated PG for some action violence, peril and frightening images.

 

It’s a tale as old as time but now Disney has turned it into a twice-told tale, but is it any good the second time around?

Belle (Emma Watson, Harry Potter and the Deathly Hallows Part 1, The Circle) is a bookworm and inventor living with her father Maurice (Kevin Kline, A Fish Called Wanda, Dean) in the small village of Villeneuve. Belle deals daily with the advances of the slimy and arrogant Gaston (Luke Evans, Dracula Untold, The Fate of the Furious) and his sidekick LeFou (Josh Gad, Frozen, A Dog’s Purpose) as well as the looks from the townspeople who find the young woman rather odd. When Maurice is lost in the woods, he comes across a castle inhabited by a terrible Beast (Dan Stevens, TV’s Downton Abbey, Colossal) who trades Maurice for Belle. Then, Belle and the Beast find themselves falling for one another in the best adaptation of an animated Buffalo-Human Romance film ever to grace the silver screen.

But how about the actual film?

Well, in the world of adaptations, I found that this 2017 iteration from director Bill Condon (Dreamgirls, Mr. Holmes) has some improvements on the original and some elements that didn’t work. Mostly, though, it’s the same film. And in a lot of ways, that lessens it. There are very few liberties taken here, and overall it gives the film a very tame feeling which never really drew me in.

Let’s start with what works. The amount of respect given to the French location of the film is strong. Most of the accents work and even little touches like French subtitles in the end credits give flair. There’s also a sense of theatricality to the film due to Condon’s decision to treat this like a tale you’ve seen before. I highly suggest watching the film with the overture as it harkens back to the classic tale from decades back. I thought the treatment of Disney’s first gay character LeFou was respectful. I thought the tightening up of plot points in the prince’s age and in his ability to read (a major change to the character from the 1991 film) work well here. I also really liked a lot of the personalities and performances from the various living pieces of furniture, most notably Lumiere (Ewan McGregor, Trainspotting, American Pastoral), Cogsworth (Ian McKellan, TV’s Vicious, The Lord of the Rings: The Fellowship of the Ring) and Mrs. Potts (Emma Thompson, Sense and Sensibility, Bridget Jones’s Baby). I am very thankful, however, that the director decided to cut the character known as Monsieur Toilette, played by Stephen Merchant, who would have been, you guessed it, a toilet.

And of course, the film looks gorgeous. There are a number of images I’d love to have on my wall from this film. Everything here looks astounding with a tremendous attention to detail.

Now, the issues with the film are glaring. I thought “Be Our Guest” was grossly over-animated and looked terrible. I felt like the film’s forcefulness to sticking to the source material made the film feel like it was dragging on forever. The musical numbers felt very autotuned and unrealistic and none of them really enhanced the original pieces. The issues amount to very simply not improving the original. This film is essentially a shot-for-shot remake in a lot of ways, and we’ve seen how that works out a number of times, most notably with Psycho and The Omen. It never seems to work, and it only reminds you how superior the original is.

Overall, I enjoyed Beauty and the Beast much more than I thought I would. Disney continues to create enjoyable experience rehashing old tales. The biggest problem with Beauty and the Beast is that I don’t see why anyone would choose to watch it again if they have the original film to go to. It just feels forgettable for all of its 129 minutes. There’s just a better version already out.

 

3/5

-Kyle A. Goethe

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