[Hanksgiving] Big (1988)

Director: Penny Marshall

Cast: Tom Hanks, Elizabeth Perkins, Robert Loggia, John Heard

Screenplay: Gary Ross, Anne Spielberg

104 mins. Rated PG.

  • Academy Award Nominee: Best Actor in a Leading Role (Tom Hanks)
  • Academy Award Nominee: Best Writing, Screenplay Written Directly for the Screen

 

Happy Hanksgiving to all, and a glorious Hanksgiving especially to you. What’s Hanksgiving you ask? Well, it’s the tradition of celebrating America’s favorite actor and performer on the last Thursday of November. That’s right, Tom Hanks (Cast Away, Toy Story 4) No one else was using the day, so why not right? This Hanksgiving, let’s talk Big. It’s weird, so let’s jump right in.

Josh is a young man in desperate need of a confidence boost. He likes a girl, and he’s working up the strength to go talk to her, but he finds that he’s just not big enough to make an impression. So when he comes across an old carnival fortune teller machine called Zoltar, he wishes he were big…and the wish comes true. Josh wakes up the next morning with a thirty-year old body, having magically grown bigger overnight. His mother doesn’t recognize or believe him, and the only person he can go to is buddy Billy, who helps set him up with a job working for the MacMillan Toy Company and living in low cost lodging in New York City until they can figure out how to make him normal again. Soon enough, Josh’s childlike knowledge of toys rockets him up the MacMillan Toy Company ladder, attracting the eyes of the beautiful but joyless Susan (Elizabeth Perkins, Sharp Objects, Ghostbusters: Answer the Call) and angering the competitive and cruel Paul (John Heard, The Guardian, Home Alone), but is Josh ever going to get things back to normal, and if he can’t, how long can he keep the charade up?

We’ll start with the big things here. Tom Hanks plays adult Josh, and damn, he is phenomenal as a child living in a grown man’s body. He just gets it so perfectly, and Big is a tremendous showcase for Hanks’s comedic stylings. We all know Hanks now for his serious roles but we forget that he started as a comic actor in things like Bosom Buddies and Bachelor Party. We forget that Tom Hanks can literally do anything. For this film, I’ve read that scenes were performed by David Moscow, who plays younger Josh, first, and them mimicked by Hanks. It’s a brilliant idea that adds layers to a performance and it’s pretty damn easy to pull off.

The supporting cast is fine, from Perkins to Heard, and I should give special recognition to Robert Loggia (Independence Day, Scarface) as Mr. MacMillan, the head of the toy company that employs Josh. The way he connects with Josh on a personal level and sees him like a son is something truly special. We always look at Robert Loggia as a cranky old serious actor but he’s got some nice comedic timing, and it’s on display here.

Now, let’s cover the most batshit element of this movie: the script. Written by Gary Ross and Anne Spielberg, Big’s screenplay is very good but it’s the kind of screenplay that I’m flat-out surprised that it ever got made. I know there were several filmmakers attached to this film over time until Penny Marshall (Awakenings, A League of Their Own) came onboard, and there were several actors poised to play Josh, but the fact that this movie happened is a shock all its own. There’s some very controversial stuff happening in this movie, particularly with the conflict/connection between adult Josh and Susan. I like the risks that the film takes in pursuing the true character choices that would be made, but these are script choices that would never happen today. Who would’ve thought that a movie like Big could actually made some risqué choices?

Big is a fabulous movie that maybe runs a little long near the end of its third act, but it’s fascinatingly put together with a star-making performance from Tom Hanks as he continued to dominate the field as a performer. It’s a not-always-comfortable but very funny look at the absurd situation seen through the guise of relatable and likable characters. This is one that I was very happy to revisit, and I would recommend the same for you. Happy Hanksgiving, and Thanks T. Hanks.

 

4.5/5

-Kyle A. Goethe

Shazam! (2019)

Director: David F. Sandberg

Cast: Zachary Levi, Mark Strong, Asher Angel, Jack Dylan Grazer, Djimon Hounsou

Screenplay: Henry Gayden

132 mins. Rated PG-13 for intense sequences of action, language, and suggestive material.

 

After the success of Aquaman, it seems like the DCEU may finally be righting the ship with their cinematic universe, and now, only a few months later, the question remains as to whether or not they can actually bring a wacky character like Captain Marvel (no, not that one) to life. Well, I have the answers you seek.

Billy Batson (Asher Angel, Driven to Dance, TV’s Andi Mack) has been bounced from one foster home to another for years following his accidental separation from his mother as a child. He’s been given one last chance with a large foster family run by Victor and Rosa Vasquez. Billy, not one to settle, struggles with connecting to his new family, but while fleeing bullies after defending foster brother Freddy (Jack Dylan Grazer, It, Beautiful Boy), Billy finds himself pulled out of the world, landing in a strange place where a mythical wizard (Djimon Hounsou, Blood Diamond, Captain Marvel) informs Billy that he’s been chosen as the new champion, Shazam. After saying the word Shazam, Billy finds himself transformed into an older and much more powerful version of himself, and he doesn’t quite know how to fix it, but Freddy might.

It seems like the DCEU has finally adopted the MCU viewpoint of developing great stories that just so happen to include superheroes. The screenplay by Henry Gayden (Earth to Echo) is, first and foremost, a film about family, both the search for one and the power of finding one, and its themes permeate the story with subtle moments that use the Shazam lore to expose character and progress plot nicely. The emotional beats of the film ring true in a lot of ways, and it’s great to see representation like this on film.

Beyond all that, Shazam! is a ton of fun. The tone of Big as a superhero film is perfect, and it weaves seamlessly into the darker material surrounding Dr. Sivana (Mark Strong, Kingsman: The Golden Circle, TV’s Deep State). The film takes its source material seriously while pointing fun at what would happen if a teenager all of a sudden gained superhuman powers. This is a movie that is perfectly encapsulated within its trailers, as opposed to a tonally troubling film like Suicide Squad which was sold on one tone and struggled to find one in the finished product.

Zachary Levi (Blood Fest, TV’s Chuck), who plays the heroic older Billy/Shazam, is a kinetic and magical onscreen presence. He consistently shines as a superheroic version of a teenager, and he’s believable in the role, something many performers before have struggled with. I bought into the whole thing quite well. His interactions with Jack Dylan Grazer were pitch-perfect.

Mark Strong is mostly great as Dr. Sivana, but the one problem with his arc is that he is another DC villain who falls prey to the DCEU villain problem. It took Marvel some time to dig out of this as well, and Dr. Sivana is a step in the right direction, but parts of his villainy devolve into CG monster territory.

Shazam! had a tall order after its first few trailer gave us a feel for the tone of the film. I was excited but apprehensive because I’ve been hurt before by DCEU films like Suicide Squad which sold one tone but ultimately gave me a different one. Thankfully, David F. Sandberg (Lights Out, Annabelle: Creation) has done it again by crafting a film wholly different than any of the others he has been known for. Shazam! is aided by powerful turns from its entire principal cast, and it mostly dodges many of the pitfalls that its predecessors have fallen into. This is a fun and exciting superhero movie unique to its character and story and well worth your time.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Zack Snyder’s Man of Steel, click here.

For my review of Zack Snyder’s Batman v Superman: Dawn of Justice, click here.

For my review of David Ayer’s Suicide Squad, click here.

For my review of Patty Jenkins’s Wonder Woman, click here.

For my review of Zack Snyder’s Justice League, click here.

For my review of David F. Sandberg’s Lights Out (2013), click here.

For my review of David F. Sandberg’s Annabelle: Creation, click here.

Blog at WordPress.com.

Up ↑