Far From Home Becomes First Spider-Man Film to Hit Billion-Dollar Club

Spider-Man: Far From Home is officially the first and only Spider-Man film to earn a billion dollars at the worldwide box office. This is a major achievement for Sony, as Spider-Man is really its biggest franchise, and it’s also further proof of the power of this cinematic friendship between Sony and Marvel.

If I’m correct, Far From Home marks the end of the Sony/Marvel deal that started a few years ago, and renegotiations are probably underway already or have been discussed. I’m guessing that once a deal is struck (and I would assume a deal will be struck after the successes of Far From Home and Avengers: Endgame), we will likely see a Spider-Man 3 in Phase 4. Sony will not want to sit on this, and it would make sense not to see anything of a third Spider-Man film mentioned at the Comic-Con panel until all the signatures are in place.

There’s a couple reasons this Spider-Man was finally the one to do it. First, the Tom Holland Spider-Man has been very popular, and Far From Home is his fifth appearance in the MCU, so we’ve been with him awhile. The reviews for Far From Home have been quite good, and are coming off a successful Homecoming and a Best Animated Feature Oscar for Spider-Man: Into the Spider-Verse, so the brand name is strong.

Then there’s the Avengers: Endgame hanging over it all. A film like Endgame left us wanting to know what comes next, and it was handled quite well in Far From Home.

So yes, here’s hoping that we will see more Spider-Man in the MCU after this major achievement. So what do you think? Have you seen Spider-Man: Far From Home? What did you think? Let me know/Drop a comment below!

 

-Kyle A. Goethe

Shrek (2001)

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Director: Andrew Adamson, Vicky Jenson

Cast: Mike Myers, Eddie Murphy, Cameron Diaz, John Lithgow

Screenplay: Ted Elliott, Terry Rossio, Joe Stillman, Roger S.H. Schulman

90 mins. Rated PG for mild language and some crude humor.

  • Academy Award Winner: Best Animated Feature
  • Academy Award Nominee: Best Writing, Screenplay Based on Material Previously Published or Produced.

 

It isn’t easy to pull off a family film that stands tall years later. It is tougher to make that film a satire and to have to comedy still funny. Shrek did it. Shrek did it wonderfully.

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Shrek (Mike Myers, TV’s Saturday Night Live, Austin Powers: The Spy Who Shagged Me) is a simple ogre. He has a swamp and a boulder and he likes it that way. The local villagers leave him alone and in turn he keeps to himself. It isn’t until he runs into a talking donkey (Eddie Murphy, Beverly Hills Cop, A Thousand Words) and is sent on a mythical quest to save a princess (Cameron Diaz, There’s Something About Mary, Sex Tape) from a dragon-guarded castle at the behest of the powerful Lord Farquaad (John Lithgow, TV’s 3rd Rock From the Sun, Interstellar) that Shrek truly learns what companionship can do to an ogre.

Shrek is a masterpiece and truly cemented Dreamworks Animation as being a powerful competitor to Disney’s Pixar. The voicework from Myers and Murphy is very strong here. They have a terrific chemistry (or lack thereof) during their scenes together. Lithgow really menaces here; until this movie, I hadn’t really seen anything from him proving that he could be villainous in nature.

Directors Andrew Adamson and Vicky Jenson created a wonderful enthusiasm that both satires and homages classic fairy tales. This was a precursor to shows like Once Upon a Time and Penny Dreadful, where we are treated to an alternate version of classic characters.

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Shrek is a master stroke of genius for family films and just comedies in general. I wish more films targeted at children had the boldness to provide laughs for all ages instead of pandering the way most of them do.

 

5/5

-Kyle A. Goethe

 

For my review of Puss in Boots, click here.

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