The New Batman is Here, and He is Sparkly

Okay, okay, okay…

So we finally have an announcement as to who is taking up the mantle for the next entry in the Batman series, currently titled The Batman. The film, to be written and directed by Matt Reeves, is scheduled to begin production later this year for a September 2021 release.

The new Batman is Robert Pattinson.

The internet took it pretty well actually. No wait, I didn’t say that right. Let me correct…The internet lost its collective shit because the internet hates everything, and as I said about Game of Thrones recently, no one hates Batman casting picks as much as Batman fans do.

Early reports claimed that Reeves was searching for a younger Batman, and upon reading everything I’ve read about the film, I still believe it will be tangentially related to the larger DCEU, set some time before Batman looked like Ben Affleck. There will likely not be any reference to the larger DCEU, but that would be a smarter thing than forcing it in or confusing the general movie-going audience by adding another separate Batman franchise next to the standalone Joker movie and the DCEU proper. It’s just messy.

As far as Battinson (see what I did there?) goes, I’m rather excited. No, he wasn’t a very good sparkly vampire, but his work in the Twilight franchise was a decade ago, and he was working from a not-great screenplay and source material. Compare the Twilight books to the larger Batman comic books. If you agree that Batman’s source material is better, then you have to assume that a better screenplay and director at the helm can only help.

If you’ve seen Battinson in films like The Rover or Good Time, then you’ve seen a range that will separate him from his Twilight days quite effectively. Hell, he wasn’t half-bad in Harry Potter and the Goblet of Fire.

To put it simply, and to paraphrase Spongebob Squarepants’s thoughts on Krabby Patties, the only people who don’t like Battinson have never tried him.

I think I’ve made my point.

 

UPDATE: Just as this was set to be published, as with all news stories from DC, it appears there is more to this than previously thought. It would seem that Nicholas Hoult, known for his work as Beast in the X-Men films and also playing J.R.R. Tolkien in the new biopic, is also in the mix for Bruce Wayne/Batman. Now, I don’t have any funny nicknames for Hoult as with Battinson, so that’s one strike.

On the other hand, though, Hoult has proven himself time after time to be an excellent actor with a wide range similar to that of a Michael Keaton. Keaton was a controversial choice back in the 80s to play the Caped Crusader, but with turns from Beetlejuice to things like Mr. Mom, he proved he had the right mixture of professional acting and insanity, something I would argue Hoult also has. Don’t believe me? Check Mad Max: Fury Road to see that level of Let’s-Get-Nuts that a Keaton would have. There are indeed similarities.

So what it boils down to is that both of these choices would be inspired, and in Matt Reeves I trust, so whatever he decides, I’m down for the ride.

So what do you think? Who should play Bruce Wayne/Batman? Let me know/Drop a comment below!

 

-Kyle A. Goethe

The Suicide Squad Losing Will Smith?

The DCEU has been having a rough go of keeping their stars. Now with confirmation of Ben Affleck’s official exit as Batman and Henry Cavill in an on-again-off-again return status as the Man of Steel, Variety is reporting that Will Smith, who played Deadshot in Suicide Squad back in 2016, may not be returning as the infamous DC assassin and villain.

It should be noted that this has not been confirmed, so we will judge this as a rumor for now, but their sources say that the split was amicable.

It’s been discussed quite extensively that James Gunn, recently fired by Marvel/Disney only to be taken on for the new installment, is planning on shaking up the team and rebooting this portion of the DC Universe with the new film, so it was a bit up in the air who, if anyone, would be returning to the franchise this next time around.

If this is indeed true, I will be saddened but hopeful that we will see Smith return in some form in the future. Smith and Margot Robbie were the two best characters in Suicide Squad, so losing him is tough. That being said, in James Gunn I trust, at least as far as making kick-ass movies goes.

The DCEU is gaining steam following the success of Wonder Woman and Aquaman, and the future is looking brighter as long as they can keep some stars attached.

So what do you think? Are you sad to lose Will Smith or are you thinking Good Riddance? Let me know/Drop a comment below!

 

-Kyle A. Goethe

The Death of Superman (2018)

Director: Jake Castorena, Sam Liu

Cast: Jerry O’Connell, Rebecca Romijn, Rainn Wilson, Rosario Dawson, Nathan Fillion, Christopher Gorham, Matt Lanter, Shemar Moore, Jason O’Mara, Rocky Carroll, Patrick Fabian

Screenplay: Peter Tomasi

81 mins. Rated PG-13 for sequences of violence and action including some bloody images.

 

I remember seeing Superman: Doomsday when I was younger. The animated movie sounded incredibly exciting to me, even though I had not read The Death of Superman, the comic it was based on. It was, to me, probably the most famous Superman run that I could remember, and it was incredibly intriguing as an idea. The animated film version wasn’t very good. I remember finding it slugglishly boring, and that was that. Probably wouldn’t see another version of that story play out, especially with the reception of the most-recent live-action Superman film, Superman Returns. I just figured that was the end of it. To my surprise, DC’s animated films have decided to play this out again, and this new incarnation, The Death of Superman, is thankfully much better.

Clark Kent (Jerry O’Connell, Stand by Me, Boy Band) is struggling internally to tell the love of his life, Lois Lane (Rebecca Romijn, X-Men, TV’s The Librarians) his biggest secret: that he is really Superman. He can see that his secrecy about his past is straining things in their relationship, and if he plans to move forward with their courtship, he needs to figure out how to deal with his identity. He sees fellow Justice League members Batman (Jason O’Mara, The Siege of Jadotville, TV’s The Man in the High Castle) and The Flash (Christopher Gorham, The Other Side of Heaven, TV’s Insatiable) moving forward with their real lives and he wants the same thing. Meanwhile, a team of astronauts led by Hank Henshaw (Patrick Fabian, The Last Exorcism, TV’s Better Call Saul), on a mission aboard the Excalibur space shuttle, witness a boom tube opening and unleashing a meteorite toward Earth. When it crashes, a giant creature is released from the wreckage, and it has a trajectory for Metropolis.

I like the voice cast for The Death of Superman. I feel as though the star players involved really understand their characters and I like how they brought them to life. I also wouldn’t have been able to peg a lot of these performers without having looked at the cast to write this review. The only true standout is Rainn Wilson (The Meg, TV’s The Office), who is woefully miscast as Lex Luthor.

The action is much better in The Death of Superman because it takes the time early on to establish its characters and their motivations. Superman spends the whole of the film fighting with himself to open up and be a normal human. Even The Flash describing his normal life makes Clark pine for one of his own, and yet he is the only meta-human capable to taking down the creature, Doomsday. It’s his internal conflict that makes the external conflict so intriguing.

There’s still some pacing issues in the film, especially with the large-scale fight with Doomsday. It is broken up quite nicely but the narrative does tire out earlier than it should. It’s the same problem that Man of Steel had. Superman is such a powerful guy that the stakes don’t feel like they are there, even knowing how this one is going to end, and perhaps that’s part of it. This is very clearly The Death of Superman, and perhaps it would be a stronger outing to focus on the fact that this is the first part of a two-part story or even just smash it all in one film, a bit of a lengthy film, but perhaps one that doesn’t sputter so close to the finish line.

Overall, though, The Death of Superman is a strong DC Animated film. It stumbles a bit as it builds momentum, but for fans of these animated superhero tales, I think there’s a lot to like on display here. It definitely sets up the sequel really nicely and made me all the more excited to see the conclusion. This is a Superman film for Superman fans.

 

4/5

-Kyle A. Goethe

[Batman Day] Batman Begins (2005)

Director: Christopher Nolan

Cast: Christian Bale, Michael Caine, Liam Neeson, Katie Holmes, Gary Oldman, Morgan Freeman, Cillian Murphy, Tom Wilkinson, Rutger Hauer, Ket Watanabe

Screenplay: David S. Goyer, Christopher Nolan

140 mins. Rated PG-13 for intense action violence, disturbing images and some thematic elements.

  • Academy Award Nominee: Best Achievement in Cinematography

IMDb Top 250: #116 (as of 9/14/18)

 

Happy Batman Day, everyone! Celebrate with some comic books, cartoons, and Batman movies, like Batman Begins.

The Batman franchise was in a bad place in the early 2000s. After the trainwreck that was Batman & Robin, the franchise was limping and needed to be fixed. Even myself, a hardcore non-retconner, can say that there was no other way. In stepped Christopher Nolan (Interstellar, Dunkirk).

Batman Begins takes the story of Bruce Wayne (Christian Bale, American Hustle, Hostiles) all the way back to its not-so-humble start. By now, we all know the big piece, the death of Bruce’s parents, but Batman Begins delves into his complex relationship with butler Alfred (Michael Caine, The Quiet American, Sherlock Gnomes), his combat training with The League of Shadows, led by Ra’s Al Ghul (Ken Watanabe, The Last Samurai, Isle of Dogs), and the mistakes he makes along the way to the hero we all know and love. As Bruce is honing his skills, crime boss Carmine Falcone (Tom Wilkinson, Michael Clayton, Denial) and corrupt psychologist Dr. Jonathan Crane (Cillian Murphy, 28 Days Later, TV’s Peaky Blinders), working for an unseen nefarious foe, are setting Gotham City down the path to destruction from within, and Batman, with the help of Sergeant Jim Gordon (Gary Oldman, Darkest Hour, The Hitman’s Bodyguard) may be the only one who can stop them.

This was the kick in the ass that the Batman franchise needed to stay fresh. Something I’ve learned in the years since Batman Begins is that there will always be a new Batman. He’s like Robin Hood and Peter Pan. They just keep coming back. This comeback, however, is just that damn good.

Christian Bale kicks ass as both Bruce Wayne and Batman. He chose to portray each half of his persona as a completely separate character, as it he had multiple personality syndrome and Batman is just another person living within him. Then there’s The Voice. I’m a firm defender of The Voice within Nolan’s realistic take on the Caped Crusader. Otherwise someone would eventually be able to figure it out. It is notable that he packed on the muscle for the role, the insane method actor that he is, having just come off The Machinist.

Speaking of the realism, Nolan took special care to craft a Gotham as realistic as possible. The gothic tone of the World’s Greatest Detective is still there, but Batman’s tech is as grounded in reality as possible. Even its villains stick to somewhat tangible backgrounds, with Crane’s Scarecrow become a truly horrific legend. Murphy’s portrayal is near and dear to my heart with the Scarecrow being my favorite Batman villain, and while originally I took issue with the way Nolan elected to recreate this character, I soon found myself heavily engaged in his frightening take. Ra’s Al Ghul is another character that usually takes on an otherworldly visage in that, if I am correct, he is often shown as having survived for over 600 years, dying and reviving due to The Lazarus Pits. Now, it could be true of the character we see in the finished film, but Nolan never once brings it up. In fact, the way he portrays Ra’s Al Ghul is haunting in its simplicity.

What’s great about Bruce Wayne is how compelling he is without the Batsuit, and how driven he is, just like his counterpart. Being the World’s Greatest Detective is something that applies to both Wayne and Batman, and Nolan, alongside co-screenwriter David S. Goyer, gave us time to connect with Bruce before introducing his superheroic other half.

I think if there was one thing I didn’t like about the film, it falls to some marketing mistakes and the fact that the film doesn’t firmly enough plant itself as being a reboot. Much like the ill-fated Ghostbusters: Answer the Call, Batman Begins almost plays itself up as a prequel to the 1989 Tim Burton Batman. There are clues as the film goes on, most notably in the death of Bruce’s parents, but as the convoluted mythology of the previous Batman series never really had itself nailed down, one wondered if the film was connected, and it wasn’t until its follow-up, The Dark Knight, released in 2008 that we finally got our answers. I just think fans struggled throughout the film’s runtime trying to figure out what it was.

Nitpicks aside, Batman Begins is nearly perfect. There are some slight issues with things like placing the film within a franchise timeline and a few acting slips (looking at Katie Holmes on this one), but all in all, Batman Begins isn’t just one of the best Batman films, it’s one of the best films of any kind.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of Christopher Nolan’s Interstellar, click here.

For my review of Christopher Nolan’s Dunkirk, click here.

 

For more Almighty Goatman,

[Batman Day] [Editorial] The Batfleck Situation

Hey goat herd,

I’ve been pretty busy as of late so I don’t have a new Batman movie review for you today.

I did, however, want to take a few minutes to discuss the controversy surrounding Ben Affleck’s future in the DCEU. So I’ll start with this…

I love Ben Affleck’s portrayal of the Dark Knight. I think he was the best of Batman v Superman: Dawn of Justice. The movie had a lot of issues but not a single one stems from Affleck’s acting performance. I think it’s absolute bullshit all the hate he got for taking the role. He’s a lifelong fan of Batman, and the way fans have treated him is unjust and cruel. I really wish he could find joy in the role again.

Now, I’ve heard a lot about whether or not Affleck will continue as The Batman, and I personally believe he isn’t done with the role yet. For starters, Justice League is the second film of his three-picture contract (I’m pretty sure his cameo in Suicide Squad had nothing to do with his contract). So he has one Batman standalone left. Now, yes, Warner Bros. and DC may choose to release him from his contract early, but I don’t think they are ready to give up on him yet. And money talks. Maybe Warner Bros. drops a big stack of cash on him and he accepts. I refuse to believe that his engagement with the role has dwindled so quickly.

But what do you think? Is Ben Affleck the Batman we need? Who else could take on the Caped Crusader in his absence? Let me know/drop a comment below. Happy Batman day.

 

-Kyle A. Goethe

Suicide Squad (2016)

suicidesquad2016d

Director: David Ayer

Cast: Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood, Cara Delevigne

Screenplay: David Ayer

123 mins. Rated PG-13 for sequences of violence and action throughout, disturbing behavior, suggestive content and language.

 

I’m not the first person to say that the DCEU has had a rough time of it trying to build a shared universe of films. After Green Lantern failed to ignite the franchise, Man of Steel hit with mixed reviews, and Batman v Superman: Dawn of Justice got destroyed by fans and critics alike. Then, Suicide Squad was released to…drumroll, please…negative reviews. It hasn’t been easy for DC. Now, it took me some time to get to Suicide Squad just out of pure frustration with the film but I had some interesting views on it.

suicidesquad2016g

After the death of Superman, Amanda Waller (Viola Davis, TV’s How to Get Away With Murder, The Help), an intelligence operative, puts forth a plan to assemble a team, Task Force X, led by Rick Flag (Joel Kinnaman, TV’s The Killing, Child 44). When Flag’s girlfriend June Moone (Cara Delevigne, Paper Towns, Pan) is overtaken by a supernatural evil entity called The Enchantress who wishes to unleash a hellish future upon the Earth, Task Force X is called to action to stop her. The team, consisting of Deadshot (Will Smith, Men in Black, Concussion), Harley Quinn (Margot Robbie, The Wolf of Wall Street, The Legend of Tarzan), and other criminals imprisoned at Belle Reve Prison, assemble to save the day…and plan their escape.

suicidesquad2016c

I was extremely hesitant to the idea that Will Smith was the central focus of all the members of the Suicide Squad. I didn’t like the idea of the entire movie forming around Smith, who hasn’t been able to carry an action film in some time. After seeing the performance, I take it back. Will Smith’s Deadshot is the most accessible character, a man doing bad things for the best intentions. His arc is one of the more interesting and successfully engaging in the film.

As for Harley Quinn, Margot Robbie owns the scenes that feature her. Robbie’s was one of the more anticipated for the film and another extremely workable and engaging performance. As for her relationship with The Joker (Jared Leto, Requiem for a Dream, Dallas Buyers Club), it isn’t one that people should pine for. Everyone seems to think that Harley Quinn is a strong empowered woman when really, she is the furthest from, at least in this film. Harley Quinn is broken, insisting that she belongs to The Joker, her Puddin’, and that she would do anything for him. The Joker’s master manipulation is what turned her into what she is: an obedient, sexually exploited, pet. Now, an interesting character indeed, but nothing that women should look to for empowerment.

suicidesquad2016i

Let’s talk about The Joker while we are here, and one of the major problems of the film. Now, I must say that Jared Leto is absolutely amazing in the film, and for the time we see him, I left wanting more, and there’s a reason for that. Leto’s performance takes mere hints from Heath Ledger’s The Dark Knight portrayal and Jack Nicholson’s Batman incarnation, as well as Cesar Romero’s Batman: The Movie from the 1960s. But Leto took a step further, going full method. Stories from the set of dead pigs being shipped as gifts are only scraping the surface of where he takes the character. So what’s not to like? The major problem with The Joker in the movie? He isn’t in it. He barely appears, which would be fine, but the fact that he was cut mostly from the film is a slap in the face to the great work Leto provides. Jared Leto created enemies on set with his batshit work, and there’s nothing to show for it. And it isn’t just him. The entire film suffers in the same way that Batman v Superman does. It feels like a collection of great scenes that don’t fit together. You get the sense that Suicide Squad was gutted even before hearing it confirmed.

suicidesquad2016h

The rest of Task Force X? There is some pretty solid work from Jai Courtney (Divergent, Terminator Genisys) as Captain Boomerang and Adelwale Akinnuoye-Agbaje (G.I. Joe: The Rise of Cobra, Trumbo) as Killer Croc (another horribly slashed character who just isn’t given enough to do). Jay Hernandez (Hostel, Bad Moms) does the best he can, but his character just isn’t that well written.

Lastly, we touch on The Enchantress. Cara Delevigne does the best she can, but her villain has no motivation. I spent half the movie just trying to figure out what damn machine she is building, what she is trying to accomplish, and exactly what her minions were. They kind of looked like poop demons covered in hot tar and became mindless drones.

Something very fascinating that the DCEU is attempting to do with this shared universe is how connected it is. Batman v Superman is a direct sequel to Man of Steel, and Suicide Squad inciting incident revolves around a key moment from BvS. I enjoy that each film heavily influences the others.

suicidesquad2016e

The tone of Suicide Squad isn’t perfect, but the film is a lot of fun to watch, which makes up for a lot of the shortcomings around it. I enjoyed it for the most part, but I cannot deny the glaring issues in pacing, editing, and writing that stared me in the face the entire time. For me, however, at least the DCEU is going in the right direction. I found myself liking BvS more than Man of Steel, and Suicide Squad was an increase in quality as well. Issues, yes, there are plenty, but Wonder Woman looks poised to take the quality a further notch up the scale, so overall, at least Suicide Squad was fun. Right?

 

2.5/5

-Kyle A. Goethe

 

 

#SpoilerAlert: did anyone else see Harley Quinn’s rap sheet at the beginning says she assisted in the death of Robin? What was that all about?

 

 

For my review of Zack Snyder’s Man of Steel, click here.

For my review of Zack Snyder’s Batman v Superman: Dawn of Justice, click here.

[Batman Day] Batman: The Movie (1966)

batmanthemovie1966a
Director: Leslie H. Martinson
Cast: Adam West, Burt Ward, Lee Meriwether, Cesar Romero, Burgess Meredith, Frank Gorshin
Screenplay: Lorenzo Semple Jr.
105 mins. Approved.
I first saw the original Batman: The Movie (yeah, before Michael Keaton) about ten years ago. It was in the height of serious Batman Christian Bale’s reign as the caped crusader, and so I didn’t look upon the film too fondly. This year, I took the initiative to look back on Batman: The Movie in honor of Batman Day. Did my thoughts on the film change?
batmanthemovie1966c
In the film, the dynamic duo themselves, Batman (Adam West, TV’s Family Guy, Meet the Robinsons) and Robin (Burt Ward, Moving Target, Beach Babes from Beyond) are tasked with defeating four supervillains in their devious plan to use a weapon capable of dehydrating people to hold the world ransom. Batman finds himself emotionally involved when The Catwoman (Lee Meriwether, TV’s Barnaby Jones, The Ultimate Gift) disguises herself as a helpless damsel in distress to lure him in. As The Penguin (Burgess Meredith, Rocky, Grumpier Old Men) sets his plot in motion, the caped crusader finds himself fending off sharks and ridding Gotham of bombs. Can Batman defeat the foes? Or will he find himself in deeply dehydrating water?
Camp for the sake of camp. The 1960s saw Batman as a silly and over-the-top representation of truth, justice, and the American way. The 1960s were also a pretty confusing and sometimes scary time period. The world didn’t need villains. We already had them. What the world needed was an escape from the real. And, with Batman: The Movie, they got it.
The first season of the Batman television series has finished, and the producers decided to hit upon a movie’s budget to increase their usuable bat gadgets, a pretty genius idea all said and done. It’s what helps make the later seasons of the show stay exciting and fresh.
Adam West and Burt Ward play off each other really well, and it is their chemistry that drives the film. Both actors play the material as seriously as possible, and it makes the fun moments of cheese work so much better than playing them for comedy. And the screenplay itself, from screenwriter Lorenzo Semple Jr. (Papillon, Flash Gordon) knows exactly what it needs to be.
From the rogues gallery, I particularly liked The Joker (Cesar Romero, The Little Princess, The Thin Man) and Meredith’s The Penguin. They have the most fun in role and absolutely steal their scenes.
Now, the film has some definite lagging issues in Act 2. By and large the best parts of the film are the Shark fight on the Bat Copter and the Bomb Chase sequence. The ending of the film falls flat too and isn’t all that memorable.
batmanthemovie1966b
From the film’s winning score to some truly unique visuals, Batman: The Movie is an interesting time capsule of a time we may never see again (though an upcoming DC animated film looks to see the return of the 60s Caped Crusader). It’s a lot of fun and has the potential to be a great passing of the torch for young viewers just getting into Batman and Robin.
3.5/5
-Kyle A. Goethe

Batman v Superman: Dawn of Justice (2016)

batmanvsupermandawnofjustice2016d

Director: Zack Snyder

Cast: Ben Affleck, Henry Cavill, Amy Adams, Jesse Eisenberg, Diane Lane, Laurence Fishburne, Jeremy Irons, Holly Hunter, Gal Gadot

Screenplay: Chris Terrio, David S. Goyer

151 mins. Rated PG-13 for intense sequences of violence and action throughout, and some sensuality.

 

So, after countless years of waiting for DC to officially make a move at creating a cinematic universe, Batman v Superman: Dawn of Justice has arrived. Now comes the real question: Can DC create a universe from some of the most popular characters in comic book history? And what exactly is this film?

Bruce Wayne (Ben Affleck, Argo, Gone Girl) has been obsessed with one thing over the past eighteen months: Superman (Henry Cavill, The Man from U.N.C.L.E., The Cold Light of Day). After witnessing the damage done to the city of Metropolis due to Superman’s fight with General Zod, and seeing one of his own buildings filled with his employees come down in the battle, Bruce does not believe that Superman should be allowed to do as he pleases, and he’s not alone. Senator Finch (Holly Hunter, The Incredibles, Manglehorn) and billionaire playboy Lex Luthor (Jesse Eisenberg, The Social Network, American Ultra) completely agree. Bruce’s caretaker Alfred (Jeremy Irons, The Lion King, Race) becomes increasingly more concerned about Wayne’s mental state as the obsession grows. Meanwhile, Clark Kent’s life is moving in the right direction: He is in love with Lois Lane (Amy Adams, American Hustle, Big Eyes), he has a great job at the Daily Planet, but there is a problem. He too has become worried about a masked vigilante frequently called The Bat, but Clark finds that the world seems to be more concerned with Superman’s doings than this Bat character. When Lex Luthor sees an opening, he begins planting the seeds to bring these two heroic titans to blows, and hopefully take them both down at once.

batmanvsupermandawnofjustice2016f

Well, we have a lot to discuss, so let’s start at the beginning. The title of the film is very strange. The decision to excise the “vs” in favor of a “v” implies a court case, which confuses me as I don’t understand why you want a superhero movie to be a court case, but I’ve already started to digress.

This movie’s plot seems to want to go everywhere but doesn’t actually get anywhere. It seems like two screenplays jammed together: one is a Batman v Superman movie, the other a Dawn of Justice movie. The problem here is that the glue used to stick these movies together is weak and flimsy. The Batman stuff is great, particularly their dealing with the origin, which is fleshed over the opening credits like how The Incredible Hulk treated theirs. Since this is the second Batman of this decade and the third iteration of an origin, I’m glad they decided to go this route, citing that Batman Begins did it the best it could ever be done. And what a Batman they picked! Ben Affleck owned this role. I learned from my initial criticism of Heath Ledger’s casting for The Dark Knight when Ben Affleck was selected to don the cowl for the nest Batman. I pulled back and thought, let’s just wait and see. And I was right, folks! Affleck’s performance was real and yet unlike anything we’ve seen from the Caped Crusader.

How’s the Superman stuff? Eh, not all that great. Henry Cavill doesn’t have the acting chops to do much, and his character is wasted on a convoluted plotline anda misunderstanding of the Man of Steel. I read countless times that this isn’t so much of a Man of Steel sequel but rather a backdoor pilot for the Justice League, which isn’t true. This is in fact a direct sequel as it fits every plot point of the previous film into this one, even the finished plot threads, and the movie bloats because of it.

batmanvsupermandawnofjustice2016g

Now onto the Wonder Woman (Gal Gadot, Fast & Furious 6, Criminal) of it all. Wonder Woman is great. With only 16 lines of dialogue, Gal Gadot does her best to leave a presence here, and she does. It’s a great introduction to this character and truly excited me for the next installment featuring her.

Among the film’s principal faults lie Jesse Eisenberg, who plays a very new and very different incarnation of Lex Luthor. He did one incredible feat in this film. He made me hate Lex Luthor, but not in a way that works. Eisenberg skewers every scene is in by playing some goofy and unhinged extremes. For a character who was apparently written with such realism, none of that comes to play here. I was arguing with someone who claimed to understand (but not like) Eisenberg’s portrayal of the greatest criminal mastermind of our time. He told me that I didn’t like the performance because I wanted Gene Hackman back. I answered back that I didn’t like the performance because it was a poor performance. There were multiple moments in the film that feature Luthor in public essentially having a mental break. I was sitting in the theater and wanted to see someone just look at him and think that this guy is absolutely insane. The worst of it was all this press that came out later and announced that Bryan Cranston had been looked at, as had Tom Hanks (based on his incredible work on the underrated Cloud Atlas), and yet Eisenberg had been selected in order to reinvent the character. WHAT?!?

Let’s talk some on the Dawn of Justice portion of the film, which does get us into some spoilery territory, so be warned. Batman v Superman is seen as almost a Justice League origin story in a lot of ways. It sets up Batman, Wonder Woman, and even introduces us to several other members of the team. A major problem here is that the audience is spoon-fed the Justice League. The references and setups are literally beaten over the heads of viewers. There are better ways about this. The introduction of the Justice League was terrible sans The Flash, who got a quick moment of reveal that actually worked for me. As for Aquaman and Cyborg…yuck. Cyborg even wasted the origin story on a poor expository flitter of a moment with no style whatsoever. Absolutely stupid. Now, the film does have some subtlety here when they dance around some of the dark past of Bruce Wayne, but it doesn’t do this enough. You could even have thrown some of this into a post-credits scene to get it out of the main narrative.

batmanvsupermandawnofjustice2016e

Batman v Superman: Dawn of Justice is, to me, a more enjoyable experience than Man of Steel, but as far as a cohesive story, it is not. This is a collection of some really cool moments squeezed into a movie that’s bursting at the seams. Ben Affleck gets great redemption from his previous Daredevil failure (in a world where Ryan Reynolds and Chris Evans are also getting second chances) and is easily the best part of this film (Scott Adkins blames the Oscars for why Ben Affleck was cast, but doesn’t understand that Scott Adkins was not cast because he was Scott Adkins). I’m excited to see where this franchise is going (Suicide Squad and Wonder Woman) but I’m nervous that the DCEU is not getting off to a great start and can’t really afford to fumble anymore. Overall, the film is divisive and has some great elements, but there is just too much that is found guilty in this court case.

 

2.5/5

-Kyle A. Goethe

 

For my review of Zack Snyder’s Man of Steel, click here.

For my review of Zack Snyder’s Sucker Punch, click here.

31 Days of Horror Part II: Day 17 – Beetlejuice (1988)

 beetlejuice1988b

Director: Tim Burton

Cast: Michael Keaton, Alec Baldwin, Geena Davis, Jeffrey Jones, Catherine O’Hara, Winona Ryder

Screenplay: Michael McDowell, Warren Skaaren

92 mins. Rated PG for adult situations/language and violence.

  • Academy Award Winner: Best Makeup

 

I remember really enjoying the animated Beetlejuice television series as a kid. When my mother finally introduced me to the idea that it was preceded by a live-action film, I just about went crazy. When she told me that it was going to be on television that night, I lost it. I saw it. I loved it. I still love it.

beetlejuice1988d

Meet the Maitlands: Adam (Alec Baldwin, The Departed, Aloha) and Barbara (Geena Davis, Thelma & Louise, In a World…). They just died and now confined to an afterlife in their home. But when Charles (Jeffrey Jones, Sleepy Hollow, 10.0 Earthquake) and Delia (Catherine O’Hara, The Nightmare Before Christmas, A.C.O.D.) Deetz move in, accompanied by outcast daughter Lydia (Winona Ryder, Black Swan, Homefront), they are forced to go to extreme situations to haunt the Deetzes into moving out. In steps Betelgeuse (Michael Keaton, Birdman, Minions), a bioexorcist who specializes in getting people to move out of their dwellings, but the self-described “ghost with the most” has an agenda of his own, and the Maitlands have just gotten in too deep.

Beetlejuice came after director Tim Burton (Edward Scissorhands, Big Eyes) greated great success as director of Pee-Wee’s Big Adventure and used his clout to reveal his true genius with the visual medium as a gothic director of merit. Beetlejuice is an excellent exercise in tone, cinematography, storytelling, and excitement.

It seems as though everyone knows their place in this film, from Baldwin and Davis playing the timless Maitlands to the big city quirky Deetzes, and especially an often overlooked performance from Glenn Shaddix, who plays the smug and cynical Otho (after Shaddix’s death in 2010, the famous Day-O from the film played at the end of the funeral). Otho’s role in driving the plot with his hubris-filled attempts at showing his wide array of skills gives the story so much flavor.

beetlejuice1988c

From a storytelling perspective, Beetlejuice proves that you don’t have to explain away the mysteries of your film. The script from Michael McDowell and Warren Skaaren was rewritten from being a straight horror film with several cliché plot points into the afterlife character study that it is today. It is arguably one of Tim Burton’s finest works, and is easily viewable to any audience in any time, even if some of the effects have not dated well.

 

4.5/5

-Kyle A. Goethe

 

 

For more 31 Days of Horror, click here.

For my review of Tim Burton’s Batman, click here.

For my review of Tim Burton’s Sleepy Hollow, click here.

For my review of Tim Burton’s Dark Shadows, click here.

Blog at WordPress.com.

Up ↑