Kyle’s Top Ten Films of 2016

 

Hey folks, sorry this is coming in a bit late but I’ve not been feeling well and it’s given me the opportunity to catch some of the films I’d missed in 2016 and I wanted to see as much as I could before delivering this list to you.

Just a couple notes before we get into all this:

  • These are my personal top ten films of the year from the many I have seen. Not all of them are Oscar-y in nature because I still haven’t gotten the chance to see a lot of the late releases of the year. On that note…
  • I haven’t seen all the movies released in 2016. If you read this list and find that something is missing, let me know, drop a comment, and I’ll get to it.
  • This is a tentative listing of the films. I tend to do a final ranking after the Academy Awards every year, but enjoy what I have so far.
  • Lastly, this isn’t a ranking of my best reviewed films of the year. These are the films that, to me, were exactly what they were supposed to be. SO here we go…

I present to you, my Top Ten Films of 2016.

 

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  1. 10 Cloverfield Lane

-When the trailer for 10 Cloverfield Lane dropped just weeks before it’s theatrical release, it blew me away. How was this film connected to Matt Reeves’ Cloverfield? What’s John Goodman doing in this? Why isn’t it found-footage? After seeing the film, I still don’t really have answers, but one thing I do know is that 10 Cloverfield Lane was one of the most tense and shocking thrillers in recent memory. Carried by strong performances from its leads and the standout chilling work from Goodman, 10 Cloverfield Lane does a lot with a little, adding to this unique franchise and making me look forward to God Particle, the next film in the Clover-verse coming later this year.

 

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  1. Captain America: Civil War

-This is the kind of film that shouldn’t work. A big budget superhero blockbuster based around themes that are so important today. With the cast of somewhere 124 leads comes a showdown between Steve Rogers and Tony Stark over the damage that superheroes do just to save lives. It is full of rich fully-realized character development and action scenes so insanely busy but perfectly captured that it seems an impossible feat and yet, the Russo brothers made one of the best superhero movies of all time with the odds so dangerously stacked against them.

 

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  1. Rogue One: A Star Wars Story

-When Disney purchased the Lucasfilm brand and immediately started work on a new Star Wars film, I was hesitant, but here we are with the second film released since the acquisition, and it is even more impressive than The Force Awakens. How director Gareth Edwards wrote a love letter to the Star Wars saga and turned it into one of the best films in the entire series is beyond me. Rogue One seamlessly blends with A New Hope and creates such an amazing story out of one paragraph of the opening crawl from the original movie. Great work from Ben Mendelsohn, Felicity Jones, and Alan Tudyk carry this incredible story that is really for the fans who have been there since the very beginning, Rogue One is much more than just a Thank You.

 

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  1. Hunt for the Wilderpeople

-I actually came across this film because it was a 99 cent rental on Amazon, and I’m so thankful I did. Hunt for the Wilderpeople didn’t really get me with its trailers, I probably would’ve passed it by, but since I have now seen it, all I can say is, why haven’t you? This was a gorgeously shot and humorously-injected coming-of-age story with the two most unlikely heroes this year. The story of Ricky Baker, a foul-mouthed troublemaker, and his “Uncle” Hector as they get lost and get wild in the Bush of New Zealand is fun and heartwarming. The two are hunted by authorities after Hector is seen as possibly unfit to raise Ricky. The movie is equal parts fun and touching. See it.

 

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  1. Green Room

-I was blessed to be able to see Green Room before its initial release and I was blown away by the visceral survival thriller featuring the late Anton Yelchin. My skin crawled and I leapt out of my chair more than once in the painfully captivating tale of a rock band attempting to escape a Neo-Nazi bar after witnessing a murder. Green Room isn’t a film for anyone (and I don’t say that often, but this is often very difficult to watch) but it’s also one of the most fun experiences I had in a theater all year.

 

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  1. The Conjuring 2

-Another shockingly great movie from 2016 was the hotly-anticipated sequel to the classified horror classic from 2013, The Conjuring. Director James Wan returned to helm the sequel which hopped across the pond to Enfield to see Ed and Lorraine Warren face their most difficult case to date. This movie is a rare horror film with as much heart as horrors, and I was absolutely floored by both the creepy and inventive techniques behind the camera and also the emotionally-charged beats in front of it. For me, this is the rare horror sequel that actually surpasses the original.

 

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  1. Kubo and the Two Strings

-Why? Why haven’t you seen this film? Kubo and the Two Strings, the newest film from Laika, virtually disappeared from theaters after kind of dudding upon release. It’s tragic, as the film is their best stop-motion film to date. An animated film that is just as much for adults as for children, Kubo and the Two Strings takes on strikingly adult subject matter in this beautifully crafted journey of a boy’s journey to defeat the terrifying Moon King using his magical shamisen. Influences from classic Kurosawa and spaghetti westerns infused with intelligent characters are what makes Kubo and the Two Strings an instant classic.

 

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  1. Don’t Breathe

-Wow, I did not see this coming. Don’t Breathe, from director Fede Alvarez, is another exemplary horror film from a terrific year for the genre.  In it, three thieves break into a blind war vet’s home to claim his fortune for themselves when they discover their victim has skills and secrets that none of them expected, and they may not survive the heist. Don’t Breathe played a surrealist approach to the escape room subgenre in a different way that Green Room did earlier in the year. Instead, it made us fear for our antiheroes and dread the terrifying Blind Man, played excellently by Stephen Lang. Don’t Breathe is visually stunning as well relentlessly disturbing, and it’s a must-see for fans of the genre.

 

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  1. Arrival

Arrival is just proof that Denis Villeneuve can do whatever he damn well pleases. You want a sequel to Blade Runner? Sure, whatever you want! After Prisoners and Sicario and Enemy, to hit it out of the park yet again with Arrival is almost unprecedented. Villeneuve is quickly becoming a household name, even if most Americans butcher the pronunciation. Arrival, starring Amy Adams and Jeremy Renner, accomplishes the rare task of being a genre film that isn’t really about aliens. Sure, that’s been said a lot, and if you’ve seen the film, you know what I mean. But in all fairness, it’s just really nice to see a complex and interesting story that isn’t dumbed down to suit audiences.

 

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  1. The Nice Guys

-Another sad bomb from this past year, I saw The Nice Guys while waiting to board my plane leaving Hawaii. I had just gotten engaged, so you might play off my enjoyment with the film to that, but I revisited the film a few times since then, and I love it more and more each time. A sendup to 70s cinema and hard-boiled detective stories as well the classic buddy-cop subgenre that director Shane Black continues to wring perfection from (I’m talking to you Lethal Weapon), The Nice Guys is just a perfect damn movie that excites and entertains and makes the unlovable people the most fun to spend time with.

 

Honorable Mentions: Swiss Army Man, Fantastic Beasts and Where to Find Them, and Deadpool.

 

Well, there you have it. These are my favorite films of the year. I’m excited for #2017oscardeathrace to begin, and I may see a few favorites get knocked off, but overall, 2016 was a great year for movies, just not a great year for most anything else. Well see you in 2017 (which is kind of now).

 

-Kyle A. Goethe

Green Room (2015)

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Director: Jeremy Saulnier

Cast: Anton Yelchin, Imogen Poots, Alia Shawkat, Joe Cole, Callum Turner, Patrick Stewart

Screenplay: Jeremy Saulnier

94 mins. Rated R for strong brutal graphic violence, gory images, language and some drug content.

 

I’m hardly the first person to see Green Room. It premiered last year at Cannes to solid reviews. But, I was lucky enough to be a part of an advance screening last night, and let me tell you, it was worth it.

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Green Room is the story of a band called “The Ain’t Rights” as they, desperate for income, pick up a quick gig near Portland, which they quickly discover is a skinhead Neo-Nazi bar. When Pat (Anton Yelchin, Star Trek, Burying the Ex) goes back to the green room to collect a cell phone, he unknowingly stumbles upon a horrific scene, and now, he and his bandmates are in for the fight of their life, holed up in the green room as the skinheads, led by Darcy Banker (Patrick Stewart, TV’s American Dad, Ted 2) attempt to tear them apart in order to cover their tracks.

Green Room is absolutely intense during the entirety of its 94-minute runtime. I found my hands shaking and sweating as I reeled in my seat. Anton Yelchin is a great lead as the de facto brave leader of the band. His guttural performance left me with chilled to the bone. On the other side, Patrick Stewart plays a monster in a man’s body as the ruthless villain Darcy. He gives such a creepy and nuanced performance without falling into cliché.

Imogen Poots (Need for Speed, Knight of Cups), who also appeared with Yelchin in the Fright Night remake a few years back, plays Amber, another witness to the murder in the green room, and she finds herself joined up with The Ain’t Rights for survival. Poots gives great work as Amber and provides an uneasiness to her unhinged character.

I saw director Jeremy Saulnier’s early film Murder Party, and while it has been some time, I recall enjoying that one quite a lot, though in tone the two films find themselves somewhat distanced. Saulnier’s screenplay gives out some awkward chuckles that relieved me in between the moments of sheer animosity. Even with the comedic elements, the shock and horror felt unrelenting. The faults with the film line up with a simple setup made somewhat more confusing at the beginning. It took me a bit longer than it should have to put the pieces of this film in place, but it didn’t detract from my viewing.

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I’m happy to say that Green Room is one of the best horror films I’ve seen in a theater in some time. I really enjoyed myself and cannot wait to see what this filmmaker has next. His use of top notch performances with a terrifying environment in a film I’m not sure I can even compare to another. It was a great time at the movies and an exhilarating experience overall.

 

4.5/5

-Kyle A. Goethe

31 Days of Horror: Day 16 – Odd Thomas (2013)

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Director: Stephen Sommers

Cast: Anton Yelchin, Willem Dafoe, Addison Timlin, Nico Tortorella

Screenplay: Stephen Sommers

97 mins. Rated PG-13.

 

From the moment I heard about the character of Odd Thomas, created by Dean Koontz for a series of novels, I knew that he would eventually get a film series. I was probably a little incorrect. I doubt he will get a “series” after this meager film.

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Writer/director Stephen Sommers (The Mummy) has been slowly killing his career for years now, but I’m starting to think that Odd Thomas might have been the last nail in the coffin. Odd Thomas is all about, you guessed it, Odd Thomas. Have you heard that name too many times? Good, I prepared you for the film, which entails our hero (Anton Yelchin, Star Trek, Burying the Ex) who, along with Police Chief Wyatt Porter (Willem Dafoe, Spider-Man, John Wick) and girlfriend Stormy Llewelyn (Addison Timlin, Derailed, The Town That Dreaded Sundown), must track down the mystery concerning a man with dark secrets to apocalyptic things. Honestly, I’m trying to make it sound good, but I stopped caring long before the plot began lugging forward.

This movie was just kind of boring. The plot really went nowhere, and I applaud the attempt at something original, but it is a bore. Odd Thomas is the kind of film that looks like it was a pilot to a television series that might have aired over a decade ago. It is cheap looking, and it is slow moving, and it has a group of talent that is wasted on weak script and a knock-off narrative.

I liked that Stephen Sommers was trying to push the story forwards, and he gives it a look with style similar to comic books, but I just didn’t give a shit about these characters after a while.

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And the ending, my God! How could a film fall back so quickly towards a cheap and uninspired ending like Odd Thomas did. I feel sad that they likely won’t be continuing this story, I hear great things about the book series, but sadly, we are in a world of supernatural serials and one of them just had to fall by the wayside. I hope this doesn’t ruin Yelchin’s career, I mean, he has Chekov to fall back on, but I can’t say the same for Sommers.

 

2/5

-Kyle A. Goethe

 

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