[#2018oscardeathrace] Star Wars: Episode VIII – The Last Jedi (2017)

Director: Rian Johnson

Cast: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Anthony Daniels, Gwendoline Christie, Kelly Marie Tran, Laura Dern, Benicio del Toro

Screenplay: Rian Johnson

152 mins. Rated PG-13 for sequences of sci-fi action and violence.

  • Academy Award Nominee: Best Achievement in Visual Effects [Pending]
  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures (Original Score) [Pending]
  • Academy Award Nominee: Best Achievement in Sound Editing [Pending]
  • Academy Award Nominee: Best Achievement in Sound Mixing [Pending]

 

I guess it’s true. No one hates Star Wars more than Star Wars fans. This movie was divided as hell, but does The Last Jedi deserve the hate or is it missing the praise?

Picking up moments after the events of The Force Awakens, Rey (Daisy Ridley, Murder on the Orient Express, Only Yesterday) has found Luke Skywalker (Mark Hamill, Brigsby Bear, Bunyan and Babe) on Ahch-To to discover that he has abandoned the Jedi code to live out his days in quiet solitude. Meanwhile, General Leia Organa (Carrie Fisher, Maps to the Stars, TV’s Family Guy) leads the resistance forces away from D’Qar as a First Order fleet arrives to take them. Now, they are on the run from First Order forces. Poe Dameron (Oscar Isaac, Ex Machina, Suburbicon) makes a costly mistake in the defense of the convoy and falls into a path of mistrust when Vice Admiral Holdo (Laura Dern, Wild, TV’s Big Little Lies) assumes command of the Resistance forces. Now, as the First Order closes in, Finn and Poe attempt to save the convoy, Rey finds herself drawn ever closer to Kylo Ren (Adam Driver, Paterson, TV’s Girls) and the truth about her past.

Okay, so I’m not a Star Wars apologist. I find the prequels to be extremely middling in quality, and even though I love all the Star Wars films, I’m not above finding glaring issues that stick out. That being said…

I loved The Last Jedi. It completely changed the game and added so much to the mythology by driving the film forward rather than looking to the past. This is an incredible addition to the Star Wars Saga. Rian Johnson (Looper, The Brothers Bloom) came to the table and took what J.J. Abrams created with The Force Awakens and pushed it further. It’s definitely not like its predecessor in that it isn’t how I expected it. In fact, that’s what I love most about the film. I walked into it with all these preconceived ideas about how the movie has to go, and I would say just about all of them were wrong. I love The Last Jedi because I was shocked and surprised when I watched it, and that hasn’t happened since The Empire Strikes Back.

The film’s performances and cast are top-notch yet again, particularly leads Hamill and the late Carrie Fisher, this being her final Star Wars outing. Hamill could easily have been nominated for Best Actor at the Oscars with his most subtle and tortured performance in his entire career. Skywalker is broken by his failure to save Ben Solo.

There’s also some really great work from Ridley and Driver, especially in their shared scenes. We see some darkness in Rey and some potential good in Kylo. It’s clear that these two have not fallen into their roles as enemies yet. There are some nice flaws showcased on both sides here.

I also have to say some about Andy Serkis (War for the Planet of the Apes, The Adventures of Tintin) as Supreme Leader Snoke. He doesn’t get as much to do in this new installment, much like The Force Awakens, but the way he is utilized in this film is far superior to Episode VII. Unfortunately, Lupita Nyong’o (12 Years a Slave, Queen of Katwe) and Gwendoline Christie (The Hunger Games: Mockingjay – Part 2, TV’s Game of Thrones) feel shoehorned in as Maz Kanata and Captain Phasma, respectively.

But the film was always going to be divisive. I just wasn’t prepared for how divisive it would be. Even Mark Hamill expressed concerns to Johnson about the direction of the film, but after seeing the finished product, it sounds like he has since been won over.

And there are things I take issue with in the film, but they are merely nitpicky things like a particular Leia scene that comes across a little silly. There’s a moment early on with Luke that could have emotional impact but instead falls to cheap comedy. These are mere nitpicks and, in the scope of the film, this being the darkest film in the saga, I can understand the reliance on some levity.

The Last Jedi honors what has come before while also paving the way to what’s yet to come. It’s a unique Star Wars film, and it’s the best in the series since The Empire Strikes Back. Rian Johnson’s attention to detail and the film’s connective tissue with the rest of the sage, including Rogue One, is just another reason that this film works as well as it does. With this film, Anthony Daniels (The Lego Movie, The Lord of the Rings) becomes the only actor to appear in all the Star Wars live-action releases. I unabashedly loved the theater experience of seeing The Last Jedi, so much so that I saw it an additional two times. See this movie. Three Times.

 

4.5/5

-Kyle A. Goethe

 

 

For my review of George Lucas’s Star Wars: Episode I – The Phantom Menace, click here.

For my review of George Lucas’s Star Wars: Episode II – Attack of the Clones, click here.

For my review of George Lucas’s Star Wars: Episode III – Revenge of the Sith, click here.

For my review of George Lucas’s Star Wars: Episode IV – A New Hope, click here.

For my review of Irvin Kershner’s Star Wars: Episode V – The Empire Strikes Back, click here.

For my review of Richard Marquand’s Star Wars: Episode VI – Return of the Jedi, click here.

For my review of J.J. Abrams’s Star Wars: Episode VII – The Force Awakens, click here.

 

For more Almighty Goatman,

[Hobbit Day] The Lord of the Rings (1978)

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Director: Ralph Bakshi

Cast: Christopher Guard, William Squire, Michael Scoles, John Hurt, Simon Chandler, Dominic Guard, Michael Graham Cox, Anthony Daniels, David Buck

Screenplay: Peter S. Beagle, Chris Conkling

132 mins. Rated PG.

 

Wait, so what is Hobbit Day?

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Hobbit Day is September 22nd, the birthdays of both Bilbo Baggins and Frodo Baggins. I thought, since I have never seen the animated Ralph Bakshi (Wizards, Cool World) film version of The Lord of the Rings from 1978, why not today to celebrate?

That being said, Tolkien Week is the Sunday through Saturday containing Hobbit Day, so unbox your extended editions of the Peter Jackson-directed films too!

The Lord of the Rings covers roughly two thirds of the saga originally crafted by JRR Tolkien. It begins with the passing of the ring from Bilbo Baggins to his nephew Frodo (Christopher Guard, Memoirs of a Survivor, The Haunting of Helen Walker). As Frodo begins his journey with Samwise Gamgee (Michael Scoles, Sweeney 2) to Rivendell, Gandalf the Grey (William Squire, Where Eagles Dare, Anne of the Thousand Days) travels to Isengard to discover what type of Ring of Power they are dealing with. Eventually, Frodo’s journey brings him to the creation of a fellowship also containing Aragorn (John Hurt, V for Vendetta, Hercules), Legolas (Anthony Daniels, Star Wars – Episode IV: A New Hope, The Lego Movie), and Gimli (David Buck, The Dark Crystal, The Mummy’s Shroud), all headed to Mount Doom in Mordor to destroy the One Ring before the ring finds its way back to Sauron.

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The Lord of the Rings was unique and very important when it was made. It was the longest animated feature film of all time as well as being the first fully-rotoscoped animated feature ever. What is rotoscoping, you ask? Well, it involves filming actual actors in black-and-white and then animating over it. That’s what gives the finished product such an unusual and unique look.

The voice work from many of the performers is pretty solid, especially John Hurt and William Squire. The real issue of the finished film is in the pacing. The gorgeous and intricate cinematography is troubled by pacing issues. Director Ralph Bakshi was more focused on creating stunning visuals than he was with putting it all together. He did have a vision, and I can’t take that from him. He originally envisioned Led Zeppellin music as a score to the film (many Zep fans will note that the band had a lot of Tolkien imagery associated within their lyrics).

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The Lord of the Rings was a daring endeavor, one that is beloved by many. It even created some images so iconic they were even replicated for the Peter Jackson-directed live action saga. On the plus side, it is an adult look at the saga, treated with respect and vision. On the opposite hand, it tries to jam too much together into such a small space that the editing and pacing of the finished product suffer and pull the viewer out of the film. Overall, this is a flawed but very interesting take on Tolkien’s classic world.

 

2.5/5

-Kyle A. Goethe

[Star Wars Days] May the Fourth Be With You…Star Wars: Episode VI – Return of the Jedi (1983)

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Director: Richard Marquand

Cast: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, Peter Mayhew, Sebastian Shaw, Ian McDiarmid, Frank Oz, James Earl Jones, David Prowse, Alec Guinness

Screenplay: Lawrence Kasdan, George Lucas

131 mins. Rated PG for sci-fi action violence.

  • Academy Award Winner: Special Achievement Award for Visual Effects
  • Academy Award Nominee: Best Art Direction
  • Academy Award Nominee: Best Sound
  • Academy Award Nominee: Best Effects, Sound Effects Editing
  • Academy Award Nominee: Best Music, Original Score

IMDb Top 250: #72 (as of 4/21/2016)

 

Another year, another excuse to celebrate Star Wars. Hey everyone. Today we are taking a look back on the only Star Wars film we haven’t talked about yet, Return of the Jedi.

Han Solo (Harrison Ford, Indiana Jones and the Raiders of the Lost Ark, The Age of Adaline) is still in the clutches of the vile Jabba the Hutt. As Luke Skywalker (Mark Hamill, TV’s Regular Show, Scooby-Doo! Moon Monster Madness) and company hatch their plan to rescue him, the Empire is slowly working on the creation of a weapon more powerful than the original Death Star. Darth Vader (James Earl Jones, The Lion King, The Angriest Man in Brooklyn) and his master, Emperor Palpatine (Ian McDiarmid, Sleepy Hollow, Dirty Rotten Scoundrels) oversee the final touches on the weapon and a final confrontation is set into motion uniting father and son in an epic battle as the fate of the galaxy hangs in the balance in this final film of the original Star Wars trilogy from director Richard Marquand (Jagged Edge, Eye of the Needle).

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Originally titled Revenge of the Jedi (but then later renamed as Jedi do not take revenge), Return of the Jedi is solid conclusion to the original trilogy. By tying up the remaining plot threads very expertly set up in the previous two films, Return of the Jedi makes an argument for being one of the best installments of the series. The performances from our main three stars are great, the confrontation with Palpatine is filled with excitement and dread, and the redemption of Lando Calrissian (Billy Dee Williams, Batman, The Lego Movie) doesn’t feel overtly forced. The creature effects ranging from Yoda to Jabba the Hutt and Salacious Crumb (yeah, look it up) are pretty amazing for the time period.

That being said, a true Star Wars fan knows his faults, and I have few…

The use of cutsie-ing the series with Ewoks seemed like an odd choice. Not really bad, but definitely odd.

The film spends a bit too much time on Endor. Just saying.

And it contains the one frustration I truly have with the Special Editions (the removal of Yub Nub, I didn’t mind the added scene in its place, but could we not get one freakin’ Yub Nub???)

Now, back to the positives. The entirety of the opening act on Tattooine? Amazing! Perhaps the best piece of storytelling in the film!

The sound, effects, and score? Cannot say enough greatness, especially about John Williams and his ability to craft new pieces with every film that add to the mythology and create a richer musical vocabulary. Just incredible.

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So, all in all, as I continue on my Star Wars Marathon, I was happy to take a pit stop on Return of the Jedi. The film is often thought of as the weakest of the original trilogy, but I think that is more of a testament to how terrific this series is. Were we not destined to have more films, I would have been more than content at this final chapter (I’m not against more, though, so please continue to deliver, Lucasfilm).

 

4/5

-Kyle A. Goethe

 

For my review of George Lucas’ Star Wars: Episode I – The Phantom Menace, click here.

For my review of George Lucas’ Star Wars: Episode II – Attack of the Clones, click here.

For my review of George Lucas’ Star Wars: Episode III – Revenge of the Sith, click here.

For my review of George Lucas’ Star Wars: Episode IV – A New Hope, click here.

For my review of Irvin Kershner’s Star Wars: Episode V – The Empire Strikes Back, click here.

For my review of J.J. Abrams’ Star Wars: Episode VII – The Force Awakens, click here.

[#2016oscardeathrace] Star Wars: Episode VII – The Force Awakens (2015)

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Director: J.J. Abrams

Cast: Daisy Ridley, John Boyega, Oscar Isaac, Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew, Max von Sydow

Screenplay: Lawrence Kasdan, J.J. Abrams, Michael Arndt

135 mins. Rated PG-13 for sci-fi action violence.

  • Academy Award Nominee: Best Achievement in Editing [PENDING]
  • Academy Award Nominee: Best Achievement in Music Written for Motion Pictures, Original Score [PENDING]
  • Academy Award Nominee: Best Achievement in Sound Mixing [PENDING]
  • Academy Award Nominee: Best Achievement in Sound Editing [PENDING]
  • Academy Award Nominee: Best Achievement in Visual Effects [PENDING]

IMDb Top 250: #74 (as of 1/24/2016)

 

I’m still a little shocked that I’m sitting in my chair writing a review for a NEW Star Wars film, here in 2015. It’s a strange feeling knowing that the stories that inspired me to tell stories are back and big and (hopefully) glorious. Well, I won’t waste time covering all that I love about this franchise, and I’ll leave that to the previous reviews that you can check out below. Instead, let’s just focus on the elephant in the room: Is The Force Awakens any good?

Happily, yes.

It’s been thirty years since the destruction of the second Death Star and the death of the villainous Emperor and his disciple Darth Vader, and Luke Skywalker (Mark Hamill, Scooby-Doo! Moon Monster Madness, Kingsman: The Secret Service), the face of the rebellion, is missing. In his absence, the Empire has reformed into the First Order, and new evils Supreme Leader Snoke (Andy Serkis, Rise of the Planet of the Apes, Avengers: Age of Ultron), General Hux (Domhnall Gleeson, About Time, The Revenant), and Kylo Ren (Adam Driver, TV’s Girls, Frances Ha) have brought their special form of tyranny to the galaxy. Leia (Carrie Fisher, Maps to the Stars, Sorority Row) has dispatched rebel pilot Poe Dameron (Oscar Isaac, Inside Llewyn Davis, Ex Machina) to find her missing brother. As Poe finds new allies in ex-stormtrooper Finn (John Boyega, Attack the Block) and scavenger Rey (Daisy Ridley), they begin to uncover the mystery of Luke Skywalker’s location.

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I’m going to leave the plot details to this, which is probably too much already, but you probably should’ve seen the film by now. Where have you been?

So let’s look to our director, J.J. Abrams (Super 8, Star Trek Into Darkness). While the film has been criticized as being too similar to parts of the Original Trilogy, I found it to be more of an homage of where we’ve come in this franchise and where we are going. The Force Awakens is a transitionary film, and a lot of that can be credited to Abrams, plus most people forget about all the new elements to this film.

The film relies a lot less on the seasoned performers than I’d thought. Instead, we meet so many colorful characters to liven up the franchise and move it forward. Daisy Ridley is the most impressive to me as Jakku scavenger Rey, who finds herself in a much lonelier place that Luke Skywalker did at the beginning of A New Hope. She lives a solitary life on the planet of Jakku, where she steals from the relics of the previous Empire and uses it to survive on the desolate desert planet. Her emotional resonance as a forced heroine is astounding and impactful and her character is the strongest female we’ve seen in this franchise so far.

Also throw in John Boyega, who provides a nice amount of true terror and comic relief without becoming a stock character. Finn has to deal with a life he learns he doesn’t want, and while I feel like the start of the film doesn’t do him justice, he grows to be lovable by the film’s climax.

Oscar Isaac and Adam Driver aren’t novice performers even if they aren’t exactly household names, and both turn out incredible performances as Poe and Kylo, two opposite ends of a spectrum. Poe could be a repeat of Luke but becomes something entirely different. Kylo Ren could just be Darth Vader 2.0, but the film is as much his origin story as it is Rey’s, and Kylo Ren is no Darth Vader. He is angry, spiteful, emotionally unstable, and mentally broken, which makes his character’s evolution something very interesting to see in the film.

Now, our returning actors are top notch as well, and of them, this is Han Solo’s (Harrison Ford, Indiana Jones and the Raiders of the Lost Ark, The Age of Adaline) film. It’s nice to see Ford really giving it all to this franchise again, and even his relationship with Chewbacca (Peter Mayhew, Killer Ink, Dragon Ball GT: A Hero’s Journey) has grown and changed in the past three decades. On that note, Chewie gets a lot more development in this film than I expected.

Abrams isn’t afraid to bring something new to this franchise (and I don’t mean lens flares, though there are a few), and that can be seen from his choice in cinematography and editing. Though this feels like a Star Wars movie, it has a lot of updated choices to its camera movement and pacing that add to the excitement.

John Williams returns to the franchise, too, and his score, which has been nominated for an Oscar, is astounding. I was taken aback by the sheer amount of new music Williams created for the film, which has its cues in the themes we’ve had before, but so much more, and it makes him deserving of the gold statue.

From a production standpoint, it’s easy to see the attention and care given here by the use of practical effects, which also elevate the visual effects and style of the movie throughout.

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Star Wars: The Force Awakens is an awakening to the entire franchise, bringing us back to that childhood wonder of the original film while scoring a path to future adventures. It angers me that I find myself more excited for the next installment because of how much I enjoyed this one. Now, the film is imperfect in a few ways. I didn’t feel like every new character landed the way they were intended to, and some of the film’s most climactic moments (in the spoilery territory) faltered and their impact lessened. That being said, I found myself nitpicking Episode VII because of how much fun the movie was. Why haven’t you seen it yet? If you have, why haven’t you seen it again? Go. Go now!

 

4.5/5

-Kyle A. Goethe

 

For my review of George Lucas’ Star Wars: Episode I – The Phantom Menace, click here.

For my review of George Lucas’ Star Wars: Episode II – Attack of the Clones, click here.

For my review of George Lucas’ Star Wars: Episode III – Revenge of the Sith, click here.

For my review of George Lucas’ Star Wars: Episode IV – A New Hope, click here.

For my review of Irvin Kershner’s Star Wars: Episode V – The Empire Strikes Back, click here.

[Top 250 Friday] 12) Star Wars: Episode V – The Empire Strikes Back (1980)

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Director: Irvin Kershner

Cast: Mark Hamill, Harrison Ford, Carrie Fisher, Billy Dee Williams, Anthony Daniels, David Prowse, Kenny Baker, Peter Mayhew, Frank Oz

Screenplay: Leigh Brackett, Lawrence Kasdan

124 mins. Rated PG for sci-fi action violence.

  • Academy Award Winner: Best Sound
  • Academy Award Winner: Special Achievement Award (for visual effects)
  • Academy Award Nominee: Best Art Direction
  • Academy Award Nominee: Best Music, Original Score

iMDB Top 250: #12 (as of 6/3/2015)

 

On the very short list of the Best Sequels of All Time, The Empire Strikes Back is pretty darn close to the top. Director Irvin Kershner (RoboCop 2, Never Say Never Again) brought not just the best installment in the Star Wars franchise, but also an amazing science fiction epic.

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It has been three years since Luke Skywalker (Mark Hamill, TV’s Regular Show, Kingsman: The Secret Service) and the Rebels destroyed the Death Star. While Luke heads to the Dagobah System to train with the Jedi Master Yoda (Frank Oz, TV’s The Muppet Show, Zathura), Han Solo (Harrison Ford, Indiana Jones and the Raiders of the Lost Ark, The Age of Adaline) and Princess Leia (Carrie Fisher, When Harry Met Sally, Maps to the Stars) evade the malicious Empire while trying to find somewhere to hide out when they come across Cloud City and Han’s old friend, Lando Calrissian (Billy Dee Williams, Batman, Barry Munday).

Kershner presents Empire as a dark continuation of the Star Wars Saga. Luke is challenged in his furthering of his Jedi abilities with Frank Oz puppeting the creature Yoda in a great performance of the little green Jedi Master (there was even a campaign to win Oz the coveted Oscar for an acting role), while Han and Leia are tested in their abilities to trust, both one another and those close to them as they carefully avoid detection by the enemy. New to the series, Billy Dee Williams handles his role capably and intermingles into the cast with ease.

The film is beautifully shot and looks just as nice now as it did 35 years ago. Ben Burtt displayed some great new sound effects for this film, setting a new standard for sci-fi while setting itself above the rest. The film is also perfectly paced. I could watch it ten times in a row and it would still flow well.

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Star Wars: Episode V – The Empire Strikes Back is the best film in the series (and also the only one not written by George Lucas). It proves that some films can best their predecessor. The film, now 35, is still an amazing piece of cinema.

 

5/5

-Kyle A. Goethe

 

 

For my review of George Lucas’ Star Wars: Episode I – The Phantom Menace, click here.

For my review of George Lucas’ Star Wars: Episode II – Attack of the Clones, click here.

For my review of George Lucas’ Star Wars: Episode III – Revenge of the Sith, click here.

For my review of George Lucas’ Star Wars: Episode IV – A New Hope, click here.

 

[Star Wars Day] Return of the Jed-Five…Star Wars: Episode III – Revenge of the Sith (2005)

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Director: George Lucas

Cast: Ewan McGregor, Hayden Christensen, Natalie Portman, Ian McDiarmid, Samuel L. Jackson, Christopher Lee, Anthony Daniels, Kenny Bakers, Frank Oz

Screenplay: George Lucas

140 mins. Rated PG-13 for sci-fi violence and some intense images.

  • Academy Award Nominee: Best Achievement in Makeup

 

As we continue the tradition of Star Wars Days, on Return of the Jed-Five (it is a term I coined so that I can continue celebrating well into Revenge of the Sixth tomorrow), we will look at Star Wars: Episode III – Revenge of the Sith, the final film in the Star Wars Saga that was released almost ten years ago. Fans have waited a decade for the upcoming Star Wars: Episode VII – The Force Awakens.

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The Clone Wars have waged for three years, but the battle is far from over. Anakin Skywalker (Hayden Christensen, Jumper, Vanishing on 7th Street) is now a full-fledged Jedi Knight and, along with Obi-Wan Kenobi (Ewan McGregor, Trainspotting, Mortdecai) have been leading armies into battle against the Separatists and the tyrannical Count Dooku (Christopher Lee, The Lord of the Rings: The Fellowship of the Ring, Dark Shadows). Anakin’s secret marriage to Padme (Natalie Portman, V for Vendetta, Knight of Cups) is further complicated when she discovers she is pregnant, and Anakin’s nightmares of her dying in childbirth lead him towards the dark side and a few revelations about his friends on the Jedi Council and those in the Galactic Senate.

If one were to look at the prequel trilogy, Revenge of the Sith is easily the best in the series. A nearly perfect entry in the Star Wars Saga, Episode III features some of the more incredible action sequences and emotional beats.

Hayden Christensen again continues to underwhelm as Skywalker. His performance is carried by Portman, McGregor, and Ian McDiarmid (Sleepy Hollow, Dirty Rotten Scoundrels) as Supreme Chancellor Palpatine. In fact, just about all the performances here with the exception of his are amazing.

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Director George Lucas (American Graffiti, THX 1138) has learned from his previous mistakes here and gives fans exactly what they want here. Revenge of the Sith ties up the franchise with a nice little bow. The flow is great, and the opening sequence, in which our heroes attempt to save Palpatine from the mechanical General Grievous, is stunning, with special regards to the first shot of the film.

 

5/5

-Kyle A. Goethe

 

For my review of Star Wars: Episode I – The Phantom Menace, click here.

For my review of Star Wars: Episode II – Attack of the Clones, click here.

[Oscar Madness] Star Wars: Episode I – The Phantom Menace (1999)

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Director: George Lucas

Cast: Liam Neeson, Ewan McGregor, Natalie Portman, Jake Lloyd, Ian McDiarmid, Anthony Daniels, Kenny Baker, Pernilla August, Frank Oz

Screenplay: George Lucas

136 mins. Rated PG for sci-fi action/violence.

  • Academy Award Nominee: Best Sound
  • Academy Award Nominee: Best Effects, Sound Effects Editing
  • Academy Award Nominee: Best Effects, Visual Effects

 

Today we are going to look back on Star Wars: Episode I – The Phantom Menace, a film that has truly polarized fans of perhaps the most-beloved sagas in motion picture history.

Jedi Knights Qui-Gon Jinn (Liam Neeson, Schindler’s List, Taken 3) and Obi-Wan Kenobi (Ewan McGregor, Trainspotting, Mortdecai) are about to take part in trade negotiations with the insidious Trade Federation over trade disputes. When negotiations go south and the Trade Viceroy takes control of the peaceful planet of Naboo, the Jedi take refuge on the remote desert planet of Tattooine, where they meet young Anakin Skywalker (Jake Lloyd, Jingle All the Way), a child who may just be the Chosen One, a Jedi who can bring balance to the Force.

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Director George Lucas (American Graffiti, THX 1138) returned to his beloved Star Wars franchise sixteen years after 1983’s Return of the Jedi to create one of the most discussed entries in the canon. Some love it; many loathe it. I find it to be an enjoyable, albeit flawed entry in the series.

Jake Lloyd absolutely destroys his role as Anakin by not understanding the characters and delivering his lines as though he is just reading them. His scenes can’t even be saved by Neeson and McGregor. Anthony Daniels (The Lego Movie, The Lord of the Rings) and Kenny Baker (The King and I, Willow) return as C-3PO and R2-D2 and help to tie this film to the others. Then there is Ian McDiarmid (Sleepy Hollow, Annie: A Royal Adventure!) as Senator Palpatine. I love his performance here. He is slippery like a politician should be with just a note of secrecy.

I want to say something about George Lucas. I might get flack or praise, not sure which, but George Lucas can direct just fine. He cannot write all that well. He should stick to storytelling but leave the screenplay work to others. Look back at The Empire Strikes Back. It is considered by many to be the best in the saga, but it is the only one not specifically written by Lucas. Just sayin’.

The flow of the film is nicely tied together. I enjoyed the time spent on Tattooine, and I felt like the Naboo sequences add something new to the series. I honestly didn’t care much for Jar Jar Binks, but I also accepted that galaxies far far away probably had annoying aliens. There just has to be some.

The effects are wildly well put together, from the podrace sequences to the battle for Naboo. The new Yoda (played by Frank Oz, Zathura, Monsters, Inc.) is more advanced than previously, though it doesn’t really look like Yoda.

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Looking back at the first chronological Star Wars adventure brings up a lot of questions. How has the film held up? Did the love or the hate soften? Will Star Wars: Episode VII – The Force Awakens have the same reception? I don’t have the answers to all those questions, but I can say that expectations are often the culprits for long-waited installments. I like Star Wars: Episode I – The Phantom Menace. It is far from the perfect Star Wars film, but it is an enjoyable reintroduction to the galaxy and the time that we love so much.

 

4/5

-Kyle A. Goethe

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