Toy Story 4 (2019)

Director: Josh Cooley

Cast: Tom Hanks, Tim Allen, Annie Potts, Tony Hale, Keegan-Michael Key, Jordan Peele, Madeleine McGraw, Christina Hendricks, Keanu Reeves, Ally Maki, Jay Hernandez, Lori Alan, Joan Cusack

Screenplay: Andrew Stanton, Stephany Folsom

100 mins. Rated G.

IMDb Top 250: #132 (as of 7/9/2019)

We didn’t need a Toy Story 4. That’s what I kept saying. We just didn’t need it. Toy Story 3 was a great ending to a solid trilogy and we didn’t need to muddy the waters with another installment almost destined to be terrible. We trusted Pixar not to ruin this one, and our trust in them was worth it.

It’s been two years since Andy gave his toys over to Bonnie (Madeleine McGraw, American Sniper, Ant-Man and the Wasp) and departed for college, and the toys have been on a great many adventures since then. Andy’s favorite toy Sheriff Woody (Tom Hanks, Cast Away, The Post) is struggling, though, as he has been seemingly forgotten by Bonnie when playtime occurs, but he remains vigilant in his duties to protect her, so when she becomes nervous at kindergarten orientation and makes a new toy, Forky (Tony Hale, Batman Ninja, TV’s Arrested Development), out of some trash and crafting supplies, Woody takes it upon himself to teach Forky how to be the best toy he can be. During this time, Bonnie and her family are on a vacation in the RV, and at one of the stops, Woody spots a lamp at an antique store that he believes may belong to Bo Peep (Annie Potts, Ghostbusters, TV’s Young Sheldon), a toy that one belonged to Andy’s sister, one that he cared for very deeply. Woody and Forky also come across the menacing Gabby Gabby (Christina Hendricks, Ginger & Rosa, TV’s Good Girls), a defective antique toy who wants Woody’s voice box for her own. Now, Woody must return Forky to Bonnie without getting caught by Gabby Gabby, and he is also forced to confront his own wants in the process.

Let’s cover the purpose of Toy Story 4, because if there was one criticism in just about any fan’s mind as they enter the theater, it’s the question of WHY? Why Toy Story 4? Well, I will say this. I think Toy Story 4 is the second-best film in the series behind the third film. That being said, I think Toy Story 4’s ending is so much better than the third film. It leaves up in a very satisfying place and works very well in questioning everything that came before. It’s a film that looks at the toys we have and asks a lot of questions.

This is very much Woody’s story, and he goes on it mostly without the help of the other toys, encountering lots of new characters in the process. While Toy Story 3 is the ending of the story in relation to Andy, Toy Story 4 takes a good hard look at Woody, a toy that has always been in service of his human, but he is confronted with the very real idea that he may not be Bonnie’s favorite toy. His character arc, especially in relation to Forky’s existential crisis of self, is very well-layered and something I’ve always wanted more out of.

The new characters are so wonderful as well. Keegan-Michael Key (Keanu, TV’s Friends from College) and Jordan Peele (Captain Underpants: The First Epic Movie, TV’s The Twilight Zone) appear together as Ducky and Bunny, two sentient toys made sown-together at the hands, and they are an absolute delight. Key and Peele use the classic comedic timing and chemistry that they’ve been known for to make this the funniest of the Toy Story movies. They had me in stitches, never once ruining the scene by trying to hard.

Then, there’s Duke Caboom (Keanu Reeves, The Matrix, John Wick: Chapter 3 – Parabellum), a Canadian daredevil toy with a motorcycle capable of performing incredible stunts, or at least, that’s what the commercials had said. I love all the character Reeves packed into such a limited screen time. He worked tirelessly on embodying his character with the director, and it shows in the work. His is a similar character to the one that Buzz Lightyear (Tim Allen, El Camino Christmas, TV’s Home Improvement) was in the first film: a toy that is coming to terms with its limits. He is broken on the inside because he was never able to meet the expectations of his commercial.

The only real flaw I had with Toy Story 4 is that I believe that Gabby Gabby is probably the worst villain of the entire franchise. It sounds like I may be in the minority on this one, but I’m going to speak my reasons and let them stand. I never found Gabby Gabby as a villain to be very menacing. Yes, she’s a little creepy and her henchmen ventriloquist dummies are certainly frightening and strange enough, but I never really saw her as villainous in the way that I saw, say, Lotso from Toy Story 3. Maybe it’s just me, but I felt like she was antagonistic but never villainous.

Toy Story 4 also feels, at times, like a big game of I Spy. The antique store, where a good portion of the film is set, is chock full of Easter Eggs and references to other Pixar films, to Toy Story films, and to other pop culturally iconic movies, most notably The Shining, which has always had a somewhat odd connection to the Toy Story franchise. Then, there’s voice cameos galore, many of which I didn’t catch until someone told me about them after the film ended. It’s just a celebration of so much magic that Disney and Pixar can craft.

Toy Story 4 is the perfect true finale to the franchise, one I hope they actually keep to, and I absolutely adored this movie. It’s the ending that feels most earned, not just throughout this installment, but through the entire series. It’s a powerful finale that will drive many to tears, this writer included. I really enjoyed it.

4/5

-Kyle A. Goethe

July 16, 2019 5

Unbroken (2014)

Director: Angelina Jolie

Cast: Jack O’Connell, Takamasa Ishihara, Domhnall Gleeson, Garrett Hedlund, Finn Wittrock

Screenplay: Joel Coen, Ethan Coen, Richard LaGravenese, William Nicholson

137 mins. Rated PG-13 for war violence including intense sequences of brutality, and for brief language.

Academy Award Nominee: Best Achievement in Cinematography
Academy Award Nominee: Best Achievement in Sound Mixing
Academy Award Nominee: Best Achievement in Sound Editing

In Unbroken, based on the true story, Olympic athlete and World War II airman Louis Zamperini (Jack O’Connell, Starred Up, 300: Rise of an Empire) is captured behind enemy lines after his plane is shot down. The film, from director Angelina Jolie (In the Land of Blood and Honey), chronicles Zamperini’s time after the crash leading up to and including his time at a POW camp and his altercations with the Japanese soldier Watanabe (Takamasa Ishihara).

I found myself checking the time several times throughout Unbroken. It seemed to meander far too long on events that should have been more exciting and climactic than they ended up feeling. It also looks too glossy, and it doesn’t end up feeling real, but more like a Lifetime presentation of the Zamperini story.

Now, I won’t bash the entire film. I liked Jack O’Connell’s performance, as well as supporting work from newcomer method Ishihara. Even the smaller roles played by Domnhall Gleeson (About Time, Ex Machina), Garrett Hedlund (Tron: Legacy, Inside Llewyn Davis) and Finn Wittrock (TV’s American Horror Story, Noah) were all spot-on.

So what makes the film so underwhelming? Is it the screenplay from the Coen brothers, Richard LaGravenese, and William Nicholson? No, not at all. Then what? I think Angelina Jolie had a lot of great elements to use, but they just weren’t put together the right way. As I said before, the cinematography was great, but the sets and costumes captured felt fake. They just didn’t have the look they needed. The pacing is off as well. It’s disappointing from my initial hopes of the film.

Unbroken is broken in several ways. Like a puzzle with too few edge pieces, it just has a lot of trouble fitting together. Angelina Jolie has proven before she can handle the directorial duties, but this film isn’t a great representation of that handle. For my money, there are better war films…American Sniper, anyone?

2/5

-Kyle A. Goethe

May 29, 2015 1

[Happy 5th Birthday!] A Nightmare on Elm Street (2010)

Director: Samuel Bayer

Cast: Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz

Screenplay: Wesley Strick, Eric Heisserer

95 mins. Rated R for strong bloody horror violence, disturbing images, terror and language.

Earlier this month, I discussed Platinum Dunes and their remake of The Amityville Horror. In that review, I mentioned that I believe a remake was an unsuitable idea for that franchise and, indeed, the entire horror genre. Most horror fans understand that the endless barrage of sequels boils down to mostly remake material, but we love the thrill of an unstoppable horror that keeps coming back. By hitting the remake switch, we get stuck with a new thread that may not be strong enough to carry a film. I happen to think that, if you want to bring back a franchise, do it like Star Trek did, where the new film could constitute a beginning of a series while being honest to the fans. Easy? No, but did we ever want easy? No. Even Friday the 13th’s remake was a better choice than just the same movie over again. Friday the 13th took the route of rebooting the series by the taking the best parts of remaking the franchise rather than just the inciting film. In A Nightmare on Elm Street, we get a straight remake, so we don’t get scared, because we’ve seen it all before.

The teenagers in town are dying when they fall asleep, and there’s not much that can be done about it. Quentin Smith (Kyle Gallner, American Sniper, Dear White People) and Nancy Holbrook (Rooney Mara, The Social Network, Ain’t Them Bodies Saints) are willing to try anything to stay awake as they attempt to uncover the dark secret about their town, their parents, and the man who haunts their dreams, Freddy Krueger (Jackie Earle Haley, Watchmen, RoboCop).

I really enjoy Jackie Earle Haley’s work here. I’ve often found him to be an interesting character actor who specializes in the darkness within humanity. As Freddy Krueger, he found a menacing voice and strong physical performance that adds something new to the character. He even improvised some truly disturbing dialogue to keep the actors unhinged during shooting. I particularly like the unsettling line about the how the brain still functions seven minutes after death. The problem with his character is that his face is half-CGI’d and that lead to a more wooden character than we should have had. The irritating part was that the reason for the CGI (from the same group involved with Harvey Dent in The Dark Knight) was meant to be true to actual burn victims. Then, at the last minute, they scaled it back, hindering Haley’s work without a reason, and effectively crushing the intensity of the film.

As for the teenagers of Springwood, I can’t be as happy about. Gallner and Mara tune in flat work, bolstered by some pretty good (if not completely cheesy) acting from Katie Cassidy (TV’s Arrow, Monte Carlo) and Kellan Lutz (TV’s The Comeback, Twilight).

The new addition of micro-dreaming is cool, but it boils down to jumping the shark here. Where does the story go if they can’t even stay awake.

New director Samuel Bayer takes his touch for music videos and applies it well to the cinematography of this film. He absolutely can’t handle using practical effects which result from the over-shiny quality of the picture. Where’s the brooding darkness? Good question.

There is a lot of good that A Nightmare on Elm Street did (I don’t agree with Rooney Mara speaking out against the film once she “made it” as an actress). There, unfortunately, is too much that this remake did wrong. The entire film comes off as a flimsy reminder that we had better 30 years ago. It can’t carry the weight of a franchise, and now fanboys like me are waiting around to see if we will ever get another tour of Elm Street.

2.5/5

-Kyle A. Goethe

April 27, 2015 4

Top Ten of 2014!

So everyone, the final 2014 releases have come and gone. It is time to button off last year so that we can get a great start to 2015! Here is my Top Ten Films of 2014!

Thank you all so much for taking the ride with me, and let’s enjoy a (hopefully) incredible 2015!

-Kyle A. Goethe

April 22, 2015 0

American Sniper (2014)

Director: Clint Eastwood

Cast: Bradley Cooper, Sienna Miller

Screenplay: Jason Hall

132 mins. Rated R for strong and disturbing war violence, and language throughout including some sexual references.

Academy Award Winner: Best Achievement in Sound Editing
Academy Award Nominee: Best Motion Picture of the Year
Academy Award Nominee: Best Performance by an Actor in a Leading Role (Bradley Cooper)
Academy Award Nominee: Best Writing, Adapted Screenplay
Academy Award Nominee: Best Achievement in Film Editing
Academy Award Nominee: Best Achievement in Sound Mixing

American Sniper is the true story of Chris Kyle (Bradley Cooper, Silver Linings Playbook, Serena), the most lethal sniper in US military history and the effect his fame, and sometimes infamy, has on his life in the states with the woman he loves, Taya (Sienna Miller, Foxcatcher, Unfinished Business).

I enjoyed the film immensely, although I did have one major fault. I believe that this film spends too much time out of the country when the real heart of the film lies in the problematic yet loving relationship he has with Taya. I enjoyed Cooper’s character arc in the film, but there were sequences that could’ve been trimmed down to streamline Kyle’s story to something slightly more engaging, especially under the powerful work, both physically and emotionally, given by Bradley Cooper.

The chemistry between the two leads is fantastic, and director Clint Eastwood (Million Dollar Baby, Jersey Boys) presents his audience with a completely engrossing near-masterpiece on the effects of PTSD on the armed forces. His cinematography is exquisite, the score is engaging and simple, and the sets are so real that I got lost in them. This film is an expertly crafted piece of moviemaking.

Now, many have described American Sniper as a pandering film, but I feel it provides an unbiased look at a man’s life. This was a man who was serving his country. This was a man with morals who gave his all to protect the people he loved. I personally didn’t agree with the decision to go to war with the amount of intelligence we had, but that doesn’t mean that I have a problem with the decisions that Chris Kyle made in defense of his country. No matter how you feel about the subject matter presented, this is an epic tale of what we pay to keep others safe.

Bradley Cooper definitely does justice to the late Kyle, and he gives perhaps the most engaging performance of his career, proving yet again that the funny man can continue to surprise. Under the expert eye of seasoned director Eastwood, American Sniper is a slightly flawed but certainly engaging film. Definitely worth the time, no matter your thoughts on the man.

4.5/5

-Kyle A. Goethe

March 16, 2015 5

March 2015 Preview

I hope you all enjoyed the Academy Awards. Now we are deep into 2015 and away we go!

As I say every month, these are my predictions based on buzz, trailers, and my abilities at reading into these things.

Don’t hate the player. Hate the game.

Chappie

Director Neill Blomkamp, fresh off the news that he will next be helming a new Alien film with Sigourney Weaver, returns to creating culturally significant science fiction with Chappie. Chappie is an artificially intelligent robot created help mankind. Chappie must defend himself from enemies of robot life. I love Blomkamp’s work from District 9 and from the early trailers, I am absolutely stoked for Chappie. Definite good buzz.

Faults

Faults is a cult that has taken Claire into its commune. Claire’s parents hire an expert on mind control to successfully free her from the cult’s clutches. Faults comes from the producers of You’re Next and The Guest, and I certainly enjoyed those films, so I am leaning towards the better side of Faults.

Unfinished Business

Vince Vaughn plays a small-business owner who has traveled to Europe with his associates to close a major deal. On the way, their trip becomes unrailed by sex fetish event and a global summit. Vince Vaughn’s recent work has been a major disappointment but he does have the added abilities of Tom Wilkinson and Dave Franco, who could pull this film in the right direction. Still up in the air.

Cinderella

Director Kenneth Branagh’s Cinderella reimage follows the standard story of a young girl and her abusive stepmother. When the prince throws a ball inviting every unmarried young woman, Cinderella desperately wants to go, and with the help of a Fairy Godmother, may just get it. I like Branagh’s directing style but I was disappointed by Jack Ryan: Shadow Recruit. I also don’t like the recent attempts by Disney to make remakes of their classic animated films. Maleficent was one of the better ones (for its alternate take) but I’m still not feeling this one.

Run All Night

Liam Neeson stars as Jimmy Conlon, The Gravedigger, a high-profile hitman working for the mob, until his son, Michael, has a hit put on him. Now Jimmy and Michael has to survive the night filled with mob bosses, gunfire, and lots of explosions. I have found that Neeson’s low-budget action flicks are pretty hit and miss. I’m inclined to enjoy his engagements with Ed Harris. The higher part of the bubble here.

Do You Believe?

This is essentially Valentine’s Day with religious intersections. Not going to be good. And don’t get me that whole thing about religion. I’ll point out, I’m a fairly religious guy, but these kinds of movies mostly fall flat by bad production and poor abilities from the crew. Skip.

The Divergent Series: Insurgent

Insurgent follows the further adventures of Beatrice Prior after she escapes from the city with Four and the other lawbreakers. I was a tremendous hater of Divergent. I thought it was boring and unoriginal and riddled with plotholes. I’m willing to give Insurgent the benefit of the doubt but I’m still not recommending it yet.

The Gunman

Equal parts Taken and an attempt to make American Sniper, The Gunman stars Sean Penn as a Special Forces member with PTSD who must save the woman he loves. Sorry, but I’ve seen Taken already.

Get Hard

Will Ferrell returns to raunchy comedy with Get Hard, where he plays James King, a millionaire who is going to prison for fraud. He enlists Darnell Lewis to train him for jail. I think it looks kind of funny but Kevin Hart, while hilarious, is usually a movie-killer. I’m thinking better, though.

Home

Home is essentially an animated version of E.T.: The Extra-Terrestrial, and while I love Jim Parsons, I do not love Rihanna, and I’m not feeling this one.

And here we are at the end. Final tally:

Best Bets: Chappie

On the Bubble: Faults, Unfinished Business, Run All Night, The Divergent Series: Insurgent, Get Hard

Likely Misses: Cinderella, Do You Believe?, The Gunman, Home

Enjoy yourself at the movies this month. See Chappie, and maybe take a bit to catch up on the Oscar films as it is pretty sparse this month. See you in April.

-Kyle A. Goethe

March 4, 2015 0

[#2015oscardeathrace] Let’s Begin…

Hey everyone, so here’s the deal, every year, I try to make my way into seeing every film nominated for an Academy Awards (no short films, it’s just not possible). This year, there were forty-five films nominated, and here they are:

Best Picture:

American Sniper
Birdman (or The Unexpected Virtue of Ignorance)
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash

Best Director:

Wes Anderson, The Grand Budapest Hotel
Alejandro Gonzalez Inarritu, Birdman (or The Unexpected Virtue of Ignorance)
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Morten Tyldum, The Imitation Game

Best Actor:

Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman (or The Unexpected Virtue of Ignorance)
Eddie Redmayne, The Theory of Everything

Best Actress:

Marion Cotillard, Two Days, One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

Best Supporting Actor:

Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman (or The Unexpected Virtue of Ignorance)
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash

Best Supporting Actress:

Patricia Arquette, Boyhood
Laura Dern, Wild
Keira Knightley, The Imitation Game
Emma Stone, Birdman (or The Unexpected Virtue of Ignorance)
Meryl Streep, Into the Woods

Best Original Screenplay:

Birdman (or The Unexpected Virtue of Ignorance)
Boyhood
Foxcatcher
The Grand Budapest Hotel
Nightcrawler

Best Adapted Screenplay:

American Sniper
The Imitation Game
Inherent Vice
The Theory of Everything
Whiplash

Best Animated Feature:

Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya

Best Foreign Language Film:

Ida
Leviathan
Tangerines
Timbuktu
Wild Tales

Best Documentary:

Citizenfour
Finding Vivian Maier
Last Days in Vietnam
The Salt of the Earth
Virunga

Best Original Score:

The Grand Budapest Hotel
The Imitation Game
Interstellar
Mr. Turner
The Theory of Everything

Best Original Song:

“Everything is Awesome” from The Lego Movie
“Glory” from Selma
“Grateful” from Beyond the Lights
“I’m Not Gonna Miss You” from Glen Campbell: I’ll Be Me
“Lost Stars” from Begin Again

Best Sound Editing:

American Sniper
Birdman (or The Unexpected Virtue of Ignorance)
The Hobbit: The Battle of the Five Armies
Interstellar
Unbroken

Best Sound Mixing:

American Sniper
Birdman (or The Unexpected Virtue of Ignorance
Interstellar
Unbroken
Whiplash

Best Production Design:

The Grand Budapest Hotel
The Imitation Game
Interstellar
Into the Woods
Mr. Turner

Best Cinematography:

Birdman (or The Unexpected Virtue of Ignorance)
The Grand Budapest Hotel
Ida
Mr. Turner
Unbroken

Best Makeup and Hairstyling:

Best Costume Design:

The Grand Budapest Hotel
Inherent Vice
Into the Woods
Maleficent
Mr. Turner

Best Film Editing:

American Sniper
Boyhood
The Grand Budapest Hotel
The Imitation Game
Whiplash

Best Visual Effects:

So, how many can you see? You’re on!

January 15, 2015 0

Guardians of the Galaxy (2014)

Director: James Gunn

Cast: Chris Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Lee Pace, Michael Rooker, Karen Gillan, Djimon Hounsou, John C. Reilly, Glenn Close, Benicio del Toro

Screenplay: James Gunn, Nicole Perlman

121 mins. Rated PG-13 for intense sequences of sci-fi violence and action, and for some language.

The Marvel Cinematic Universe just keeps on getting bigger. Each film just seems to open up the world a bit more, and with Guardians of the Galaxy, director James Gunn just blew the lid off the whole thing. This movie is huge, epic in scale, absolutely opening doors to further adventures both for these heroes and a whole lot more.

Guardians of the Galaxy is the story of Peter Quill (Chris Pratt, Her, Jurassic World) aka Star Lord, an Earthling kidnapped from his home many years previously by aliens. Peter steals a mysterious orb from Ronan the Accuser (Lee Pace, The Hobbit: The Desolation of Smaug, The Twilight Saga: Breaking Dawn – Part 2). Ronan wants it back, badly. Peter joins up with several other degenerate thugs to protect it. Among them is daughter of Thanos, Gamora (Zoe Saldana, Avatar, Out of the Furnace), Drax the Destroyer (Dave Bautista, Riddick, The Man With the Iron Fists), a walking and talking tree named Groot (Vin Diesel, Fast & Furious 6, Babylon A.D.), and a talking genetic raccoon named Rocket (voiced by Bradley Cooper, Silver Linings Playbook, American Sniper). Together, they form the loosely fitting title of the “Guardians of the Galaxy.”

First of all, I just want to point out that Chris Pratt takes a commanding lead of this colorful cast of characters. He controls the film and doesn’t falter under any pressure carrying us along. I’ve been saying for a while that Pratt is going somewhere. This film proves it.

Zoe Saldana is such a beauty; I will never understand why every damn movie has her suiting up in CG of makeup, but the performance here doesn’t suffer, mostly because Saldana requested to wear light makeup so as not to mess with her ability to act. Gamora is a tough character to knock down. Through her relationship with father Thanos (last seen in 2012’s The Avengers in a cameo appearance) and sister Nebula (Karen Gillan, Oculus), she probably has the most connections to tie us into the MCU.

I was actually fairly shocked by Dave Bautista as Drax. I see a former wrestler-turned-actor in a lineup and assume the worst, but that is because more often than not, I am right, but Bautista doesn’t hold us down. He serves the tough guy purpose nicely, and he has a heart in there; the glimpses are just enough to connect to the audience.

Vin Diesel’s Groot is the breakout performance of this film. With three words and seemingly endless permutations, Groot is the source for a lot of the heart and soul of the picture, and his relationship with Rocket is a beautiful thing.

The Collector (Benicio del Toro, Snatch, Inherent Vice) was introduced to us in the post-credits sequence for last year’s Thor: The Dark World, and he serves the purpose of really expanding the Marvel universe. Apart from having the subtle nuances to complete with the other major players, The Collector delivers a lot of big game info in his small role, like the Infinity Stones, certainly something to learn about for future features all over the verse (wait, was that the cube?), as well as giving us some nice cameos of perhaps some future Marvel players (not all, but dammit, enjoy the post-credits scene for what it is).

Now, I did have criticisms for the film. For example, Lee Pace’s Ronan the Accuser is a somewhat generic villain, very much alike to previous Marvel fare. We as the audience wanted more of Thanos that we didn’t really get. At least the film served a purpose of reminding us that he isn’t really an endgame. Not to mention the fact that the ending builds to a less-than-stellar face-off that could have been used earlier for better effect.

The nicest thing we could be given for this film is that we didn’t have a lot of it ruined by the trailer. More films should take a page from Guardians of the Galaxy and understand that a trailer can be made up of non-feature material.

Before I end this off, I want to point out how impressed I was by Gunn’s choice of soundtrack and how much it actually, surprisingly works. Give it a listen and let it pump you up.

Guardians of the Galaxy was a Marvel Studios test, and it works. Producer Kevin Feige wanted to see it fans would turn out for some of the more cosmic, out-there characters that Marvel has to offer. And we did. And we loved it. I think you will too.

4/5

-Kyle A. Goethe

What did you think of Guardians of the Galaxy? Did this ship take you places or crash land on a strange and disappointing planet? Tell me!

September 1, 2014 38