Director: Luigi Cozzi
Cast: Ian McCulloch, Louise Marleau, Marino Masé, Siegfried Rauch, Gisela Hahn
Screenplay: Luigi Cozzi, Erich Tomek
95 mins. Rated R.
I just saw my first Luigi Cozzi (Hercules, La battaglia di Roma 1849) film today. It’s always interesting to see a movie by a director you have not yet watched. I actually wasn’t even aware that I owned any movies from Cozzi, as my copy of today’s movie is listed as Alien Contamination, one of the many titles that this film got upon release. Today, let’s take a stroll down schlock lane with Luigi Cozzi’s famous ripoff of Alien…with Contamination.
When a mysterious ship arrives at the New York Harbor with no souls on board, the police discover that the ship is packed with unusual green eggs larger than footballs. As a research team attempts to discover the origin of the eggs, they learn that these dangerous biohazards are linked to an expedition to Mars.
It’s clear from early on that Contamination is a blatant ripoff of Alien in a number of different ways. After completing Starcrash, Cozzi wanted to stay in the science fiction realm, and he was tasked with making a film similar to Ridley Scott’s recent success in America. Sadly, studio interference happens around the world, and Cozzi was forced to sacrifice a number of elements pertaining to his vision for the film, including adding a bunch of secret agent elements to give the film a “James Bond” feeling. He also had to use animatronic effects instead of his planned stop motion effects. Producer Claudio Mancini had a hand in forcing Cozzi’s hand on a number of these issues, and unfortunately, these are the areas where the film suffers most.
The opening of this film is incredible and shocking and (apart from being unable to hear what the characters are saying in their hazmat suits) total exploitation carnage. When the film sticks to its alien story, it’s phenomenally entertaining, albeit quite silly and cheesy. When the film enters into its obvious 007 secret mission subplots, it loses a lot of its forward momentum.
Along with that, in classic low-budget Italian horror fashion, the acting isn’t all that good, and the writing is pretty cheesy, and the plot is sheer lunacy (seriously, does an NYPD Lieutenant have jurisdiction in South America?), but no one can discount the score from Goblin. This isn’t part of the upper-tier Goblin work, but even their worst is still better than most other scores. Goblin are the composers of a lost time period, and we need that time back. Their rock score keeps the excitement level higher during even its worst sequences.
Outside of the score, there isn’t much anything of actual value in the movie, but this is also the type of film you go into knowing what you are getting. Cozzi was never going to be the type to have an Oscar-winning Best Picture, but he schlocks with the best of them. Cozzi’s films are most seen through the lens of Mystery Science Theater 3000 or Rifftrax, and you just have to figure out if they work for you.
The acting is poor, the writing is silly, and the direction is uninspired, but I enjoyed Contamination. Among all of its problems (and it has a lot of problems), Cozzi infuses a lot of heart into his movie, and you can see it all over the finished product. This is a bad movie, but it is oh-so-much fun to watch, for a certain sect of viewers, at least. I had fun with this Video Nasty, and I think there’s a chance you could to.
-Kyle A. Goethe